• Title/Summary/Keyword: 부분 순서 트리

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A Study on Quantitative Analysis for Treeing Deterioration Diagnosis Using Acoustic Detection (음향탐지를 이용한 트리잉의 열화진단을 위한 정량적 분석에 관한 연구)

  • 이덕진;신성권;김재환
    • Journal of the Korean Institute of Illuminating and Electrical Installation Engineers
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    • v.13 no.4
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    • pp.68-74
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    • 1999
  • Ths paper does acoustic detection of partial discharge using acoustic sensor in polymer. Time sequential rreasurement of acoustic emission characteristic obtained acoustic sensor deal with statistics process. and 5 characteristic quantities were introduced into this paper. Resulting fann analysis of $\psi$-AEA-n pattern (phase-acoustic emission amplitude-pulse number) and AE quantities ,it can know useful statistics quantities that AE average inception amplitude TEX>$(\overline{AEA_{inc}})$ and AE average maximum amplitude TEX>$(\overline{AEA_{max}})$ make diagnosis of the middle stage of deterioration, AE pulse number and AE average maximum phase $(\overline{\theta{max}})$ make diagnosis of the last stage of deterioration. it obtained that these AE quantities are useful for dias,mosis deterioration form experiment results.esults.

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Efficient Data Storage & Query Processing Methods in Military Ubiquitous Sensor Networks (군 USN 환경에서 효율적인 데이터 저장 및 질의 처리 방법 연구)

  • Kwon, Young-Mo;Choi, Hyun-Sik;Chung, Yon-Dohn
    • Journal of the Korea Institute of Military Science and Technology
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    • v.13 no.5
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    • pp.875-885
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    • 2010
  • Recently, the role of Ubiquitous Sensor Network(USN) has been considered to be essential for supporting the near future Network Centric Warfare(NCW) and Tactical Information Communication Network(TICN). In this paper, we explore a set of data storage methods(external storage, local storage and data storage) and query processing methods in WSN. In particular, we focus on analyzing a novel data structure for supporting the local storage method, named the partial ordered tree(POT). The main idea behind POT is that sensor readings are usually correlated with the physical spatial domain. With the help of POT, only a small portion of sensor nodes participate in query processing tasks, and thus network lifetime is greatly increased. Through a series of simulation experiments, we demonstrate that the POT based local storage method clearly outperforms the existing data storage methods in terms of the energy-efficiency, which directly affects the network lifetime, for processing exact match queries, range queries and top-k queries.

A Study on the 'fragmentation' trend of modern film montage (현대영화 몽타주의 '파편화(fragmentation)' 경향 연구)

  • LEE, Jiyoung
    • Trans-
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    • v.3
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    • pp.29-53
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    • 2017
  • The film scholar Vincent Amiel divides into three types of montage through his book The Aesthetics of Montage ; Montage narratif, Montage discursif, and Montage decorrespondances. These three categories are the concept that encompasses the aesthetic class to which most movies belong. Early films pursued the essential and basic functions of editing, which tend to be modified in the direction of enhancing the director's goals over time. In this way, "Expressive Montage" is one of most important concepts of montage, not as a 'methodology' that combines narrative but as a 'purpose'. In the montage stage, the expressive montage work is done through three steps of decision. The process of 'combining' to combine the selected films in a certain order, after the process of 'selection' which selects only necessary parts of the rush film, and 'connection' to determine the scene connection considering the duration of the shot. The connection is the final stage of the montage. There are exceptions, of course. When fiction films of classical narratives use close-ups, or when using models or objects of neutered animals, the film induces the tendency of a "montage decorrespondances" rather than a "montage narratif" or "montage discursif". This study attempts to analyze the tendency of montage of works with 'uncertain connection' through 'collage' used by close-ups and montage decorrespondances as 'fragmentation tendency of modern films'. The fragmentation of the montage in contemporary film breaks the continuous and structural nature of the film, and confuses the narration structure that is visible on the surface of the film. The tendency of the fragmentation of the montage, which started from this close-up, seems to give an answer to the extensibility of the modern image.

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