• The Korean Publising Journal, Monthly
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• s.195
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• pp.20-21
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• 1996

• 대학교육
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• s.68
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• pp.38-45
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• 1994

• The monthly packaging world
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• s.220
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• pp.89-93
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• 2011

• River and Culture
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• v.6 no.4
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• pp.61-62
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• 2010

• Proceedings of the Korean Powder Metallurgy Institute Conference
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• 1993.11a
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• pp.46-47
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• 1993

• The Journal of the Korea Contents Association
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• v.13 no.2
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• pp.100-107
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• 2013

Agn$\grave{e}$s Varda is a French representative female film director. In particular, the method combining subjectivity and objectivity is the most outstanding characteristics. However, it can be said that the method to support this is not only theme of the film but also creation of structure including the exploration for the filmic form different from classical film form. Such an approach accords with No$\ddot{e}$l Burch's refined analysis of filmic form. Therefore, This study aims to aesthetical analysis of the form of producing the structure in modern movies through which is one of the representative work by Agn$\grave{e}$sVarda and won the Golden Lion award in 1985 Venice Film Festival. The theme of the film, the recovery of relationships among people and contacts through the tragic death of drifting life, created a new filmic structure by formative experiment of the film. The formative experiment is the fragmented and repetitive construction with the introductory voice-over, and consists of movement and editing of camera and specific use of flashback and sound through the representation of figures and situations, mixture of narrative and non-narrative style.

• Proceedings of the Korean Operations and Management Science Society Conference
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• 2003.05a
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• pp.333-340
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• 2003

본 논문은 최근 이동통신사업자를 중심으로 서비스 도입이 논의되고 있는 LBS의 개념 및 특징과 주요 LBS 관련 산업의 경쟁력과 LBS의 성장동인을 파악하고 이동통신사업자의 전략적 자원에서 LBS의 시장개발 방랑을 제언하였다.

• The Korean Publising Journal, Monthly
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• s.172
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• pp.20-20
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• 1995

'괴테학회'의 뜻있는 이들이 발족한 "괴테전집" 간행위원회에서 괴테의 대표작 "빌헬름 마이스터의 수업시대.방랑시대"를 완역해 두권의 책으로 열매맺었다. 평이한 줄거리 속에 폭넓은 사회무니화적 식견을 담은 이 작품의 발간을 계기로 "파우스트" "시와 진실" 등 번역출간이 활기를 띠고 있다. 한편 민음사에서도 괴테 전집 반간사업에 착수했다는 소식이다.

• Journal of the Speleological Society of Korea
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• no.79
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• pp.17-30
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• 2007

Gossi-cave, which is Natural monument No. 219, originally was called Norigok-cave, but happened Imjin-Japanese war, aborigine and Gossi family took refuse to Norigok-cave. Japanese soldiers set fire to this cave, in result lots of people had been died. And then, this cave was called Gossi-cave because Gossi family only survived during the war. Stalactite, Stone pillar that was created from four hundred million ago Harmonized with the others. The length is 6.3km in 1969.6.4. this cave was appointed natural monument as a result of investigating Korean Speleological Society. Kim SaKat a Master Poet(1807-1863) : A Genius with wit and eccentric conduct, a poet who wrote a refined poems with his own dramatic path of life destructed the format of Chines poem and created a new folk literature. He is Kim SaKat - a wizard of poet Kim Sakat - a poet wearing conical bamboo hat. Kim Sakat was born in 1807, in the latter part of Chosun period, his antonym was Kim Byung-Yun. He passed the state examination in the first place when he was 20. Two years later, he set out his life as a wanderer when he realized his winning composition was a criticism on his grandfather.

• Journal of Sasang Constitutional Medicine
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• v.11 no.2
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• pp.39-50
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• 1999

The Chinese poems written by Je-Ma Yi may be categorized into two different facets: one is about a broad spectrum of a man's feelings covering from delight to sorrow; and the other is about self-caution. He has been known to be a warrior having strong self-respect and a man of tough personality reluctant to compromise with others. As a result of analyzing his poems, however, it was confirmed that he was an ordinary person who got along with his neighborhood, took a pleasure in appreciating natural beauty and wandered around in agonies of pain. The literary features reflected in his self-caution poems are compatible with his own philosophical thought. Through these poems, he revealed his autonomous perception of life, and its ultimate goal was placed on the fulfillment of moral obligation, the highest value that a man should achieve as an individual. Je-Ma Yi's Chinese poems are in full harmony with the general tendency shown in the area of poetic literature during the late Yi dynasty. As pointed out above, particular qualities are represented in his poems, and thereby, from comparative perspectives with his unique literariness, future research activities should be directed to a well-defined study on other contemporary writers.