• Title/Summary/Keyword: 소리 분석

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SOUND PRODUCTION AND BEHAVIOUR OF CRABS, PORTUNUS TRITUBERCULATUS(MIERS) (II) (꽃게의 소리와 행동 (II))

  • KIM Sang-Han
    • Korean Journal of Fisheries and Aquatic Sciences
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    • v.7 no.1
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    • pp.28-36
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    • 1974
  • For the development of acoustic fishing method, we had been researched a fundamental study which concerned on the sound production and behaviour of crabs was conducted. For specimen crabs such as Portunus trituberculatus and Charybdis japonica were selected. Croaking noise were recorded by the Cassette-recorder (Sony model CF-1600) through the under water monitor microphone, and analyzed in frequencies by Octave band analyzer, Rion SA-55, and sound pressure level of source by sound level meter, SM-5844. The following are the results obtained from the present investigations : When sound production of crabs (Portunus trituberculatus( female ) : carapace width $12.6\~15$cm) were attracted to another crabs in the water of anechoic aquarium, efficacy of phonotaxis was $84\~100\%$ and velocity by phonotaxis was $6.5\~7.2cm/sec$. The time required for copulation ranged from 90 minute to 95 minutes by Charybdis japonica, at that time there was no sound production with their copulation.

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Relationship between Physical Properties and Sensibility of the rustling Sounds of Silk Fabrics (견직물의 마찰음에 대한 물리적 성질과 감성과의 관계)

  • 최계연;김춘정;조길수
    • Science of Emotion and Sensibility
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    • v.5 no.3
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    • pp.39-46
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    • 2002
  • The purpose of this study was to examine the effects of sensation and sensibility from the rusting sound of silk fabrics. The mechanical properties and sound parameters were measured after recording the rusting sounds of 7 silk fabrics. Then, their relationships were analyzed through the evaluation of subjective sensation and sensibility and found a regression model for the sensibility from the mechanical properties. The adjectives of the sensibility were grouped into four: Elegant, Active, Tough, Modern. Soft and flexible fabrics were related with LPT negatively and induced elegant sensibility. And fabrics of the smoother and less changable to shear direction were related with LPT and Δf, and positively, and occurred active sensibility. On the other hands, rough, bulky, thick, and heavy fabrics were related with ARC and Δf, and induced with tough or modern sensibilities. About the sensibilities according to each fabric, STN8 was the most elegant, STN8-S was the most active, and TWL16 and STN16-N were the toughest.

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Wild Bird Sound Classification Scheme using Focal Loss and Ensemble Learning (Focal Loss와 앙상블 학습을 이용한 야생조류 소리 분류 기법)

  • Jaeseung Lee;Jehyeok Rew
    • Journal of Korea Society of Industrial Information Systems
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    • v.29 no.2
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    • pp.15-25
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    • 2024
  • For effective analysis of animal ecosystems, technology that can automatically identify the current status of animal habitats is crucial. Specifically, animal sound classification, which identifies species based on their sounds, is gaining great attention where video-based discrimination is impractical. Traditional studies have relied on a single deep learning model to classify animal sounds. However, sounds collected in outdoor settings often include substantial background noise, complicating the task for a single model. In addition, data imbalance among species may lead to biased model training. To address these challenges, in this paper, we propose an animal sound classification scheme that combines predictions from multiple models using Focal Loss, which adjusts penalties based on class data volume. Experiments on public datasets have demonstrated that our scheme can improve recall by up to 22.6% compared to an average of single models.

Application of Vocal Fold Vibration Analysis Parameter for Infant Congenital Heart Diseases Diagnosis (소아 선천성 심질환 진단을 위한 성대 진동 분석 요소의 적용)

  • Kim, Bong-Hyun;Cho, Dong-Uk
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.10 no.10
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    • pp.2708-2714
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    • 2009
  • Due to poor linguistic communication skills of sucklings and infants, crying mostly is only means of communication to express their body conditions and desires. We, therefore, developed an infant auscultation system which detects which part of the body has a pathological problem, by analysing infant's crying sound patterns. Specifically, in this paper, we accomplished an auscultation system for congenital heart diseases detection by performing pitch, intensity and spectrum analysis of the crying sounds between the normal infants group and the congenital heart diseases group. With this system, we can diagnose congenital heart diseases of infants with poor communication capacity, and, in the near future, can build a home care diagnosis system based on crying sound analysis technologies through additional experiments on medical data.

