• 헤리티지:역사와 과학
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• 제42권4호
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• pp.4-19
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• 2009

최근 고고학적 경향 중 삼 찌는 시설인 '삼가마' 유구의 보고가 증가하고 있음에도 불구하고 전통적인 이들 시설에 대한 구체적인 복원은 보기 어렵다. 게다가 삼을 찌는 기술이 시대적으로 어떻게 변화해 왔으며, 그 내용에 대한 논의도 찾기 어렵다. 이 글은 최근 강원도 정선 지역에서 재현한 전통적인 '삼굿'을 현지조사하고 삼굿의 축조와 구조, 운용에 대한 보고서로서, 위 두 가지 질문에 앞서 '전통적인 삼굿의 실상'을 민속지적으로 설명하고자 할 것이다. '삼굿'은 삼(대마)에서 인피섬유를 얻기 위해 삼을 찌는 시설이다. 삼굿은 물가에 터를 잡고 설치하며, 불을 지펴 수증기를 발생시키는 '화집'과 삼을 쌓아 익히는 '?곳'으로 구성된다. 화집에 아래에는 굵은 통나무를 쌓고 위에는 돌을 두르듯이 쌓는다. 아래쪽 나무에 불이 붙어 돌을 뜨겁게 달구면, 달구어진 돌 위에 풀과 흙을 덮고 물을 붓게 되는데, 돌에 닿아 발생한 뜨거운 수증기는 '?곳'으로 전달되어 삼을 찌게 되는 것이다. '삼굿'은 집약적인 노동력의 동원과 함께 순간적으로 고온의 수증기를 발생시키는 것과, 이 수증기를 전달하고 효율적으로 집중하는 목적에 맞게 축조된다. 땅을 파서 축조된 삼굿은 일회성 시설이며, 사용 후 폐기된다. 삼을 찌기 위해 높은 화력을 만들지만 그 화력이 토양에 흔적을 남기기는 어려우며, 이런 이유 때문에 현재 발견되는 삼가마 유구의 존재는 세심한 주의가 필요하다. 삼굿에 대한 보다 다양한 자료가 수집되어야 하며, 삼에서 인피부(靭皮部)를 분리하는 다양한 기술을 검토해야 한다.

• 건축사
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• 통권646호
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• pp.100-110
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• 2023

• 복식문화연구
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• 제12권1호
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• pp.168-181
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• 2004

This research on the present state of production and circulation of boseong-sambae, based on the materials, has been collected and arranged through the survey for one you, 2003. Boseong-sambae, the hemp fabric produced at Boseong, hold 35% of nationwide production volume and 50% of circulation volume. The products of hemp include hemp fabrics, shroud, contemporary Korean dresses and other household articles. Dried hemp skin, hemp thread and hemp fabrics are traded at the fair held in every five days, mostly by direct transactions which is trusted between the producers and consumers. A bolt of boseong-sambae includes 20 ja(a Korean foot, 60cm in length) of hemp fabrics in breadth of 35cm. The price of a bolt is approximately 2∼3 hundred thousand won. They are endeavoring to revive hemp fabric that the image was lost due to the cheap and coarse fabrics woven with Chinese thread since the latter half of 1990's. The advanced countries have invested positively in this business because hemp is an environment friendly material. Thus, a strong national support is demanded in this field facing a crisis due to the inundating of coarse hemp products from China, and the aging problem of the initiate, the reason of the discontinuation of the inherited technique. Through this research understanding tire present station and the problem of hemp production, the future research will be followed expecting the Renaissance of the Korean traditional hemp fabrics.

• 복식문화연구
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• 제22권1호
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• pp.16-27
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• 2014

This study investigated the characteristics of and changes in hemp textile production practices at Gurye in Jeollanam-do in modern times. To do this, in this study, both a literature review and fieldwork research were utilized as research methods. The literature review focused on Gurye's hemp data, and the fieldwork research involved two separate trials. Male and Female residents of Gurye who had experience in the area of hemp production from the 1920s to the 1980s participated in this study. The results were as follows. First, regarding hemp fiber cultivation in Gurye, hemp cultivation continued to the 1970s and there were no changes in hemp cultivation practices during the Japanese colonial-era. Second, there have been very important changes in hemp kilns over time. In the 1950s, there were both single-body kilns and separate-body kilns in Gurye. Later, specifically in the 1950s, a new type of kiln using an iron pot appeared, and the most modern kilns were concrete structures. Third, in Gurye, women cooperatively removed hemp husks immediately after stemming, subsequently bleaching the hemp by soaking it in lye or caustic soda. Over time, there have been changes in ash types and in soaking periods. Fourth, loom types changed from the traditional Korean back-strap loom to the treadle loom in the 1930s- to 1940s. Fifth, since the 1970s, the hemp textile output levels of Gurye have been reduced due to the westernization of clothing styles, the inflow of Chinese hemp fiber and government regulations pertaining to hemp cultivation.