• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2013.06a
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• pp.278-279
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• 2013

최근에 완료된 HEVC(High Efficiency Video Coding) 비디오 압축 표준은 H.264/AVC에 비해 2배 이상 향상된 압축 효율을 제공한다. 현재 진행 중인 HEVC 확장 (extension) 작업에서는 손실 및 무손실 부호화에서 4:2:2 및 4:4:4 색차 포맷과 최대 12비트 깊이를 지원하는 고급 프로파일을 개발하고 있다. 현재까지 개발된 HEVC의 CABAC(Context-based Adaptive Binary Arithmetic Coding)은 손실 부호화 환경에 적합하게 설계되었기 때문에 무손실 부호화 환경에서 최적의 부호화 성능을 제공하지 못한다. 본 논문에서는 4:4:4 색차 포맷 영상의 무손실 화면내 부호화 환경에서 잔여 신호의 통계적 특성을 고려한 향상된 CABAC 잔여 데이터 부호화 방법을 제안한다. 실험 결과를 통해, 본 논문에서 제안하는 향상된 CABAC 방법이 무손실 화면내 부호화에서 기존의 CABAC 방법에 비해 평균 약 2.41% 의 비트 수를 감소시키는 것을 확인했다.

• Journal of Biomedical Engineering Research
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• v.22 no.6
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• pp.527-534
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• 2001

Conventional stereo image acquisition uses a pair of frame grabbers in the CAS(Computer Assisted Surgery) system. In this Paper, we developed a synchronized stereo image acquisition method with only one frame grabber Two images from left and right camera each other. were merged with different color space without time delay and thus only one frame grabber was enough toy stereo image. Due to this synchronous Property of image acquisition, we can improve spatial revolution on the computation of 3D Position. Furthermore the overall costs for 3D navigator can be down and the extraction time of stereo Position tan be shortened.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2019.06a
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• pp.133-134
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• 2019

최근 들어 다양한 초 고화질 스트리밍 서비스의 보급과 통신기술의 급격한 발전에 따라 고화질 비디오 신호를 포함하는 멀티미디어 데이터의 이용과 전송의 중요성이 급속도로 증가하고 있으며, 동시에 동영상에 대한 수요도 지속적으로 증가하고 있어, 더욱 효과적인 동영상의 압축기법이 요구되고 있는 실정이다. 본 논문에서는 최근 VVC 표준화 회의에서 채택된 다중 변환 선택 기술의 적용범위를 확장하여 기존의 방법처럼 휘도채널에 적용하는 것뿐만 아니라 특정한 조건 하에서는 동일한 방법을 색차채널에도 적용하도록 하여 압축 효율을 향상하는 방법을 연구하였다. 실험결과, 기존 VVC 방법 대비 BDBR 측면에서 Y(0.00 %), Cb(-0.26%), Cr(0.08%)의 결과를 얻을 수 있었다.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.31 no.10C
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• pp.933-941
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• 2006

In this paper, we proposed an efficient coding method for digital hologram (fringe pattern) acquired by a CCD camera or by computer generation using multi-view prediction technique and MPEG video compression standard technique. It proceeds each R, G, or B color component separately. The basic processing unit is a partial image segmented into the size of $N{\times}N$. Each partial image retains the information of the whole object. This method generates an assembled image for a row of the segmented and frequency-transformed partial images, which is the basis of the coding process. That is, a motion estimation and compensation technique of MPEG is applif:d to the reconstructed images from the assembled images with the disparities found during generation of assembled image and the original partial images. Therefore the compressed results are the disparity of eachpartial image to form the assembled image for the corresponding row, assembled image, and the motion vectors and the compensated image for each partial image. The experimental results with the implemented algorithm showed that the proposed method has NC (Normal Correlation) values about 4% higher than the previous method, by which ours has better compression efficiency. Consequently, the Proposed method is expected to be used effectively in the application areas to transmit the digital hologram data. can be identified in comparison with the previous researches and commercial IPs.

• Korean Journal of Optics and Photonics
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• v.14 no.4
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• pp.473-479
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• 2003

The purpose of this study is to recover the CIE XYZ tristimulus values of original colors from scanner output signals, and to reproduce true colors on the monitor. The process of this study is composed of three steps; scanner characterization, chromatic adaptation transformation, and color space transformation between and sRGB. Especially, in the process of recovery, scanner stimuli were obtained accurately by dividing the non-linear photometric response curve into two parts. As the result of test to EPSON Expression 1680 scanner, the average color difference between true and recovered XYZ for 228 target colors, 22 test neutrals, and 36 test colors were 1.49, 0.97, and 1.42 $\Delta$ $E_{UV}$ *, respectively. With the transformation from illuminant D50 to illuminant D65, the input signals to sRGB monitor were predicted. Finally, it could be found that displayed colors with predicted input signals were very consistent with true colors. with true colors.

