• Title/Summary/Keyword: 성악가

Search Result 40, Processing Time 0.023 seconds

Study on Legato in Vocal Music Performance (성악 발성에서의 레가토(Legato)에 대한 연구)

  • Lu, Xiaozhou
    • Journal of Korea Entertainment Industry Association
    • /
    • v.13 no.4
    • /
    • pp.17-26
    • /
    • 2019
  • In order to study the role of legato to singers in vocal music performance, this paper adopts the methods of demonstration and induction and comparison to analyze the three factors affecting the creation of legato in performance and propose solutions. When thinking about the influence of singing skills on legato, singers will be able to solve such issues as breathing, articulation and vocal register, thus improving their singing skills. When thinking about the influence of singing language on legato, singers will make an in-depth study on the phonetic and structural features of the language to reach legato in language, thus promoting the in-depth study of singers on the singing language. When thinking about the influence of singing emotion on legato, singers will solve the problem of emotional coherence from two aspects of thought and emotion to create legato of emotion, thus promoting the expression of singers' emotion in the work. Obviously, legato plays an important role in improving singers' singing skills, singing language and singing emotion. The aim of the paper is to encourage singers to further deepen their attention to legato in vocal music performance and make better use of legato in singing.

성악가와 비성악가에서의 음도에 따른 성대외근의 surface EMG activity 변화

  • 손영익;윤영선;추광철;김선일
    • Proceedings of the KSLP Conference
    • /
    • 1998.11a
    • /
    • pp.198-198
    • /
    • 1998
  • 성악발성 시 전문적인 성악가와 비전문가에서 성대외근의 수축 경향을 파악함으로써, 성대외근이 성악발성에 갖는 중요성을 파악하고, 얻어진 자료를 토대로 성악발성 숙련도의 판정이나 성악인의 음성치료에 활용할 수 있는 가능성을 알아보고자 하였다. 서양음악을 전공한 지 10년 이상 된 20-30대의 소프라노 4인을 성악가 군으로, 비전공자 여성 4인을 대조군으로 하여, E3 부터 C6 내의 9개 음을 낮은 음부터 시작하여 차례로 /이/ 모음을 수초간 발성하게 하였다. Multi-Mode Program (UP) Plus (Nicolet, Viking IV)와 1개 채널의 음성신호 및 3개 채널의 surface electrode를 이용하여 발성 시설골상근, 설골하근, 견갑설골근의 활동전위를 측정한 뒤, 단위시간 당 근전위 진폭의 합을 구하여 두 군간에 그 양상을 비교하였다. (중략)

  • PDF

A Case Study on Vocal Aerobic Treatment Voice Therapy Development and Application for Classical Singers (성악가를 위한 VAT 음성치료 개발 및 적용 사례연구)

  • Yoo, Jae-Yeon;Lee, Ha-Na
    • 재활복지
    • /
    • v.22 no.1
    • /
    • pp.157-168
    • /
    • 2018
  • The purpose of this study is to investigate the impact of semi-closed vocal training-based Vocal Aerobic Treatment on the voice improvement of soprano. Study subject was one soprano who appealed to the suffering of her voice problem due to vocal cord nodule. A study method of conducting pre/post acoustic evaluation and subjective voice evaluation to compare the measures was used; Vocal Aerobic Treatment was carried out twice a week for a total of 32 session. In the acoustic evaluation, MDVP (multi-dimensional voice program) and VRP (voice range profile) were used to evaluate the pitch, voice quality, and voice range; in the subjective voice evaluation, SVHI (singing voice handicap index) was used to assess voice satisfaction. As a result of the pitch evaluation, the soprano maintained a proper Fo. As a result of the voice quality evaluation, the jitter, shimmer, and the noise harmonic ratio numbers decreased compared to the numbers shown before the treatment. As a result of the voice range evaluation, the scope of the range was broadened, with the number of semitone increasing from 30 to 35. As for the subjective voice evaluation, the result of the total score obtained after the survey report divided by the number of questions showed a decrease from 3.6 to 0.6. The soprano herself reported of having a minor extent of a voice problem. The summary of the above results reflects that Vocal Aerobic Treatment is useful in the voice improvement of vocalists However, as this study is case research regarding the Vocal Aerobic Treatment effect on one soprano, further research on the treatment effect covering many other vocalists is necessary. Also, there is a need for follow-up studies regarding voice management and voice treatment program on not only the vocalists but also the voice users in many other professions.

VHI, V-RQOL, and vocal characteristics of teacher and singer (교사 및 성악가의 VHI, V-RQOL, 음향학적 특성 비교)

  • Hong, Ju-Hye;Hwang, Young-Jin
    • Journal of the Korea Academia-Industrial cooperation Society
    • /
    • v.13 no.7
    • /
    • pp.3048-3056
    • /
    • 2012
  • The purpose of this study was to investigate VHI, V-RQOL, and vocal characteristics of a teacher and singer. 56 subjects were participated in this study (20 subjects are a teacher with vocal nodule, 20 subjects are a singer with vocal nodule, and 16 subjects are normal speakers). All subjects completed the VHI, V-RQOL, and vocal characteristics were measured using CSL 4500(Kay Pentax. USA). 21 subjects completed the VHI, V-RQOL, and vocal evaluation using CSL 4500 twice to assess test-retest reliability. A statistical analysis was performed using the Statistical Package for Social Sciences 18.0 (SPSS Inc, Chicago, IL). The VHI and V-RQOL showed that the teacher and singer group were significantly higher than those of the control group in functional, physical and emotional aspects(p<0.05). the acoustic analysis using CSL 4500 showed the teacher and singer group were significantly higher than those of the the control group in fundamental frequency related variables, fundamental perturbation related variables, amplitude perturbation related variables, noise related variable, and tremor related variables(p<0.05). Conclusionally, the teacher and singer group recognized their voice problems as a serious physico-functional aspects.

구개수구개인두성형술 이후의 음성변화

  • 손영익;김선일;윤영선;이은경
    • Proceedings of the KSLP Conference
    • /
    • 1997.11a
    • /
    • pp.259-259
    • /
    • 1997
  • 폐쇄성 수면무호흡의 치료를 목적으로 한 구개수구개인두성형술 이후의 음성변화 유무를 파악하여, 성악가 등의 전문적인 음성사용자에게 상기한 수술을 결정함에 있어서 가능한 guideline을 제시하여 보고자 하였다. 수면다원검사상 폐쇄성 수면무호흡증으로 진단된 성인남자 20명을 대상으로 수술전후의 음성변화에 대한 설문조사를 하였고, 수술전, 수술후 1개월에 각각 /아/, /이/, /우/ 모음의 제1, 2, 3 음향대를 비교하였으며, 표준 비음비율이 각기 다른 세가지 문장을 이용하여 수술전후의 비음비율의 변화를 측정하였다. 환자 자신은 수술전후의 음성이나 음색의 변화를 느낄 수 없었고, 비음비율의 변화나 모음의 음형대에 대부분은 변화가 없었지만, /우/ 음의 제3음형대 특성에 변화가 있음을 관찰하였고, 구인두가 중요한 역할을 담당할 수 있는 특정언어의 일부 발음이나 vibrato, singer's formant등의 변화유무에 대한 연구가 없는 점을 감안한다면, 성악가를 비롯한 전문적 음성사용자에?서는 구개수 구개인두성형수술을 결정함에 있어 신중을 기하여야 할 것으로 사료되었다.

  • PDF