• Prospectives of Industrial Chemistry
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• v.22 no.3
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• pp.6-10
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• 2019

용액공정을 이용하여 우수한 특성을 가지는 OLED를 제작하기 위해서는 다층 박막을 형성하여야 하며, 일반적인 용액공정으로는 다층 구조를 형성하는 데에 어려움이 있어 다양한 공정 및 재료에 대한 연구와 개발이 이루어지고 있다. 박막을 전사하는 방법은 상부막에 사용되는 용매의 침투에 의한 하부막 손상을 최소화할 수 있다는 장점을 가지고 있지만, 사용할 수 있는 전사 공정은 극히 제한적이다. 본 기고에서는 전사 공정으로서 산업에 이용되고 있는 hydrographic printing (수전사) 공정을 OLED 제조에 적용하고 그 가능성에 대하여 알아보고자 한다.

• 프린팅코리아
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• s.2
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• pp.96-97
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• 2002

• Korean Journal of Heritage: History & Science
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• v.49 no.3
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• pp.78-103
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• 2016

This research is a study on the side framework structure of the hipped and gable roof of Muryangsujeon at Buseoksa Temple. There is a record that Muryangsujeon was deconstructed and repaired in the period of Japanese Occupancy, and its authenticity has continuously been called into question because the structure of the hipped and gable side roofs, and the bonding of the rafters and eaves were not in good order and very different from those of Joseon Dynasty. Scholars date it differently. It is either dated at 13th century or 12th century. This study compares the non-planar configuration of the middle and front proportions of Muryangsujeon's hipped-and-gable-roof framework with those of the Tang(唐) and Song(宋) Dynasties in China. It concludes that the hipped-and-gable-roof framework of those architecture were built with the same technique. The style of architecture that side rafters directly touch the internal security (梁), like in Muryangsujeon, is not usual even among the hipped and garble roofs of the Tang(唐) and Song(宋) Dynasties. The technique of constructing the hipped roofs developed much further after the Tang Dynasty because they began to use garble eaves to build the side structure. The technique seems to have developed greatly by the period of Ming and Qing Dynasties. It also seems that the parallel-flat (平行輻射椽) rafter, which is the form of rafters used between the parallelrafter period and the half-flat-rafter period is very similar to the construction style of the current rafters of Muryangsujeon. However, the Muryangsujeon's eaves do not touch the corner rafter from the middle part. This seems to be a unique style, which is not common in China. In conclusion, the style of the side roof framework of Muryangsujeon at Buseoksa Temple is not of the China's southern regions, but of the northern regions of Tang(唐), Song(宋) and Liao(遼) Dynasties. And when considering the construction year and proportions of the middle front and side front on the same flat, this must be an ancient technique of the northeastern regions of Asia. Since it is likely that the structure of the side roof framework of Muryangsujeon at Buseoksa Temple has not been altered but is a unique style of hipped and gable roofs, this roof can serve as a good guide to restoring the hipped and garble roofs of the pre-Goyreo Dynasty period.

• The monthly packaging world
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• s.72
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• pp.173-176
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• 1999

• Journal of the Korean Professional Engineers Association
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• v.14 no.2
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• pp.12-17
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• 1981

• 공원문화
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• s.73
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• pp.60-65
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• 1998

• The monthly packaging world
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• s.274
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• pp.90-94
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• 2016

• 월간 기계설비
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• no.11 s.220
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• pp.71-76
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• 2008

설비건설업을 하다보면 여러 가지 자재들을 사용해야 한다. 하지만 비슷한 제품을 우리가 시공하는 현장에 어떤 제품이 적합한 것인지 궁금할 때가 많다. 더욱이 제품 특징 및 단가 등을 알고 싶을 때 일일이 찾아봐야 하는 번거로움이 따른다. 본지는 회원사의 설비자재에 대한 궁금증을 해소하기 위해 지난해 6월호부터 특정 자재를 선정하여 제품의 특징용도 등을 담은 '자재의 모든 것'을 게재한다.

• Journal of the Korean Society for Advanced Composite Structures
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• v.6 no.1
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• pp.6-13
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• 2015

In this paper we present the result of investigations pertaining to the buckling strength of Zelkova Serrata (Elm-like) tree column with entasis at the Muryangsujeon in Buseoksa-Temple, Korea. Wooden columns with entasis had been used in the construction of ancient architectural buildings in Korea. It was not known why did they design columns with entasis of the buildings. It is just presumed that the reason may be the compensation of optical illusion, aesthetics, and/or structural safety. The question is not answered even today and it may not be possible to answer clearly and easily. In the paper, the buckling analyses are conducted on both of the wooden column with entasis and the prismatic wooden column by the successive approximations technique and the finite element methods, respectively. The results of analyses are compared and discussed.

• The Journal of Natural Sciences
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• v.14 no.1
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• pp.123-138
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• 2004

This study was to investigate the planting arrangement of ornamental trees and shrubs that leads to an appropriate, type of templescape. Temples sampled for this study were Woljonsa, Sineunsa, Sinreugsa and Mitasa which fall all under the category of the level land. The results obtained were as follows : Open space of Daewoongjeon in all temples, a main Sanctuary among temple buildings, where Buddha is enshrined in, we could not find any kinds of trees/shrubs to be planted. But tere were Acer mono, Acer planmatum, Crataegus pinnatifidam Raododendron poukhanense, Texus cuspidata and Buxus mincrophylla to be planted, before Jeokkwangjeon, in which Buddha is exceptionally enshrined. In Geugragjeon of both temples of Sinheunsa and Sinreugsa, and Elysium building and Muryangsujeon of Woljeongsa temple, an immeasurable bliss building, in which an Amitabha is enshrined. was Taxus cuspidata planted numerously found. Particularly, Josadang, Muryangsujeon and Samsungkag of Woljeongsa temple commonly had Sciadopiys verticillata, which is known as one of Japanese-favorite trees. Syinga oblata Lindaley was also observed at Jeokkwangjeon of Woljeongsa temple and Keungnakjon of Sinheungsa temple, and Vidurnun opulus var. calvesvens, a symbolic flower tree imaging Buddha's head, was planted in Myungboojeon of Sinheungsa temple and Keugnakjeon of Sinreugsa temple. Juniperus chinensis which could be observed in both temples Sinheunsa and Sinreugsa was well arranged enough to be easily captured by human's eyes. In terms of templescape that might be considered in templescape, the correlation between trees/shrubs and temple buildings was thoroughly discussed. And, with the results obtained through precise studies, we presented here in this paper newly designed model of templescape in level land buddhist temples which is possibly applied for planting and arrangement of trees or/and shrubs.