• Journal of the Society of Disaster Information
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• v.9 no.1
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• pp.97-104
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• 2013

Locally and abroad, people's anxiety is now at a high due to CBRNE accidents. The accidents occur by various causes, and the scale of disaster could be enlarged. In this study, we focused on CBRNE education training program as a way of reducting damage of CBRNE accidents which could harm unspecified individuals and drew a parallel by a comparative analysis about CBRNE educational programs of domestic institutions.

• Proceedings of the Korea Information Processing Society Conference
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• 2004.05a
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• pp.495-498
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• 2004

인터넷 기술의 발전과 개인용 컴퓨터 성능의 향상 그리고 모바일 폰의 일상 생활화로 우리생활의 많은 부분이 변화하고 있다. 예전에는 상상으로만 가능했던 온라인 게임, 가상 쇼핑몰, 모바일 영상과 광고 등이 핸드폰 등으로 짧은 여가 시간에 장소의 제약을 받지 않고 즐길 수 있게 되었다. 플래시는 캐릭터 다운로드 서비스가 주도해온 모바일 컨텐츠 시장의 선두 자리를 위협하고 있으며, 향후 매우 발전 할 수 있는 분야라고 할 수 있다. 플래시가 주목 받는 것은 많은 사용자들에게 접근 할 수 있는 다양한 분야가 많고, 미개척 시장으로 그 가능성이 충분하다는데 있고, 근래 들어 국내 모바일 폰이나 상업용 광고에 플래시 애니메이션이 주를 이루고 있다. 이러한 필요성에 따라서 게임, 애니메이션 관련 학과들이 수 없이 많이 생겨나고 있으나 아직 모바일 컨텐츠를 위한 게임, 애니메이션 모델이 없거나 있어도 미비한 실정이다. 본 논문은 이러한 점에 착안하여 학생들이 스스로 게임, 애니메이션 제작을 할 수 있는 모델을 설계하고 구현 하였다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2022.11a
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• pp.149-150
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• 2022

본 연구는 현실과는 다른 공간, 시대 및 문화적 배경 등을 디자인하고 그 속에서 살아가는 메타버스 가상 세계를 작품으로 제시한다. 제시된 작품인 언플래닛 시티(Unplanet City)는 상징적 의미가 담긴 조형 언어를 통해 새롭게 창조된 도시를 의미하며, 기존 도시와 대칭점에 있는 상상 속 세상이다. 현재 우리가 사는 플래닛과 대칭되는 언플래닛 시티에는 상징적인 건축물로 가득하며, 이 건축물들은 3D로 표현되었다. 언플래닛 시티는 작품 전체가 전시 공간이 되는 새로운 전시 공간의 활용과 확장 가능성에 목적을 둔다.

• Journal of Popular Narrative
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• v.26 no.2
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• pp.191-219
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• 2020

This paper aims to identify the key features of the novel writing of Korean American immigrants and their meaning as one aspect of movement and contact occuring in the early modern period. The late return of the novels written by Nakcheong THUN in the 1930s is significant in that it restored ideas on the diversity of early modern mobility and confronted the history and culture of immigrants who were excluded from records and memories. Not only are these novels a product of the phenomenon of immigration, but they have also created a crack in the dichotomous perceptions of domination and subordination, center and periphery by envisioning it as a space that creates new history, culture, institutions and values. These novels treat the free love of intellectual, emotional, and ethical figures as a central event, demystifying Western free love, and at the same time, a society divided by various identities including class, race, and gender. The novels by Nakchung THUN visualize the active exchange between the immigrant and the indigenous community through the character of Jack, and imagines the heterotopia as a place where not for the immigrants' utopia, but for everyone's coexists. These novels have declared a kind of memory war on the subordinate and marginalized contact zones. The contact zones of the immigration area had been a place for experiencing extreme conflicts and discords, and at the same time, it has served as a place where various groups and communities are connected. The contact zones were common areas of solidarity and creation before being subject to division and occupation. The contact zones are far from the border or borderlands, so it is not a fixed and immutable deadlock. As a world free from central domination the contact zones have been a space that preoccupied history and culture through various encounters, and have been a community.

• Journal of Science and Technology Studies
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• v.19 no.2
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• pp.169-206
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• 2019

This article seeks to explore new relationships and ethics of human and technology by analyzing a cultural imaginary produced by artificial intelligence. Drawing on theoretical reflections of the Feminist Scientific and Technological Studies which understand science and technology as the matter of care(Puig de la Bellacas, 2011), this paper focuses on the fact that artificial intelligence and robots materialize cultural imaginary such as autonomy. This autonomy, defined as the capacity to adapt to a new environment through self-learning, is accepted as a way to conceptualize an authentic human or an ideal subject. However, this article argues that artificial intelligence is mediated by and dependent on invisible human labor and complex material devices, suggesting that such autonomy is close to fiction. The recent growth of the so-called 'assistant technology' shows that it is differentially visualizing the care work of both machines and humans. Technology and its cultural imaginary hide the care work of human workers and actively visualize the one of the machine. And they make autonomy and agency ideal humanness, leaving disabled bodies and dependency as unworthy. Artificial intelligence and its cultural imaginary negate the value of disabled bodies while idealizing abled-bodies, and result in eliminating the real relationship between man and technology as mutually dependent beings. In conclusion, the author argues that the technology we need is not the one to exclude the non-typical bodies and care work of others, but the one to include them as they are. This technology responsibly empathizes marginalized beings and encourages solidarity between fragile beings. Inspired by an art performance of artist Sue Austin, the author finally comes up with and suggests 'artificial intelligence in wheelchair' as an alternative figuration for the currently dominant 'autonomous artificial intelligence'.

