• The Journal of the Korea Contents Association
• /
• v.17 no.11
• /
• pp.470-478
• /
• 2017

Costume play is an act of imitating the appearance or behavior of characters in digital games, cartoons or animations. In recent years, cosplay culture has become popular in China as the digital game is made into a movie. The number of cosers has also increased. Especially, Qiwei Zoe has been very popular among cosers because her cosplay photography reflects the understanding of the cosplay culture. A number of cosers admit that her work shows a commercial and artistic potential of cosplay photography. This paper analyzed how she maintains the contents of the original but creatively reimplementing them. She shoots the fantastic image of the character like it really exists in reality so that she can avoid excessive editing work. She emphasizes the character's action that symbolizes its personality and utilizes a variety of outdoor shooting locations similar to the original scenes. We also discussed how cosplay photographers can create cosplay photography by maintaining its artistic features.

• The Journal of the Convergence on Culture Technology
• /
• v.3 no.4
• /
• pp.117-122
• /
• 2017

North Korean youth is a youth aged 6 to 18 who lives in a South Korean society after having left North Korea. In this study, photo-in-education (PIE) provides North Korean youths with opportunities for cultural and arts education, and to help them adjust themselves to South Korean society. As a result, they, as young people who are exploring a new life in South Korea, have been able to express their own inner world through photos, videos, and writings. Also, young people have developed a bright and clear mind, and enhanced an expressive power and logical power that helps grow healthily and intelligently. Further, it is the aim of this education to help them to have a positive feeling for society and to do their best to become a healthy member of society, who will be able to contribute to society. Through PIE, it was found that North Korean defectors were able to see themselves positively and express their own inner self positively, despite that they are still in the negative and shady side of life.

• (The) Research of the performance art and culture
• /
• no.35
• /
• pp.543-552
• /
• 2017

• Korean Architects
• /
• s.650
• /
• pp.90-95
• /
• 2023

• Korean Architects
• /
• s.649
• /
• pp.86-91
• /
• 2023

• Korean Architects
• /
• s.651
• /
• pp.98-103
• /
• 2023

• The Optical Journal
• /
• s.122
• /
• pp.35-37
• /
• 2009

대한사진영상신문사가 주최하는 2009 디지털포토포럼 및 사진기자재전 기자 간담회가 지난 6월16일 신도림 테크노마트 11층 기자회견실에서 열렸다. 이번 기자 간담회에서는 대한사진영상신문사, 광학세계, 사진예술, 디시인사이드, 다나와, 디지털캐치 등의 기자들이 참석한 가운데 한국후지필름(주)의 신개념 포토 솔루션 '후지 포토매니저 시스템', 송화시스템기술(주)의 포토북 제작 솔루션 '픽토리', 한국HP(주)의 디지털 포토 솔루션 'HP RPS' 등 각 제품 소개와 공급사의 마케팅 전략 발표 시간을 가졌다. 아울러 국내 사진시장의 환경변화에 따른 스튜디와 및 미니랩 현상소의 대응 전략을 발표하는 세미나장과 사진기자재 업체들의 관련 제품 전시장을 둘러보는 시간을 가졌다.

• The Journal of the Korea Contents Association
• /
• v.17 no.11
• /
• pp.501-514
• /
• 2017

The 1920s 'cinema-novel' is composed of various media effects based on cinematic imagination, and it is designed to constantly evoke the image of the film during the reading process. This article focuses on 'cinema-novel' as an example of an unprecedented genre experiment. It is because the process of formation and development of this unique genre is filled with contemporary characteristics of the 1920s art that strived to create a content suitable for the modern art medium.

• 프린팅코리아
• /
• v.12 no.2
• /
• pp.101-101
• /
• 2013

캐논코리아비즈니스솔루션(대표이사 김천주, www.canon-bs.co.kr)가 구랍 28일 경기문화재단에서 주관하고 문화체육관광부, 한국문화예술위원회, 경기도에서 주최했으며, 캐논코리아, 복권위원회, 기획재정부에서 후원한 2012 문화와 나눔의 파티에서 즉석 사진 출력 서비스를 후원했다.

• (The) Research of the performance art and culture
• /
• no.25
• /
• pp.5-30
• /
• 2012

I. Identity of Yeonsegeuk as total arts. The purpose of the thesis is to arrange the identy of Yeonsegeuk(Kino-Drama) which is theatre or film. The process of study is tried to discuss on the aethetic of Yeonsegeuk. II. Appearance of Yeonsegeuk and negative disputation of yeonsegeuk The first imported Yeonsegeuk from Japanese in Korea is made by the group of Mizuno Ganggetsu(水野觀月) on Oct. 16. 1915 at Pusan and also to run in Seoul at Hwanggeumgwan. The first of Korean Yeonsegeuk is by Kim, Dosan, a leader of Singeukjwa(theare group) on Oct. 27. 1919 at Danseongsa. Before the liberation of Korea from Japan all made korean Yeonsegeuk are 28 works. III. Dramatic form of Yeonsegeuk I study on the relation between Yeonsegeuik and Sinpageuik(new theatre of modern drama in 1920's). I find that Yeonsegeuik admitted the thechnics of the Sinpageuik and the contents. If We think that the theatre is synthetic art which genealize all arts, we can insist that the Yeonsegeuk is valued the total art as new performance to comply with film art to theatre. Conclusionly Yeonsegeuk is called 'Expanded Theatre' as the new performance which must be dicussed in the view of total art. VI. Discussion on the the aethetic of Yeonsegeuk When we compare the structure of film with the structure of theatre, we can't find a diffrent element between the structure of two art in art semiotic. But we find a fact that film art has special elements in mechanics character which are camera working and motage. These technics influence on the audience's mind. It is different point between Japan and Korean's Kino-drama and Germany's that is to admit the aethetic of total art or not. V. Yeonsegeuk as new performance During Korean modern times Kino-drama was first a kind of total art with stage and screen. But it is regretable that Kino-drama didn't have the background of theory which discourse on the comprehension of total art. As the result Kino-drama bring the confusion of argument that Kino-drama is total art or expanded theatre. This confusion will be disputed on film art as performing arts or future art as expanded film and total art.