• 한국섬유공학회:학술대회논문집
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• 한국섬유공학회 1997년도 춘계학술발표회 논문집
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• pp.255-257
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• 1997

• 대한가정학회:학술대회논문집
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• 대한가정학회 2005년도 제58차 정기총회 및 추계학술대회
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• pp.111-111
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• 2005

• 복식
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• 제59권9호
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• pp.16-25
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• 2009

The purpose of this study is to develop pattern of a Upper Garment Prototype for late elementary school aged girls. The body of late elementary school aged girls changes steadily up to the adult and is characterized by its periodic noticeable physical distinctions. This study is selected a test pattern from 3 existing patterns through a preliminary wearing test, conducted wearing tests, and sensory evaluations three times to review and improve the pattern, and presented the pattern of late elementary school aged girls. The research pattern was developed considering aesthetic and functional aspect. The average score of sensory evaluation on appearance was 4.13 for the research pattern, which was higher than 2.74 for the test pattern. The according to the results of verifying significant differences in the test items between the two patterns through the t-test, in the items such as pleats in the line of a waist, the ease of the girth of a waist, the location of shoulder line was superior to the test pattern. The average score of the sensory evaluation on functionality was 4.91 for the research pattern, which was higher than 3.90 for the test pattern. The research pattern is superior to the test pattern in static posture, dynamic posture than the test pattern.

• 복식문화연구
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• 제12권2호
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• pp.290-299
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• 2004

The purpose of this study is to testify the pattern making method to develop the men's basic bodice pattern using 3-dimensional body scan data. The experimental patterns were made by adding wearing ease on flattened body scan data and tracing the outlines of it. The experimental bodice pattern were composed of front, back, and side panels. To compare the difference between the experimental pattern and traditional pattern, two pattern making methods were compared. Two sets of basic bodice patterns were made for each of the 10 male subjects: a set of pattern was made by experimental method and the other set was made by Bunka pattern making method. The experimental and traditional patterns were measured at 13 dimensions. The results show that there was a difference between the experimental patterns and traditional patterns at the front length, back length, front width, front neck width, back neck width, and back neck depth. The fit was also compared for both patterns. The results of the fit test show that the experimental patterns were superior to the traditional patterns at the fit of neck, shoulder, and armhole. The experimental pattern making method was expected to be useful for mass customization.

• 한국의류산업학회지
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• 제23권5호
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• pp.634-644
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• 2021

This study aims to propose various ways to utilize CLO, which focuses mainly on the production of 3D virtual samples, by comparing it with the pattern drafting functions of Four apparel CAD experts, who have teaching experience in YUKA and CLO, participated in a focus group interview, and a basic bodice prototype drafting was carried out by each participant to evaluate the pattern drafting functions of YUKA and CLO. The result of this study showed that the pattern drafting tools of YUKA are subdivided since YUKA is a CAD tool inherently specialized in pattern making. Though CLO provided a relatively limited pattern drafting menu compared to YUKA, it was found that pattern drafting could be accomplished with the help of supplementary tools and functions. This finding suggests that each CAD offers the corresponding tools for the same use of menus or functions in the prototype drafting process. The major difference between YUKA and CLO is that YUKA defines the pattern area by a set of line segments, whereas CLO utilizes an outline composed of closed curves. YUKA provides various specific tools according to the options such as angles, straight lines, and curves, while CLO produces the same results using combinations of a limited number of tools. Compared with YUKA, the advantage of CLO is its user-friendly task environment such as the Windows-based user interface, from the usability perspective. This study concludes that pattern drafting education using CLO would help not only industrial 3D design practitioners but also pattern education in academia

• 대한가정학회지
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• 제44권3호
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• pp.91-102
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• 2006

The following research compares the two apparel systems that are used in Korean colleges, Gerber and PAD, by analyzing the advantages and disadvantages of their Dart-related functions in the pattern construction process. The results are as follows. 1. Regarding transformation methods, the Gerber system was able to use pivot method, while the PAD system was able to use both pivot method and slash methods. in other issues, the PAD system was not able to synthesize more than two Darts, and only showed differences for other functions. On the other hand, the diamond-shape Dart and diagonal Dart could be produced only in the PAD system, while curvy shaped Dart could not be produced in either system. 2. The change in side lines due to the change of Dart width only occurred in the PAD system, while the change in Dart length only occurred in the Gerber system; both systems need improvement. 3. As for the pattern outer line connection capability, which is a Dart automatic transformation function, both systems showed unnatural shapes which need to be corrected. 4. We first constructed a Dart shape composition chart according to the number of Darts. Based on this, we examined whether they have appropriate shapes. Among single-Darts, the Gerber system had an inappropriate, outer-line shape for Underarm Dart and Center Front Dart, and among two-Darts, it was inappropriate for Side and Waist Dart.

