• 건강소식
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• v.32 no.8
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• pp.4-5
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• 2008

요즘 같은 삼복더위엔 고온다습한 기후 때문에 체력 소모가 커서 쉽게 피로해진다. 하지만 적당한 피로감은 밤에 숙면을 이루게 해주는 상쾌한 피로이며 다음날 아침 유쾌한 기상을 할 수 있게 해준다. 따라서 단순한 피로 자체가 걱정거리는 아니다. 문제는 몇 주나 몇 달이 가도 가시지 않는 만성적인 피로감이다. 만성피로는 흔히 두통, 뒷목의 뻣뻣함, 식욕부진, 권태증, 성욕감퇴, 신경쇠약, 의욕상실, 우울증 등을 동반한다. 쉬운 말로 각종 종합검사에서는 정상이지만 온몸이 나른하고 무기력하며 아무런 의욕도 없고 만사가 귀찮아지며 단지 피로할 뿐이다. 만성피로는 모든 질병의 근원이다. 으레 그러려니… 하면서 애써 참다가 낭패를 볼 수 있다. 그렇기 때문에 만성피로를 예방하는 것은 건강한 삶을 위한 첫걸음이다.

• The Journal of the Korea Contents Association
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• v.19 no.4
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• pp.282-292
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• 2019

The purpose of this study was to investigate the relationship between self-esteem and differentiation of self, and to identify the degree of self-esteem and differentiation of self. Data were collected from 151 elementary school students using community child center. Factor analysis, reliability analysis, correlation analysis, regression analysis, and cluster analysis were performed. The results of the study are as follows: First, as a result of factor analysis, differentiation of self was classified into differentiation of internal mind, other's and self oriented. Self-esteem was classified into isolation, achievement, relation, and daunted. Second, regression analysis indicated that there was obvious relationship between self-esteem and the differentiation of self. Third, cluster analysis showed that 37.6% of children belonged to cluster 2 with achievement and relation patterns and self-oriented differentiation. Forty-three percent were belonged to cluster 1 with isolated and daunted self-esteem as well as internal mind and other's oriented differentiation. In cluster 3, 19.4% were belonged and their levels of self-esteem and the differentiation of self were very low. Findings indicate that for those children belonged to cluster 1 and 3, programs to raise the self-esteem of children and parental education are needed.

• Journal of Popular Narrative
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• v.25 no.1
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• pp.87-122
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• 2019

This paper examines how the melancholia and death drive foregrounded in Kwak Ji-kyun's films have changed the affect and production trend of South Korean melodrama films of the late 1980s and thereafter. It particularly analyzes Kwak's The Home of Two Women (1987) as his exemplary melodrama film. Kwak is not only an auteur filmmaker of the 1980s and 1990s but was also a herald of South Korean New Sentimentalist films back then. The New Sentimentalist filmmakers have aspired to sophisticate the South Korean melodrama film not only by de-sentimentalizing it from the shimpa quality but also separating it from excessive emotion of shimpa that had long dominated the national cinema. This affective sophistication is directly linked to the sense of loss and melancholia/depression of the characters in the film caused by the death of one's beloved. This New Sentimentalist affect is best represented in Kwak's The Home of Two Women through its depiction of the internal conflicts of artists struggling to artistically sublimate the death drive and sense of loss. By textually analyzing The Home of Two Women, this paper not only reevaluates Kwak's film style but also reposition the topology of the New Sentimentalists in Korean film history.

• Proceedings of the Korean Information Science Society Conference
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• 2011.06d
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• pp.156-158
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• 2011

최근 핵가족 및 1인 가구 형태의 주거문화 가속화로 인해 독거노인 건강 및 복지문제, 맞벌이자녀의 양육문제 등이 자연스럽게 대두되기 시작하였고 원격지에 떨어져 사는 가족 구성원간의 커뮤니케이션 기회 상실로 가족 유대감이 점차 저하되면서 뿌리 깊게 이어진 우리나라의 가족 중심문화의 해체현상이 급속화 되어가고 있다. 따라서 본 논문에서는 이러한 사회문제 해소를 위해 광대역 통신망 및 유비쿼터스 기술을 활용하여 원격지 사이의 공간을 하나로 연결하는 가상공간을 구축하여 장소, 시간에 구애 없이 멀리 떨어져 사는 가족 간에 실제 대면하듯이 커뮤니케이션을 하고 정서적 교감을 나눌 수 있는 방안 연구하고 제안하였다. 유비쿼터스 환경은 인간사회에 큰 영향을 줄 것이며, 다양한 기술이 발전하여 언제 어디서나 네트워크를 기반으로 인간과 인간, 인간과 사물 간에 통신이 가능하도록 하는 3차원 커뮤니케이션 공간을 가능하게 할 것이다. 본 연구는 이러한 3차원 커뮤니케이션을 통한 가족 간의 의사소통과 유대감을 높일 수 있도록 가상공간을 활용하는 것에 대하여 제안하였다.

