• Korean Journal of Heritage: History & Science
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• v.51 no.4
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• pp.170-191
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• 2018

Until now, the Korean archeological community has only been able to introduce the findings of classical archaeology developed in the West, and it also suffers from a lack of concepts and academic achievements. The domestic archeological community also started to develop later than that of the West, when it began to analyze ancient history and relics through the classic works of history titled Samguk sagi (三國史記) and Samguk yusa (三國遺事). Furthermore, it is actively utilizing the Chinese classics, such as the Samgukji (三國志) and Huhanseo (後漢書), as well as certain Japanese classics such as Ilbonsegi (日本書紀). Due to the total lack of domestic classics, however, there are few details about the formation of ancient polities, national changes, and inter-country negotiations and exchanges, as well as numerous other unresolved issues. This study raises the need to revamp classical archaeology in order to solve these problems. The concept of classical means 'all records made in the past' in the shallow sense, while the meaning of the historiography means "historical records according to the taxonomy of the old book." Classical archaeology is a field in which the classics are analyzed and interpreted so as to study the culture of the past. This section has set up a wide range of classical categories, and has found that the classics can be used in a meaningful way in classical archaeology through the use of the Gongjagae (孔子家語). The use of the classics in classical archaeology could produce significant results if the relevant DB is managed by various institutions and organizations using proper techniques of analysis including big data analysis.

• (The)Study of the Eastern Classic
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• no.59
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• pp.9-32
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• 2015

The purpose of this paper is to study the development process of our native verses from the Three Kingdoms Period to the Goryeo Dynasty. The contents of the discussion can be summarized as follows. Typical form of "Sanega" from the Three Kingdoms Period to the late Silla/ early Goryeo Dynasty is a well organized 3-layered structure representing the contents of enlightenment of a high priest. Sanaega has a poetic style characterized by distinct literary features compared to other native verses in the same era. The reason is that 10-line Hyangga improves its poetic level as it is aware of Chinese poetry. As it enters the Goryeo Dynasty, this literary composition starts to change. In other words, Sanega declines and quatrain emerges in the front of literary history. Unlike the Three Kingdoms Period ~ the late Silla/ early Goryeo Dynasty, development of quatrain results from that native verses enhances the characteristics of song rather than poem in the Goryeo Dynasty. Native verses form the mutually complementary relationship by adjusting the position as the song rather than competing with it as the poem as Chinese poetry becomes more common. In the Goryeo Dynasty, Sanaega declines and Sijo emerges in literary history, because native verses have been developed in the poetic form to freely express general emotion and to be more loved from the public. It is in the same vein as a native verse in the form of quatrain raises its vitality by enhancing the characteristics of the song through the adjustment of its position compared to Chinese poetry.

• The Journal of the Convergence on Culture Technology
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• v.8 no.6
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• pp.333-339
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• 2022

Finding traces of the numerous contexts that exist in our culture surrounding an old-narrative and leading to it's textualization provides a chance to read the story anew. The 'Pieun(避隱)' section of 'Samgukyusa' contains the stories of people who hide from the world and avoid it, as well as the different types of stories by the compiler, the Buddihist monk, Ilyeon. In other words, the compiler has textualized the story. This study aims to attentively analyze the specific story in the 'Pieun' section and read the insights of the compiler on whether to move into the world or hide from the world. Through this analysis, it is apparent that the episode of 'Pieun' does not only illustrate the characters who wish to escape or hide from the world, but it also enables readers to grasp the intention of Ilyeon who deliberately includes the banquet story which is contrary to the meaning of the title. In the 'Pieun', he emphasizes that the behavior of revealing and hiding oneself to and from the world has significant religious and cultural meanings for an individual. The writer, without distinguishing people who move into the world or hide from it, used the Buddhist Dialectictics method to present a different interpretation.

• Journal of Popular Narrative
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• no.26
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• pp.413-433
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• 2011

What this study aims is to analyze that how the stories of Prince Hodong are represented in modern historical fictions. The stories have been reproduced in many forms such as TV dramas, films, fictions, plays. It can be depicted that the narratives are indeed national and popular. Interestingly, however, the description of Hodong has not been found in pre-modern documents or fictions. The story began to appear and became popular in 1935 by Yoon Baek Nam. It can be explained that the narratives are the one of the example of the invented tradition since it became visible in modern period. Yoon, Lee Tae Joon, and Yu Chi Jin have constructed the character of Hodong what we are familiar with. Yoon depicted Hodong as a romatic lover with the motif of a lovers suicide. Lee and Yu put a context of nationalism by explaining Nakrang as a Nakrangkun of Hansagun(the four colonies of China). These are pure invention of the writers which cannot be found in The History of Three Kingdoms(三國史記). These characters are closely related with the surrounding of their own society. Yoon shows how the past can be seen as a nostalgic object by modern aesthetic perspective. Lee illustrates the ambiguous thought of a colonial intellectual who (anti)internalizes the ideology of militarism. Yu tries to find the way to recover the muscularity of the nation by re-colouring the memory of the past. These, the representations created in various contexts, make our common knowledges of Prince Hodong nowadays.

