• Proceedings of the Korean Institute of Intelligent Systems Conference
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• 2007.11a
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• pp.49-52
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• 2007

전략 게임은 여러 종류의 유닛 (Unit)이 존재한다. 각각의 유닛은 특정 유닛에 대해 강한 면모를 보이기도 하고, 또 다른 종류의 유닛에게는 약한 면모를 가지고 있다. 이를 유닛간의 상성이라고 한다. 상성은 전략적 선택을 하는데 기반이 되고, 심리전을 유발하여 보다 게임에 몰입할 수 있게 해준다. 게임 인공지능이 상성을 고려하도록 하기 위해 각각의 유닛 간에 수치화된 상성 정보가 필요하다. 그리고 생성된 수치 자료를 토대로 유닛의 행동방법을 결정할 인공 지능도 필요하게 된다. 다음 행동 및 이동을 위해 주로 사용되는 방법은 영향력 분포도(influence map)이다. 영향력 분포도는 자신과 상대방의 세력을 수치적으로 파악하는 것이다. 하지만 일반적인 형태의 영향력 분포도로는 각 유닛간의 상성을 표현하기 힘들다. 따라서 본 논문에서는 영향력 분포도를 상성에 맞게 보정할 수 있는 방법을 제시하여 인공지능이 지능적인 행동을 하도록 돕는 방법을 제안한다. 이를 길 찾기 문제에 적용하여 전략적 이동경로를 선택하는 방법을 제시하였다.

• (The) Research of the performance art and culture
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• no.37
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• pp.61-94
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• 2018

This article examined that the historical changes and current significance of the Jaedam(재담) and the Xiangsheng(相聲), one of the traditional Korean and Chinese language games. Both Korean Jaedam and Chinese Xiangsheng are representative language games and traditional performing arts for laughing. The origin of the Jaedam can be traced back to Uheui(우희). Uheui has been called Changyouxi in China, Bae Woo-hee, and Jo Hee in Korea. Uheui is the most traditional language game and a variety of performances were derived from its spreading and inheriting process. Among them, Korean Jaedam and Chinese Xiangsheng can be said to be a piece of art that has successfully inherited Uheui tradition. From the late 18th century, Korean Jaedam were established as independent performance arts, and became highly active in many performance by professional joker Park Chun-jae and other performers. With the development of gramophone record in the early 20th century, the Jaedam was mainly made on the theater stage and radio. At this time, the new performance art of 'Mandam(만담)' was derived from the Jaedam, which focused more on satire current events and criticizing the social situation. Mandam has been popular for a long time and then extinct in the 21st century. The jaedam have been handed down only in the Korean traditional performance so far. Meanwhile, Chinese Xiangsheng, which was built in the mid-19th century, a bit later than Korean Jaedam, was initially considered to be a vulgar art of the lower class, but finally became popular in the early 20th century. In the mid-20th century, Xiangsheng was transformed into a new character, which mainly deals with social praise and edification of the masses. But since 'New Xiangsheng' does not focous on a satire on social conditions, the humor has been reduced. In the early 21st century, Xiangsheng was on the verge of extinction just like Mandam, but through the efforts of young actors to revive tradition, another reformation of this art was made to return to tradition and small theater. Currently, the 'traditional Xiangsheng', which has returned to tradition, is once again receiving the love and support of the Chinese audience. Korean Jaedam and Chinese Xiangsheng have many similarities in terms of history and recruitment, but they are now in different fates. There is also a great deal in common ground in terms of the content and form of the two arts. In the case of Xiangsheng, it is one of the traditional folk art forms which is still loved by the Chinese people and has become one of the most important traditional performances. On the other hand, in Korea, Jaedam as independent performance arts has disappeared and now only can be seen in traditional performances such as 'Korean mask theater'. The fact that Korean Jaedam and Chinese Xiangsheng have undergone similar changes in their spreading and inheriting process, while Korean Jaedam have disappeared and Chinese Xiangsheng is well preserved. The reason can be confirmed through the main idea of this article.

• Journal of Digital Contents Society
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• v.10 no.4
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• pp.615-623
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• 2009

Games are usually composed with several units such as monsters, weapons etc.. There are often intransitive relationships between units, like the one among rock, scissors and paper. Intransitive relationships guarantee the variation of strategy choices while playing. But AIs in many games have been ignored intransitive relationships because decision making with those relationships is complex to model. This paper suggests how to use intransitive relationships to modify influence map. With the modified influence map game AI can make a different decision to win the game. With path-finding technique, this paper shows that the modified influence map makes AI's behaviors better.

• Journal of Digital Convergence
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• v.12 no.1
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• pp.127-139
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• 2014

The purpose of this research is to present the major factors which determine dominant design of Smartphone OS and to verify a logical causal relationship with them and user satisfaction. To achieve this goal, OS compatibility, OS enhancement, Installed base, and network effect were presented as determinants of Smartphone OS which serves as the basis for determining dominant design and their logical causal relationship with user satisfaction was empirically analyzed. The results of the research showed that OS compatibility and OS enhancements had a positive effect on the expansion of user base. Of the two factors, OS enhancement showed that it does not only expand the user base but also acts as the cause for the fortification of the network effect. Furthermore, it was shown that OS enhancement had a direct positive effect on user satisfaction. The findings of this research are significant in its academic contribution as well as its potential for practical application by presenting the logical causal relationship in the process of determining OS dominant design an area which was previously untouched by empirical testing.

• Bulletin of Korea Environmental Preservation Association
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• v.30 s.373
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• pp.53-56
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• 2008

• Proceedings of the Korea Technology Innovation Society Conference
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• 2011.06a
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• pp.46-55
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• 2011

• The Academic Congress of Korean Shoulder and Elbow Society
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• 1998.03a
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• pp.47-47
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• 1998

• 대한핵의학회:학술대회논문집
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• 1972.11a
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• pp.61.1-61.1
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• 1972

• Bulletin of the Korean Chemical Society
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• v.16 no.12
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• pp.1237-1239
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• 1995

• Journal of the Korean Society of Costume
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• v.67 no.4
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• pp.71-88
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• 2017

The purpose of this study is to reveal that the deconstructive dis de phenomenon in contemporary fashion beauty design can be interpreted from the viewpoint of Korean aesthetics by having an open mind of coexistence. The typical characteristics of dis de phenomenon are decomposition, decentralization, and discontinuity, and these can be compared with beauty of non-artificialness, unity, and humor, which are characteristics of Korean aesthetics. In other words, the dis de-phenomenon rejects traditional composition and uniformized expression, and seeks various images by accepting the bi-national confrontation concept, this is similar to Korean aesthetics, which experienced atypical diversity by concentrating on the inner spirit rather than the outer form through indifference to technique, form, and honest human emotion.