• 감성과학
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• 제17권2호
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• pp.123-134
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• 2014

스타일이나 색채 톤과 같은 의복 요소에 대한 사용자의 감성은 섬유패션산업에서 소비자와 시장에 대하여 제품의 호소력에 큰 영향을 미친다. 따라서 호소력 높은 섬유패션 제품을 개발하기 위해서는 의복의 감성과 적절한 용도의 관련성과 같은 상호관련 또는 복합적 연구가 필수적이며 이를 위해서는 과학적인 방법을 이용하여야 한다. 본 연구의 목적은 색채 톤과 여성의 대표적인 의복 블라우스의 감성을 측정하고 블라우스 종류에 따른 최적의 색채 톤을 발견하는 것이다. 대학생을 대상으로 설문조사를 통하여 블라우스 종류와 색채 톤 사이에 의미있는 연관성을 발견하였다. 대학생들이 가장 선호하는 종류는 셔츠 블라우스와 브라이트 톤이었다. 비비드 톤도 선호하였지만 블라우스로는 부적합하다고 응답하였다. 블라우스에는 색채톤 중에서 브라이트 톤이 가장 잘 어울린다고 답하였으며 각 블라우스 종류마다 1-2가지 최적 색채 톤이 있다고 답하였으며 블라우스의 감성과 색채 톤의 감성 간에 깊은 상관이 있었으며 블라우스의 감성에 따라서 최적 색채 톤이 결정되었다. 이는 성별, 전공유무와 상관이 없이 거의 동일하였다.

• 한국섬유공학회:학술대회논문집
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• 한국섬유공학회 2003년도 가을 학술발표회 논문집
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• pp.311-311
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• 2003

본 연구의 목적은 대학생이 계절별로 선호하는 셔츠와 블라우스용 소재의 색상을 분석하고 이의 계절에 따른 차이를 비교하며, 셔츠와 블라우스용 선호소재의 색상을 비교하기 위한 것이다. 조사대상은 남녀학생의 109명으로, 1차 연구에서 조사된 각 계절별 선호직물 10종을 시료로 선정하고 색차계(Color Quest Sphere II)를 이용하여 Spectral Data와 Color Plot, Master Color Data, Trend Plot등의 색상자료를 측정하였다. (중략)

• 베이커리
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• 8호통권361호
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• pp.66-67
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• 1998

• 한국섬유공학회:학술대회논문집
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• 한국섬유공학회 1997년도 추계총회 및 학술발표회 논문집
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• pp.359-363
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• 1997

• 한국의류학회지
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• 제24권4호
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• pp.605-615
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• 2000

This study was carried out to investigate sound characteristics including sound parameters and subjective sensation, and primary hand values related with sound of fabrics for blouse, and furthermore to predict subjective sound sensation with mechanical properties and sound parameters. Sound of specimens was analyzed by FFT. Level pressure of total sound(LPT), loudness(Z), coefficients of autoregressive(AR) functions for fitting the spectra, and sound color factors(ΔL and Δf) were obtained as sound parameters. Primary hand values for women's thin dress were calculated by using KES-FB. Subjective sensation for sound including softness, loudness, sharpness, clearness, roughness, highness, and pleasantness was evaluated by free modulus magnitude estimation. The results were as follows; 1. Fabrics for blouse showed similar spectral shapes to one another in that amplitude values were lower in most ranges of frequencies than fabrics for other uses. 2. It was found that fabrics for blouse were less louder because LPT, loudness(Z), and ARC values were lower than other fabrics. 3. Primary hand values indicated that specimens were soft-touched, flexible, and less crisp. Among primary hands related with sound, Shari values were higher for silk fabrics than for synthetic ones, while the values for Kishimi were similar, 4. Fabrics for blouse were rated more highly for softness, clearness, and pleasantness than for loudness, sharpness. roughness, and highness. Silk fabrics were evaluated more pleasant than synthetic fabrics. 5. Subjective sensation for sound of blouse fabrics were predicted with mechanical properties and physical sound parameters.

• 복식문화연구
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• 제17권5호
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• pp.807-818
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• 2009

This study is to present a female high school summer blouse with high movement functionality and satisfying appearance, surveyed the students for their understanding of summer blouse. Experimental study's research method was questionnaire survey. By using questionnaires, the satisfaction and comfort of each region of the current worn summer blouse was analyzed. The results of this research are as follows. After surveying 371 high school students in the Daejeon region on the currently worn summer blouse comfort levels, 48.4% showed dissatisfaction about the width of the sleeves and the armpits and over 93% wanted the use of elastic materials as an alternative. After investigating the summer blouses' mending state, 41% of students that mending their clothes chose the alternation of reducing the overall silhouette of the blouse in all areas. This reflects the female high school students' mentality that thin body shape is the ideal.