A SPECTROGRAPHICAL STUDY OF KOREAN VOWELS

  • LEE H.B.;Zhi M.J.
    • MALSORI
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    • no.6
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    • pp.4-12
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    • 1983
  • 이 논문은 음향 분석기를 이용하여 한국어의 단순모음 8개를 음향 음성학적으로 분석하고 그 결과를, 이 현복의 1971년 논문 "현대 서울말의 모음 음가"에서 기분 모음을 기준으로 하여 기술한 단순 모음의 소리값과 비교하는 데어 목적이 있다. 특히, 한국어의 모음 1)길고 세게 날 때, 2)짧고 세게 날 때, 그리고 3) 여리게 날 때의 세가지 환경에 따라 변이음의 음가가 달리 나타난다는 이 현복의 이론을 음향 음성학적으로 확인해 보는 것이 연구를 하는 주요 관심사이다. 이 실험에 사용된 자료는 위에 말한 이 현복의 논문과 "한국어 음성학"(김선기, 1937, 1971; 영문)에 제시된 낱말로 이루어져 있으며, 이를 스웨덴에 유학중인 지 민제가 자신의 목소리로 직접 녹음하여 위메오 대한 음성학과의 음향 음성학 실험실에서 음향분석기로 분석한 다음, 각 모음의 제1 및 제2포인트를 측정하여 리를 토대로 음향도를 만들었다. 이 실험 결과는 다음과 같이 요약할 수 있다. : 1)그림 2,3과 포먼트 표에서 보인 바와 같이, 모음 /이, 에, 오, 으/는 각각 이 현복의 주장대로 환경에 따라 세 개의 분명히 다른 음가를 나타내고 있다. 2) 한편 모음 /애, 아, 우, 어/는 모음의 길이에 따라 다만 두 종류의 음가 변동이 나타날 뿐이며 강세의 유무에 따른 음가 차이는 드러나지 않았다. 3) 이 현복의 주장대로 모음 /에/와 /애/mss 음가의 차이가 크지 않으므로 음운 대립이 무디어질 수 있음을 이번 실험 결과로 확인 하였다. 특히 강세가 없는 /에/는 강세가 있는 /애/와 소리값이 거의 같았다. 4) 이 현복은 표준말에서 /어/의 음가가 세대에 따라 다르며, 안정된 세대의 말씨에서는 /어:/가 /어/에 비해 높고 중앙화한 소리값을 지닌다는 주장을 하였다. 그러나 이 실험 연구에서는 녹음한 이가 젊은 세대이어서 인지 그러한 현상이 나타나지 않았고, 다만 /어:/는 /어/보다 높이만이 높은 것으로 나타났다. 5) 이번 실험 연구에서 모음의 소리값이 장단과 강세에 따라 달라진다는 이 현복의 주장이 대체로 증명된 셈이나, 종합적이고 확고한 결론을 내리려면 좀 더 광범한 실험 연구가 필요하다고 본다. 특히 안정된 세대의 말씨를 직접 녹음하여 음향 음성학적으로 분석함이 필요하다.

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A Study on Audio-Visual Interactive Art interacting with Sound -Focused on 21C Boogie Woogie (사운드에 반응하는 시청각적인 인터랙티브 아트에 관한 연구)

  • Son, Jin-Seok;Yang, Jee-Hyun;Kim, Kyu-Jung
    • Cartoon and Animation Studies
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    • s.35
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    • pp.329-346
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    • 2014
  • Art is the product from the combination of politics, economy, and social and cultural aspects. Recent development of digital media has affected on the expansion of visual expression in art. Digital media allow artists to use sound and physical interaction as well as image as an plastic element for making a work of art. Also, digital media help artists create an interactive, synaesthetic and visual perceptive environment by combining viewers' physical interaction with the reconstruction of image, sound, light, and among other plastic elements. This research was focused on the analysis of the relationship between images in art work and the viewer and data visualization using sound from the perspective of visual perception. This research also aimed to develop an interactive art by visualizing physical data with sound generating from outer stimulus or the viewer. Physical data generating from outer sound can be analyzed in various aspects. For example, Sound data can be analyzed and sampled within pitch, volume, frequency, and etc. This researcher implemented a new form of media art through the visual experiment of LED light triggered by sound frequency generating from viewers' voice or outer physical stimulus. Also, this researcher explored the possibility of various visual image expression generating from the viewer's reaction to illusionary characteristics of light(LED), which can be transformed within external physical data in real time. As the result, this researcher used a motif from Piet Mondrian's Broadway Boogie Woogie in order to implement a visual perceptive interactive work reacting with sound. Mondrian tried to approach at the essence of visual object by eliminating unnecessary representation elements and simplifying them in painting and making them into abstraction consisting of color, vertical and horizontal lines. This researcher utilized Modrian's simplified visual composition as a representation metaphor in oder to transform external sound stimulus into the element of light(LED), and implemented an environment inducing viewers' participation, which is a dynamic composition maximizing a synaesthetic expression, differing from Modrian's static composition.