• Journal of the Korean Society of Food Science and Nutrition
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• v.41 no.11
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• pp.1559-1564
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• 2012

Raisins (Thailand), dried mangos (Philippines), and dried figs (Iran) were gamma-irradiated (0~5 kGy), and their quality and detection characteristics were investigated. Microbiological characteristics were at safe levels when samples were irradiated at higher than 3 kGy. In color change after irradiation, dried mangoes were the most sensitive. Photostimulated luminescence (PSL) measurement was not applicable to dried fruits, showing negative or intermediate values for the irradiated samples. Thermoluminescence (TL) measurement was good for dried figs, exhibiting a glow curve in range of $150{\sim}200^{\circ}C$, where the signal intensity was dependent on the irradiation dose. Electron spin resonance (ESR) measurement was suitable for raisins and dried mangos, resulting in dose-dependent radiation-induced sugar radical signals.

• Journal of Broadcast Engineering
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• v.17 no.6
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• pp.1029-1039
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• 2012

In this papar, we propose a new motion estimation and coding technique using adaptive motion vector resolution. Currently, HEVC encodes a video using 1/4 motion vector resolution. If there are high texture regions in a picture, HEVC can't get a performance enough. So, we insert additional 1-bit flag meaning whether motion vector resolution is 1/4 or 1/8 in PU syntax. Therefore, decoder can recognize the transmitted motion vector resolution. Experimental results show that maximum coding efficiency gain of the proposed method is up to 5.3% in luminance and 7.9% in chrominance. Average computional time complexity is increased about 33% in encoder and up to 5% in decoder.

• The Journal of the Acoustical Society of Korea
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• v.17 no.1
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• pp.24-30
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• 1998

본 논문에서는 기존의 단방향 컬러 스페이스 컨버터(Color Space Converter)를 양방 향으로 변환하는 것뿐만 아니라, 기존의 디코더, 엔코터 및 모니터 등이 가지고 있는 Brightness 기능을 갖도록 변환 행렬 계수를 임의로 조정할 수 있는 컬러 스페이스 컨버터 를 설계하였다. 이러한 변환 계수 자체를 조정하여 휘도 및 색차 신호에 변화를 주는 방법 은 새롭게 제안한 방법으로 계수의 조정은 ROM형태를 이용하여 향후 인터페이스 부분을 부가하여 소프트웨어적으로 제어할 수 있도록 설계하였다. 본 논문에서 제안한 Brightness 기능을 갖는 컬러 스페이스 컨버터는 저가의 멀티미디어 비디오 관련 시스템을 구현할 수 있는 장점을 가지고 있다.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.8 no.6
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• pp.1147-1152
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• 2004

This paper presents the design of a multi-standard NTSC/PAL video encoder. The encoder converts International Telecommunication Union-Recommendation (ITU-R) BT.601 4:2:2, ITU-R BT.656 or RGB inputs from various video sources into National Television Standards Committee (NTSC) or phase-alternate line (PAL) TV signals in both S-video and composite video baseband signals (CVBS). The encoder adopts multiplier-free structures to reduce hardware complexity. The hardware bit width of programmable digital filters for luminance and chrominance signals, along with other operating blocks, are carefully determined to produce high-quality digital video signals of 1 least significant bit (LSB) error or less. The proposed encode. is experimentally demonstrated by using the Altera APEX20K600EBC652-3 device.

• Korean Journal of Optics and Photonics
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• v.15 no.2
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• pp.183-189
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• 2004

As high quality digital cameras become readily available, digital cameras are being used not only for simple picture recording but also as information storing media in various fields. However, due to the fact that the spectral responses of the camera sensors are different from color matching functions of the CIE standard observer, the color can not be measured using these cameras. This study shows a method for converting camera image to sRGB image, in which color information is preserved. The transfer matrix between camera output signals and CIE stimulus values was determined using a multiple regression method with Macbeth ColorChecker as target colors. The CIE stimulus values for camera output signals can be mapped with a transfer matrix, and these values are converted to sRGB signals. As the result of testing a Kodak DC220 digital camera, the average color difference of Macbeth ColorChecker between true and displayed colors was 2.1 $\Delta$ $E_{ab}$ $^{*}$.$^{*}$.