• Journal of the Korea Safety Management & Science
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• v.11 no.1
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• pp.35-41
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• 2009

대부분의 사람들은 의식하지 못하지만 세상은 오른손잡이 중심으로 이뤄져 있기 때문에 왼손잡이가 일상적으로 겪는 불편은 상상외로 많다. 우리가 일상에서 많이 사용하는 연장, 주방기구, 사무용품, 가전제품, 가구, 의류, 악기, 의료기기, 스포츠용품, 공공시설 등 이들 대부분이 오른손잡이에게 맞춰져 있어 왼손잡이들은 자신들의 왼팔을 비틀어서 사용하거나 주손이 아닌 오른손으로 부자연스런 자세로 사용할 수밖에 없다. 이에 따라 왼손잡이는 일상생활에 있어서의 상당한 불편을 느낄 뿐만 아니라 작업 능률의 저하, 재해나 상해를 입을 가능성이 높아질 수 있다. 본 연구는 무작위로 선정된 피설문자에 대한 설문 조사를 통하여 손잡이(handedness)와 관련된 통계수치를 제공하고 왼손잡이인 경우 왼손잡이로서 일상생활에서의 불편함, 작업능률의 저하여부, 오른손잡이 전용제품을 사용하여 상해를 입은 경험 등에 대해 조사하였다. 또한 왼손잡이도 편리하게 사용할 수 있으면 하는 제품이나 공공시설 등에 대한 이들의 주관적인 견해에 대해서도 조사하였다. 이를 토대로 왼손잡이를 위한 공구, 주방용품, 문구용품, 스포츠용품, 사무용품 등에 대하여 현재 적용되어 있는 상품에 대한 고찰과 향후 적용 가능 상품 및 공공시설에 대해 제안하였다.

• The Journal of the Korea Contents Association
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• v.8 no.12
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• pp.131-140
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• 2008

It has been a major agenda in criticism that there have been a dominant tendency of male-centered narratives in Korean mainstream films after . These kinds of narratives could be accept as a result of searching process in virtual realm for understanding the social changes. I suggest $H.Lef\acute{e}bvre's$ very familiar concept 'quotidienne', which influences the conditions to constitute male-identity as a fundamental base of male-centered narratives, to analyze and . It seems meaningful these texts tried to reconstitute male-identity through distinguish potential energy of 'quotidienne' from repressive everyday-life. The result of analysis has lied two ambivalent dimensions, nevertheless, it would be required further studies to argue on male-centered narratives and discourses of male-identity as which results could represent interactions between various social contradictions.

• The Journal of the Korea Contents Association
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• v.16 no.7
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• pp.541-551
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• 2016

In order to attain 'reality', technology, style and narrative have developed throughout the history of cinema. The projection of digital image necessitated a new perspective beyond the conventional relationship between film and reality. In the SF film, DISTRICT 9, strong realism elements are evident despite its genre. Advanced technologies enabled the digital images to vividly reproduce the realm of imagination. The encounter of the realistic approaches embedded in the style and narrative with the digital images emphasizes the social context of the cinematic background, as well as extending the potentialities of verisimilitude and perceptual realism. The amount of freedom in editing process derived from this film's documentary-like style opened a possibility for the effective delivery of the vast information-furthermore contributing to the realism of the film by encompassing the diversity that exists in the reality.

• The Journal of the Convergence on Culture Technology
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• v.9 no.5
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• pp.391-395
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• 2023

There are countless possibilities lying ahead of us, and while predicting the future may be challenging, it does not render the act of forecasting meaningless. Predicting various possibilities allows us to be flexible in coping with unforeseen circumstances. This study was conducted to explore extreme events (X-events) in the population sector in South Korea. To achieve this, focus group interviews were conducted with 32 emergency planning officers in government and public services. Based on these interviews, significant research findings were derived, indicating that population issues such as population decline and aging could have substantial impacts on various fields, including the economy and national defense. With this study as a catalyst, we anticipate a more active discussion and discourse on X-events that could occur in our society.

• Journal of Popular Narrative
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• v.27 no.1
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• pp.301-338
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• 2021

John Woo's A Better Tomorrow arrived at the turning point of Korean society between 1987 and 1988. The Hong Kong movie boom that started here reached its peak around the 1990s. What does this phenomenon mean? Hong Kong action films have functioned as an important resource for Korean young male subculture since the late 1960s. The audience of A Better Tomorrow matches the audience of previous Hong Kong films in a generational and gendered way. The fascination of Hong Kong action films by young Korean men from 1987 to 1991 has nothing to do with Hong Kong's political context. However, a certain affect is shared between Korean and Hong Kong audiences. It could be said to be the brotherhood within the struggling group. The affective economies of this fraternity embodies the broad solidarity of 1987, the solidarity of comrades seeking to resist the violence of the world. It also works on symbolic and practical gender bias. In other words, this loyalty is nothing but loyalty between the (male) brothers who are confronting the injustice of the world. This is the "translational possibility" of A Better Tomorrow.