Underwater Sound Characteristics of Gray Whale(Eschrichtius robustus) (귀신고래(Gray whale, Eschrichtius robustus)의 수중명음 특성)

  • Shin, Hyeong-Il;Lee, Young-Hoon;Seo, Du-Ok;Lee, Dae-Jae;Hwang, Doo-Jin;Kim, Zang-Geun;Lee, Yoo-Won
    • Journal of the Korean Society of Fisheries and Ocean Technology
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    • v.40 no.3
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    • pp.189-195
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    • 2004
  • The underwater sound of California gary whale was analyzed to discuss obtained results from the previous data to compare the underwater sound between Korean gray whale and California gray whale. The frequency of low frequency rumble which occupy about 50% of the underwater sound changed to max. 654Hz and the average of its lasted time was 570msec. The range of frequency variation was coincided as compared with the previous data. The range of frequency variation for the bubble type sounds and knocks was 24${\sim}$1029Hz, respectively. The average of lasted time was 1100msec and 1364msec, respectively. The range of frequency variation and lasted time of bubble type sounds was higher than the previous result while the sound of knocks was coincided. The range of frequency variation for the sound of bong, pluses and chirps was 34${\sim}$213Hz, 75${\sim}$360Hz and 120${\sim}$200Hz, respectively and the average of lasted time was 84msec, 873msec and 80msec, respectively.

A Study of Sound Expression in Webtoon (웹툰의 사운드 표현에 관한 연구)

  • Mok, Hae Jung
    • Cartoon and Animation Studies
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    • s.36
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    • pp.469-491
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    • 2014
  • Webtoon has developed the method that makes it possible to express sound visually. Also we can also hear sound in webtoon through the development of web technology. It is natural that we analyze the sound that we can hear, but we can also analyze the sound that we can not hear. This study is based on 'dual code' in cognitive psychology. Cartoonists can make visual expression on the basis of auditive impression and memory, and readers can recall the sound through the process of memory and memory-retrieval. This study analyzes both audible sound and inaudable sound. Concise analysis owes the method to film sound theory. Three main factor, Volume, pitch, and tone are recognized by frequency in acoustics. On the other hand they are expressed by the thickness and site of line and image of sound source. The visual expression of in screen sound and off screen sound is related to the frame of comics. Generally the outside of frame means off sound, but some off sound is in the frame. In addition, horror comics use much sound for the effect of genre like horror film. When analyzing comics sound using this kinds of the method film sound analysis, we can find that webtoon has developed creative expression method comparing with simple ones of early comics. Especially arranging frames and expressing sound following and vertical moving are new ones in webtoon. Also types and arrangement of frame has been varied. BGM is the first in using audible sound and recently BGM composed mixing sound effect is being used. In addition, the program which makes it possible for readers to hear sound according to scroll moving. Especially horror genre raise the genre effects using this technology. Various methods of visualizing sound are being created, and the change shows that webtoon could be the model of convergence in contents.

An Analysis on the Korean Language for Optimum Transmission of Hangul Code (한글 부호의 최적화 전송을 위한 한국어 낱자 분석)

  • Hong, Wan-Pyo
    • The Journal of the Korea institute of electronic communication sciences
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    • v.10 no.1
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    • pp.33-38
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    • 2015
  • The goal of this paper is to propose the Hangul Jamo to make a optimum transmission code of Hangul consonant and vowel(Jamo). The Hangul Jamo was analyzed by three kinds of Hangul Jamo. First one is the basic Hangul Jamo which is consisted by 24ea Jamo. Second one is a two combination keyboard which has 28ea Jamo. Third one is 54 Jamo set which is added the double Jamo to the second one. Use frequency of Hangul-Jamo is analyzed based on the Hangul in "Modern Korean Use Frequency Rate Survey Result" issued by The National Institute of the Korean Language". Total 58,437 Korean words are contained in the report and the words are composed with Hangul 1,540ea. The results of this study are as follows, In the Jamo are that in the first Jamo set case, the highest use frequency consonant is "ㅇ" and the lowest one is "ㅋ", and in the vowel case, the highest use frequency one is "ㅏ" and the lowest one is "ㅑ". In the second case, the highest use frequency consonant is same as first case and the highest vowel is "ㅏ" and the lowest one is "ㅒ". In the third case, the highest consonant is "ㅏ" and the lowest one is "ㅞ". the highest vowel is "ㄱ" and the lowest one is "ㄽ".