• Human Ecology Research
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• 제54권4호
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• pp.427-440
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• 2016

This study uses comparison tests of bodice basic patterns to research improvements in wearing evaluation methods based on differences in bodice basic patterns and body size. As study methods, we calculated body sizes for six types by selecting four types of bodice basic pattern and utilized bodice basic pattern size measurement tools. The study result are as follows. First, as the result of analyzing bodice basic patterns per each part and body size difference by bodice basic pattern size measurement tool, shoulder angle cover rate was J&K type 57.57%~68.41%, N type 53.13%~65.57%, L type 51.87%~63.73%, and H type 59.03%~68.20%. In the item of neck base circumference, it was J&K type 6.4~-16 mm, N type 10.7~-31.9 mm, L type -5.2~-13.4 mm, and H type -6.2~-15.4 mm. In the item of armscye circumference, it was J&K type -18.9~-59.4 mm, N type -15.2~-51.3 mm, L type -38.9~-52.7 mm, and H type -17~-42.2 mm. In the item of biacromion length, it was J&K type 23.2~-4.7 mm, N type 18.4~-10.4 mm, and H type 3.5~-5.7 mm. In the item of interscye back, it was J&K type and N type 17.6~-13.6 mm, L type 11.9~-13.6 mm, and H type 3.2~-11.8 mm. The item of interscye front was found in the sequences of study type and L type. Second, the Kruskal-Wallis test result (according to bodice basic pattern) indicated meaningful differences in items of shoulder angle cover rate, neck point to breast point, bust point-bust point, biacromion length and armscye circumference and H type had an overall higher rank.

• 한국지역사회생활과학회지
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• 제28권1호
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• pp.69-79
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• 2017

The purpose of this study was to compare fitting of the upper garment by brassiere cup size and types of bodice block. This study conducted a 3D virtual garment system by applying three types of bodice block (I, II, III) and experimental pattern of the bodice block to 3D avatars of four individuals with the following measurements: under bust circumference of 73.5 cm and bust circumferences of 83.5 cm, 86.0 cm, 88.5 cm, and 91.0cm. The results of the study were as follows. First, for 83.5 cm bust circumference (A Cup), appearance of the three types of bodice block (I, II, III) was appropriate. However, as bust circumference increased in size, shape became inappropriate. The depth and width of the armhole, within 15 cm and 11 cm, respectively, were found to be appropriate. In case of 91.0 cm bust circumference (D Cup), all three bodices (I, II, III) were inappropriate. Second, the results of the draft of the experimental patterns of the bodice block of bust circumference measuring 83.5 cm, 86.0 cm, 88.5 cm, and 91.0 cm in the 3D avatars of the four individuals revealed similarities in the frontal view of the silhouette in the four avatars; in the case of the lateral view of the silhouette, lateral width grew wider as bust circumference of the silhouette became larger, but the shape of armhole showed no changes. The depth of the armhole showed little changes from 15.1 cm to 15.22 cm, and the height of sleeve (armscye depth 13.6 cm within +2 cm) remained similar. The difference in width of the armhole from 11.26 cm to 11.37 cm was rather small. The width of the upper sleeve (8.97 cm) seemed to be appropriate as it remained within the 2-3 cm boundary.

