• Journal of the Speleological Society of Korea
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• no.92
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• pp.1-7
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• 2009

The Altamira Cave painting which Spain which is a world-wide cave painting will know, France Grotte de Lascaux painting, observes the France Chauvet Cave and sees and about Choungryongdo with the Sangyoungchong which are an ancient tomb mural of Korea introduces. This paper provides an overview of the rock art of the Northern Mariana Islands and particularly as the rock art discovered to date predominantly pertains to ancestor worship within the Chamorro cultural group. For centuries, the Western world has categorized the ancient Chamorro inhabitants of the Marianas Archipelago as a "prehistoric" people; a people without a written history. In addition to providing an overview of the rock art of the Northern Mariana Islands, this paper also emphasizes the fact that the ancient Chamorros did indeed have a recorded history and that this chronological record exists in the pictographs and petroglyphs that they painted and carved.

• The Transactions of the Korea Information Processing Society
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• v.2 no.1
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• pp.23-33
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• 1995

This paper describes a visual programming tool which provides novice programmer as well expert with the abilites to capture real physical world of problem domain and to manipulate it user-friendly using icons and symbols. Therefore, novice can understand object-oriented features of C＋＋ incrementally and construct classes easily. For this, we introduce some visual metaphors which are displayed as tables. The tables can not only represent objects and classes, but also be considered themselves as icons. We have named these tables as table-icons. Three levels of table-icons(i.e., Super Table-Icons, Intermediate Table-Icons and Detailed Table-Icons) are proposed to follow up appropriate evolution of object-oriented concepts. Table-icons are not simple pictographs but are activated and expanded to table forms. And then, developer can inset necessary entities into table body and delete useless entities from it. These table-icons are applied to a diagramming technique, C＋＋gram［18］, which is suggested for designing and implementing C＋＋ programs.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.37 no.7C
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• pp.627-636
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• 2012

Recently, XML is used to describe details of service and contents for various fields such as IPTV and digital broadcast services because of it's high readability and extensibility. TV-Anytime's schema and delivery protocol have been especially adopted as basic standards for them, and extended to include their own private functions. However, XML describes documents using text-based method, and this causes to create big documents rather than traditional methods. Therefore, many encoding algorithms have been proposed to reduce XML documents like EXI, BiM, GZIP and fast-info set etc. Although these algorithms shows efficient compression effects for XML documents, but they can't avoid fragmentation degradation during encapsulation steep. This paper proposes an efficient encapsulation scheme of TV-Anytime to avoid fragmentation degradation of encoding effect using common string tables.

• Journal of the Korean Society of Costume
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• v.67 no.2
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• pp.101-115
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• 2017

Ancient documents, characters, and relics are the utmost important materials when it comes to researching ancient clothing. Of these, the ancient characters explain the contents of the time, which makes it an objective historical record. China has hieroglyphics, such as oracle bone inscription and bronzeware script, which existed in Sang[Eun] Ju era. This character is formed by a simple line and detailed drawing, showing the object or the concrete form and characteristics, so the reader can understand the meaning. Oracle bone inscription and bronzeware script, which are written in pictograph, include contents that help to grasp the original shape and form of ancient official hats. Chinese characters Geon(巾, 건) Byun(㝸, 변) Myun(免, 면) Mo(冒, 모) Ju(冑, 주) and Kwan(冠, 관), which are the names of the official hats, have been researched, and Mi(美, 미) Ryung(令, 령) Wang(王, 왕) and Hwang(皇, 황), which are the characters related to the official hats, have been studied. Geon(巾, 건) switched its form from shape of material around waist to wraping wearer's head. Byun(㝸, 변) is a hat with decoration, and Myun(免, 면) is in form of a helmet with ornaments. Mo(冒, 모) in bone script looks like a hat with decorations on each sides, but in bronzeware script, it is more like a simple round hat Ju(冑, 주) covers one's head and has decorated ornaments, and The Kwan(冠, 관), which is now a common name of official hats, is not shown in oracle bone inscription or bronzeware script, It might have been used later than the other two types of hats. As for the related Chinese characters, Mi(美, 미) is in the shape of a feather decoration, Ryung(令, 령) is similar in shape to the letter 'A', and Wang(王, 왕) is in shape of simple hat from 령 with decorations. Hwang(皇, 황) is like a Wang(王, 왕) hat, but with fancier decorations. Oracle bone inscription and bronzeware script show the original form and shape of ancient hats.

• The Journal of the Korea Contents Association
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• v.19 no.5
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• pp.163-177
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• 2019

This study is concerned with "fiction" as a new form of writing over the limits of the post-modernist theater/arts. Fiction is not something illusory that demands the audience's empathy but something that unveils form's disinterest in content. Thus, in this paper, I examine a fiction as the opposition of any representational norm and words' old mimesis. Rebutting the crisis of post-modern art and the end of images, philosopher Jacque $Ranci{\grave{e}}re$ mentions the possibility of appropriating similarity in an imitative way by twisting Platonic mimesis. The image of this similarity wanders alongside the loss of signification, unmasking the form's indifference to content. These wandering words represent their own truth "in a way fossils or grooved stones encapsulate histories" as hieroglyphics. This "fiction" as an alternative of post-modernist plays is not any confrontation of reality but the "movement of thinking" that allows the human spirit to play in a way of shaping "some substantiality." In this sense, I examines works by two French writers, $Jo{\ddot{e}}l$ Pommerat (1963~) and Jean-Claude Grumberg (1939~ ) who have carried out their writing practices of appropriating similarity that dissolves any simple "immediate reflection" for non-intermediate relations between the producing and the produced. Their writing is a cross of literary creation and "le politique" as a new aesthetic practice of writing and reveals the movement of thinking, departing from the preexisting concept of fiction.