• Sijohaknonchong
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• v.22
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• pp.115-142
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• 2005

Woman is individual than social. passive than active and defensive than offensive. In addition. they taught that these characters are femine in the middle ages and the feudal ages. The closed and limited society was common to women in the feudal society. But there were many classes in women society from the humble maids to the queen in Chosun Dynasty. And Kisaeng(a singing and dancing girl) was free in comparison with the noble women. But Kisaeng were also limited as woman. They could write literary works according to the playing with poems and something like that with the men of intellectual class. But this also gave them sorrows. In the feudal Chodun Dynasty. men recognized the noble women specially and this is the special quality of Chosun. The Confucianism which was the existense thought of Chosun. discriminated between men and women. But women studied secretly and wrote poems pouring their thoughts and emotions. Maechang wrote many Shijo (Korean verse) with the delicacy description and the real expression. The reason Chosun woman Maechang could wrote Shijo which is free from the feudal limitations is that she was Kisaeng, She had a love as a Kisaeng who had to play with the intellectual men. But she loved Yu hee-kyoung. So she preserved chastity for him and waited only him. This is the love of both body and soul. And love with Hu kyoon friendship which is far from love. The limited love because of the spatial parting and the discrepancy of the social position is the most sorrowful. 10 years love with the intellectual men such as Hu kyoon is a friendship with poems. It was not love, so they had to temperate. So they love each other as a literary friend. We can see the feminist Hu kyoon, and see Hu kyoon who loved the literature and assert the renovation. Maechang was free from the chastity but she preserved it because of her proud. She dreamed the fairyland as Hunansulhun. Because she couldn't realize love. She ended her literature and Kisaeng life at 38 years old. There are literature of nansulhun as a noble woman and of rnaschang as a Kisaeng in Chosun Dynasty.

• 한국HCI학회:학술대회논문집
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• 2007.02a
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• pp.661-666
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• 2007

최근들어 제품을 개발하는 과정 중, 디자이너와 개발자, 의사 결정권자들이 FEM, CFD 시뮬레이션 결과를 리뷰할 때에 가상현실기술을 도입하는 사례가 늘고 있다. 몰입감을 높여주는 가상현실환경은 모델에 대한 해석 결과물을 정확하고 효과적으로 분석할 수 있도록 돕는다. 데이터의 실제 크기와 같게 혹은 그보다 더 크고 자세한 이미지를 제공하는 가상현실 몰입환경은 사용자가 데스크탑 환경만을 사용할 때 경험할 수 없는 높은 사실감을 제공함으로써 사용자에게 시각적인 만족감을 줄 수 있다. 하지만 데스크탑 환경에 비해 해상도가 낮고, 어두운 곳에서 스테레오 안경이나 HMD(Head Mounted Display), Data glove등을 착용해야 하는 불편함과 멀미, 시각적인 피로, 방향감각 상실로 대표되는 가상멀미 등으로 인해 장시간 사용에 어려움이 있다. 데스트탑 환경에서의 데이터 리뷰는 고해상도 이미지 분석은 가능하지만, 입체감이 떨어지기 때문에 리뷰 데이터의 실제감이 떨어진다. 이와 같은 문제점들을 보완하기 위해서 본 논문에서는 데스크탑 환경과 가상현실 환경 간의 협업이 가능한 FEM/CFD 가시화 시스템을 제시한다. 본 시스템은 가상현실 몰입환경에서 해석 데이터를 단순히 가시화하는 것뿐만이 아니라, 데스크탑 시스템과 동일한 3D 인터페이스 구조를 제공한다. 따라서, 해석 결과 분석을 위한 동일한 post-processing 작업이 네트워크로 연결된 원격 공간의 사용자들이 사용하는 시스템들 사이에서 실시간으로 진행될 수 있다.