• Korean Journal of Heritage: History & Science
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• v.55 no.4
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• pp.38-53
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• 2022

In this article, I have summarized and reviewed the concepts and terms surrounding the stamped construction technique, focusing on earthen walls in the Three Kingdoms period. This is because confusion is caused by defining the nature of the earthen walls by using various concepts and terms for each researcher regarding the substance and construction method of the earthen walls. The stamped earth method is a representative ancient civil engineering or construction technique in which a frame is made of plates to form a fortress wall, a fence, and the base of a building, and then soil or sand is poured into it layer by layer and then stamped with a bat to make it solid. Therefore, in order to prove that the earthen wall was built by the stamped earth method, evidence such as a narrow plate, a column for fixing it, long horizontal and vertical wood pieces to support the narrow plate, and traces of pounding the soil must be detected. However, in Korea, there are very few cases where such evidence has been fully excavated, so it is necessary to agree on how strictly the standards for the stamped earth method will be applied. The terms related to the stamped technique mobilized for the construction of the earthen walls were explained with actual examples by dividing the terms related to the concept into terms related to the principle and unit of the stamped plate, and the specific stamped technology. In particular, in Pungnabtoseong Earthen wall, a variety of typical and diverse methods of building the ancient stamped earthen wall were identified so that decisive data could be secured to understand the principles and techniques of the stamped earthen wall. In the future, a more general understanding of the stamped technique will be possible only when more evidence related to it is found in relics other than Pungnabtoseong Earthen wall.

• Proceedings of the Korean Society for Information Management Conference
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• 1997.08a
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• pp.183-186
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• 1997

고문헌의 텍스트와 이미지를 디지털 방식으로 축적하여 제공하는 사례가 많아지고 있다. 전자화된 고문헌은 기존의 보존방안이었던 영인본이나 마이크로필름의 단점을 극복하고, 네트워크와 발달된 정보기술을 통해 매우 효율적인 정보이용수단을 제공할 수 있다. 본 연구에서는 영국 Electronic Beowulf와 한글과컴퓨터사의 삼국사기 CD 96의 사례를 분석하여 고문헌을 디지털 방식으로 축적하고자 할 때 고려해야 할 사항을 제시하고, 이렇게 축적된 정보자원이 어떻게 이용자의 정보요구를 충족시킬 수 있을지 활용방안을 논하고자 한다.

• Proceedings of the Korean Quaternary Association Conference
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• 2007.06a
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• pp.30-30
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• 2007

• Bulletin of the Korean Space Science Society
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• 2004.04a
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• pp.23-23
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• 2004

우리는 삼국사기 (57 B.C.-A.D. 935)와 고려사 (A.D. 918-1392) 그리고 조선왕조실록 (A.D. 1392-1910)의 자료로부터 3861개 유성 기록과 31개 유성우 기록을 찾아 연구하였다. 먼저 이 자료에서 오늘날 알려져 있는 유성우들을 찾아본 결과 Perseid 유성우와 Orionid, north-Taurid, 그리고 Leonid 유성우들이 고려시대부터 조선시대까지 약 천년 동안 꾸준히 기록되어 있음을 확인하였다. 둘째로, 이 옛 자료에 유성우의 장기적 변화가 보이는지를 살펴보았다. (중략)

• The Science & Technology
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• v.30 no.10 s.341
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• pp.86-87
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• 1997

우리나라도 삼국시대 이래 구조물 피해를 수반한 강진이 40회 이상 발생하였고 70년대 이후 최근에도 홍성ㆍ백령도ㆍ영월 등에서 지진이 발생하여 이에 대한 대책과 내진설계 등이 절실하게 되었다. 지난 6월12일 서울대 내에 발족한 지진공학연구센터는 29명의 전문교수로 구성되어 있으며 과학재단으로부터 우수연구센터로 지정받아 본격적인 연구활동을 하고 있다.

• Venture DIGEST
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• s.101
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• pp.34-34
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• 2006

삼국지에서 제갈공명은 "나라를 부강하게 만들려면 국민을 교육해야 하고, 교육을 바로 하기 위해서는 사제지관계를 바로 해야 한다"고 말했다. 관계라는 것은 사람을 다루는 모든 사람들에게 요청되는 핵심이다. 사회가 건강하기 위해서는 각 구성요소가 상호 연관할 수 있는 관계적 합리성을 통해서 균형과 조화를 이루어야 한다. '나'라는 존재가 '너'와 소통하지 못하고 또 기업이 사회와도 소통하지 못한다면, 자기중심적이고 자폐적으로 되어간다면 결국 병들기 마련이다. 육체적 건강이든 정신적 건강이든 혹은 사회적 건강이든 관건은 '통'과 '불통'의 문제로 압축된다.