• 한국의류학회지
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• 제34권11호
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• pp.1779-1785
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• 2010

The experiment is designed to create some useful data on the dressed shapes that contribute to simulating the adaptability of clothes. We studied the dressed shapes of blouse with above-elbow sleeves and sleeveless according to five types of arm movement (basic posture, reach forward 45, 90, and reach lateral 45, 90) in the stand-posture. Experiments were conducted to understand the dressed shape through 3-D measurement Vivid 910 and to investigate the width, depth, area distribution and gap of the shape of blouses on the section map with a software program for 3-D shape analysis, Rapid Form 2004. The Data were analyzed by factor analysis. The results of this study are as follows: The ratio of depth per width in the stand-posture was lower than other arm movements and the reach lateral was higher than the reach forward. The gap of the upper body was a briefed 4 factor; front, front-side, back, and back-side. It was higher than the sleeveless with a change of the gap in the dressed blouse with above-elbow sleeves by arm movements per stand-posture. The divisional gap shows the adaptability of clothes according to the types of blouse and arm movements in the change of the ratio.

• 한국의류학회지
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• 제44권3호
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• pp.464-484
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• 2020

This study examined obese women with a BMI index over than 25 kg/㎡ in their 20s and 30s regarding the right fit for wearing a blouse. In comparison with three types of existing educational patterns, the first educational pattern experimental clothing was produced in dimensions of three study participants selected by the existing pattern to evaluate the fit suitability conducted for groups of study participants and expert groups. Experimental patterns were designed based on educational pattern C, which was the best fit as a result of the fitting evaluation. The main modification items include front bust circumference, hip circumference, back interscye, scye depth, shoulder length, blouse length, bottom line shape, upper arm circumference, wrist circumference, sleeve length and collar size. The design preferences for obese women were reflected in pattern modification; in addition, the final experimental pattern was designed by adding or subtracting margins and dimensions based on the results of the visual matching assessment by study subjects and expert groups.

• 한국의상디자인학회지
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• 제16권3호
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• pp.179-189
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• 2014

Peplums have a great advantage in easy styling for wearers to acquire desired physical and reminiscent images depending on the type and where it is placed on the waist line. However, the study of peplum blouses has not yet recognized. This study suggests a baseline data for visual appraisals as a determined key factor is changes. The result of this study as follows: First, peplums published between 2012 through 2014 collections are used for decorative effects on tops or bottoms as the finest decoration details of fashioning women's physical attractiveness. Its application has been extended to various fashion themes such as belts and overskirt that are made of peplum itself. Second, peplums published between 2012 through 2014 collections have close correlation of how the position, shape, and length of peplums are attached on bottoms. Peplum effects are categorized as extension of tops, expansion of bottoms, connections of tops and bottoms, and separation of tops and bottoms. Third, total of seventy nine peplum blouses that are found in the domestic online shopping mall are analyzed. The total length of peplum blouses are generally produced to 56 to 61cm, which is little shorter than or approximately equal to the hip line of women aged in between twenty to twenty four. In addition, the most popular peplum design is made of flare and cutting lines on the waist line and is 45.56% of samples. The most common location of peplums is identified as 3 to 6 cm above the natural waist line or the natural waist line and is 78.47% of samples. Fourth, the key factor of peplum blouse that can significantly influence the visual image is the total length of blouse, position of peplum, and peplum shape.

• 한국의류산업학회지
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• 제17권3호
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• pp.341-350
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• 2015

The purpose of this study was to suggest a silver blouse design by applying modularization. The precedent study of the researcher was used to analyze the design characteristics that were displayed in domestic and foreign silver blouses. This study was taken as the follow-up research as the module components and range of the silver blouse were set up and it was based on to suggest a silver blouse design with application of modularization. The intention was to base on the module system used in various fields to apply the modularization method on the module design research of silver blouse and as a result, it was derived into 6 types. The traditional design reflected on the characteristic of how the silver generation prioritizes practicality and in order to emphasize this, it will be more effective to apply the fastener and folding method for the development of the design. The contemporary design reflected on the characteristic of how the silver generation prioritizes aesthetics and in order to emphasize this, it will be more effective to apply the module composition method where integration can be made according to the desire of the wearer for the development of the design. The trendy design reflected on how the characteristic of the silver generation wants to look younger and the derived modularization method can be applied freely for expression. Since the range, structure, and formation where modularization can be applied are general, it is implied that there is a need to take sustainable development has to be conducted as the tool that can create different types of design.