• Proceedings of the Korean Fiber Society Conference
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• 2003.04a
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• pp.337-338
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• 2003

PTT(poly trimethylene terephthalate)섬유는 PET(polyethylene terephthalate)섬유에 비하여 탄성 (elasticity)가 우수하고 염색성이 PET와 유사한 점에서 차세대섬유로 분류되고 있다. 분자의 구조가 trans-trans의 fully extended chain(rod shape)형태인 PET에 비하여 trans-gauche-gauche-trans의 스프링과 같은 extended zigzag(helix shape)이어서 탄성회복성이 우수하다. 또한 PTT의 탄성계수값은 PET에 비하여 $\frac{1}{2}$정도이다. 의복을 착용중 신장과 수축을 반복하는 과정에서 섬유는 탄성을 점차 상실하게 되는데, 이 응력완화의 변화특성에 따라서 착용감이 영향을 끼친다. (중략)

• Cartoon and Animation Studies
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• s.5
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• pp.490-492
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• 2001

현대인들은 매일 반복되는 일상 속에서 시간의 틀을 벗어나지 못한 채 항상 바쁘고 정신없이 살아간다. 이를 극복 못하는 것은 곧 실직을 의미하며, 그것은 자신의 사회적 존재가치를 상실했다는 의미가 아닐까 생각된다. 현대 물질 문명이라는 현실의 거대한 체제 아래서 물질이 종속적으로 인간을 지배함으로서 생기는 비인간화${\cdot}$익명화${\cdot}$공허감은 누구나 한 번쯤 느끼게 된다. ‘길(Way)' 이라는 것은 인생을 하나의 상징적 의미로 표현한 것이다. 현대인들은 성공이라는 인생을 목표를 향해 뒤돌아 볼 시간도 없이 너무 빠르게 앞으로 나아간다. 인생의 종착점은 누구나 알 수 없다. ’길(Way)' 이라는 작품을 통해 바쁘게 살아가는 현대인들의 삶을 한 번 돌이켜 보고자 한다.

• Journal of Korea Entertainment Industry Association
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• v.14 no.6
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• pp.251-258
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• 2020

This study was conducted to find out the difference between aging anxiety and self-efficacy according to the general characteristics of the elderly in the community and to find out the correlation between aging anxiety and self-efficacy. From April 2019 to August 2019, 284 responses were used in the final analysis, focusing on senior citizens' health centers, welfare centers for senior citizens, health centers, and senior citizen centers in Gwangju and South Jeolla Province, and the survey was conducted using an aging anxiety scale and a self-efficacy scale. Studies have shown that aging anxiety has shown statistically significant differences in age, economic level, health condition, and present concern, and self-efficacy has shown statistically significant differences in age, academic background, religion, economic level and health status. The higher the age anxiety, the lower the self-efficacy. It is thought that it can be used to establish specific strategic measures for successful aging that can keep healthy for a long time and maintain a safe life.

• Cartoon and Animation Studies
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• s.30
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• pp.1-25
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• 2013

The present study explores the problem of the placelessness and alienation through spaces of redevelopment in South Korean animation film since the 2000's. Actual space in South Korean society has been destroyed and changed unceasingly, and, in that space, humans have experienced existential conflict. While the swift development of digital technology has transcended physical restrictions to form one great network, humans are still limited as materially based beings. The recent steps in South Korean animation film are noteworthy because sociocultural changes since the 1990's and the relationship between the individual and the system are perceived in ways different from those of the past. and , the works analyzed in the present study, reveal the special sense of place in South Korean society, where the destructive reorganization of space leads to the instability of life. By intentionally bypassing a sense of place and the authority automatically bestowed on representational images, these works prompt the viewer to reexamine the relationship between reality and images. Space in these two works are presented representationally but immediately destroyed, and humans or the characters in the works accept this unfeelingly. The loss of place, which is committed by the massive system, and listless humans' weakness and alienation in response are depicted as signs of sociocultural abnormality. By showing the destructive loss of place and individuals who respond with self-anesthesia and self-estrangement, these works open viewers' eyes to South Korean society, where not only social alienation but also self-alienation is occurring. By perceiving South Korean animation film as a sociocultural phenomenon and analyzing it through the concepts of the placelessness and alienation, the present study seeks to expand further discussions on animation film.