• 심성연구
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• 제28권1호
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• pp.1-49
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• 2013

이 논문은 '만남'과 '설레임'에서 비롯되었다. 본 논문의 저자는 2013년 2월 중순 경 만나 6월 초에 예정되어있던 원내 학술발표 주제에 대해 상의하였다. "현금(現今) 대중들의 강한 호응을 얻으며 많은 관객들의 발길을 끌어당기고 있는 개봉관 영화들 중에 어린 시절 들었던 옛날이야기들과 유사한 내용의 영화들이 유난히 많이 눈에 띈다. 그런 현상이 신기하다." 라는 대화를 하며 이런 저런 이야기들을 나누다가, 영화 '드라큘라', '트와일라잇 시리즈', '웜바디스(Warm bodies)'에로 자연스럽게 주제가 흘러가게 되고, 저자 공히 이 영화들을 모두 보았으며 또한 매우 인상 깊게 보았다는 사실을 발견하게 되었다. 학술발표의 주제를 이와 관련하여 정하면 좋겠다는 생각이 떠오르고 그것이 말로 표현되는 순간, 가슴 두근거리는 설레임과 두려움과 망설임이 동시에 느껴졌으며, 이렇게 하여 학술발표의 주제가 결정되었다. 학술발표를 준비하고 강연발표하고 청중들과 토론하는 과정 내내 설레임과 열정이 저자와 함께 하였으며, 학술발표집담회에 참석한 청중들 역시 긍정적으로 혹은 부정적으로 강한 감정반응을 보이며 시간이 지나도록 열띤 토론을 한 후 학술발표를 마치게 되었다. 구연된 발표내용을 그냥 덮어버리려 했으나 웬지 모를 아쉬움이 남고 그 여운이 가시지 않고 있던 중에, 청중들 중 한 분의 조언과 권고에 따라, 논문으로 완성하여 투고하기로 결심하게 되었다. 이 논문은 저자가 만나 설레임과 열정을 공유하며 설레임과 열정이 이끄는 곳으로 동반하던 길 위에서 시도하게 된 하나의 작은 '창조적 글쓰기'이다. 본 논문의 제 l장에서는 '창조적 글쓰기'로 이어진 31세 여성의 꿈을 소개하고 그 꿈 이전과 이후의 여성 개인의 삶이 어떠한지에 대해 조명해 보았으며, 제 2장에서는 개인의 무의식(꿈, 환상)에 나타나거나 체험되는 '창조적 충동'의 귀결(실현 방향) 및 의미에 대해 고찰하였다. 개인에서 보이는 '창조적 충동'은, '내향화' 과정을 통해 개인의 인격의 창조적 변환을 가져오게 되기도 하며, '환상적 창작' 혹은 '외향화' 과정을 통해 '작품'으로 출산되기도 함을 볼 수 있었다. 때로는 두 방향의 귀결이 동시에 함께 일어나기도 하였다. 후일 처녀작 '트와일라잇'이라는 작품으로 완성됨으로써 '작가'로서의 새로운 자신을 발견하게 한, 스테프니 메이어(Stephenie Meyer)의 '원형적 꿈'을 분석심리학적으로 고찰하고 그 해석을 시도해보았다. 제 3장에서는 개인의 꿈들과 영화 '드라큘라' '트와일라잇 시리즈' '웜바디스' 등을 조명해 보면서, 개인의 꿈들과 대중들의 뜨거운 호응을 얻고 있는 소설, 영화 등의 일부 예술작품에서 '어둠의 남자(뱀파이어, 좀비)'의 모습(像)에 변환이 있으며, 인간인 여성과 사랑에 빠지게 되고 사랑이 결실을 맺기도 하며, 또한 어둠의 남자(뱀파이어)에 대한 의식의 자아의 태도와 상호 관계양상에 있어서도 매우 인상적인 어떤 변화가 일어나고 있음을 볼 수 있었다. 현금의 이와 같은 현상에 대해, 왜 이런 변화가 일어나고 있는 것인지 이와 같은 변화는 그 개인 및 이 시대와 어떤 관련이 있으며 개인 및 시대에 어떤 영향을 미치게 되는 것인지 등에 대해 숙고해 보았다. 인간의 마음 심층(深層)으로부터 솟아오르는 '창조적 충동'은 '개인의 인격의 창조적 변환'으로 실현되거나 예술적 창조를 통해 '작품'으로 출산되기도 하며 시대의 인연과 닿을 경우 그 시대의 많은 사람들과 공유하게 됨으로써, 개인과 시대를 새롭게 할 수 있는 치유와 구원의 작용을 가져오게 되기도 함을 볼 수 있었다. 본 논문에서는 개인의 '창조적 충동'의 긍정적이고 치유적인 측면에 대해 주로 조명해 보았으며, '창조적 충동'이 초래할 수 있는 부정적인 귀결 및 그 원인에 대한 고찰은 후일 기회가 되면 새로운 논문을 통해 다시 다루고자 한다.