• Korean Architects
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• no.6 s.350
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• pp.75-84
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• 1998

• Journal of Popular Narrative
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• v.26 no.2
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• pp.123-153
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• 2020

As the importance of documented fact has weakened in historical dramas, the combination with other genres has become prominent. By reviewing the way romance is dealt with in historical dramas, this research examines how the properties of historical events adopted by historical dramas are related to the motif of love, and how the narrative of love and romance contributes to the historical effects, with a focus on the television drama Mr. Sunshine. Mr. Sunshine is the first historical drama written by Kim Eun-sook, combining deliberately rearranged history with the writer's unique grammar of romance. The failed resistance movement of the righteous army in the drama is matched with the love that cannot be achieved based on self-negation. The drama, which deals with the tyranny of Japanese imperialism and the independence of Joseon, fictionalizes key characters and events, transforming the desire of love into the passion of patriotism. Romance in Mr. Sunshine serves as a catalyst for emphasizing the tragedy of historical events and reconstitutes cultural memories. In historical dramas, the fictional plot of romance leads viewers to reflect on human life in history that flows from the past to the future. How does an individual's inner feelings contribute to the historical representation? This research is significant as it is the first attempt to examine the relationship between historical drama and romance in various ways.

• Korean Architects
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• no.9 s.353
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• pp.59-59
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• 1998

이 고장을 대표하는 3개의 도시 전주, 익산, 군산은 지리적 특성과 역사적 특성으로 인해 동일 문화권이지만 지켜온 현상들에서 서로 다르며 격리된 느낌의 단부소외성을 지니고 있다. 전북은 우선 완주, 익산, 고창에 이르는 백제, 마한의 평야와 해안의 문화권과 이씨왕조의 본향으로 고도의 특색을 지닌 도시문화권인 전주권, 거대한 산세를 자랑하는 지리산의 자연과 맥을 같이하는 남원권역으로 크게 대별 되어진다. 전북지방의 건축문화적 토대는 여타의 문화와 동일하게 백제의 숨결속에서 느낄 수 있다. 화려함도, 아기자기함도 없지만 있는 그대로, 한국의 정서를 압축한 듯 절박함을 바탕으로 한 백제의 문화적 속성을 지니고 있다. 한편 지나간 시절의 영화가 현재에 재현되거나 지속되고 있지는 못하나 지난 삶의 자취에서, 이곳 사람들의 인정에서 맛의 문화에서 그 깊이와 멋의 가닥을 찾을 수 있다. 현대의 도시들은 이러한 도시형성상의 문화적 지혜나 건축적 혜안을 관철하여 이루어지고 있지는 못하다. 우리의 최근의 역사들은 연약하지도, 섬세하지도 않고 오히려 일시에 옛 자취를 휩쓸어 버리는 강성을 지녀 혼이 담긴 과거의 흔적을 유지하기 쉽지 않다. 우리는 이러한 현상을 주시하였고, 옛 백제 문화의 정신을 토대로 성장하고 있는 현재의 모습들을 관찰하며 반성도 했고, 이어지고 남겨져야 할 이 고장의 특성을 헤아렸다. 마지막으로 이 고장의 미래가 발전적이기를 염원해 본다.

• The Journal of the Korea Contents Association
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• v.18 no.4
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• pp.154-163
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• 2018

The research object is Huayan Street, which is located in Datong City of Shanxi Province in Northern China. And it's detailedly seated to the east of the Huayan Temple. This street is a multicultural area which covers religious and business culture, along with other kinds of civilization since ancient time. The purpose of this research is to restore the historical and cultural tradition, improving the economic development. This research will use the theory of narrative to analyze the public design of Huayan Street. It's present the new design concept to reflect the cultural story of this region. First of all, the cultural stories of Huayan Street were explored and collected by introducing the history. Secondly, the drawbacks of public design of this street were found out by analyzing the current situation in Huayan Street At the end of this paper, a design solution was proposed according to the history and culture with story-telling methods from narratology which depart the street into four scenes opening, developing, changing and concluding. The innovation point of this research is apply humanism into the public design of Huayan Street and rebuild the image of Huayan Street.

• Proceedings of the Korea Contents Association Conference
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• 2014.11a
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• pp.355-356
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• 2014

많은 지역에서 구도심 개발이 지역정체성을 훼손하고 거주민의 소외라는 부작용에 직면하고 있는 가운데 가장 모범적인 도심개발사례 중 하나로 손꼽히는 부산 감천문화마을을 통해 지역의 문화와 역사가 어우러진 대표적인 명소로 자리 잡게 된 과정을 소개한다. 지역개발은 다양한 측면의 가치 창출을 동반하는 종합적인 기능과 더불어 관광수익의 창출이라는 경제적 가치를 추구한다. 감천문화마을은 구도심과 신도심간 양극화를 해소하고 지역이미지를 제고하는 차원에서 의미있는 도심재생사례가 될 것이다.

• Journal of Digital Convergence
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• v.11 no.7
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• pp.1-7
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• 2013

The reality which cannot protect existing tangible intangible modern cultural heritage in Daejeon is makes historical value and identity of a city weakened and then, this leads to absence of the foundation of urban regeneration based on the history. References as recording inheritance indicates characteristics or identity of the area and they represent the physical mental symbol of the area; images of diverse structures or sceneries with historical or cultural characteristics are contents of urban regeneration based on history and culture, which can be utilized as historical sources to verify realness of disappearing modern cultural heritage. Therefore, understanding and utilization of modern cultural heritage through this study on regional archiving can be deemed to be the first stage to bring community spirit, affection and pride to local residents. In this connection, this study intends to suggest a policy direction not only to maintain realness of modern cultural heritage through preservation and utilization but also to expect formation of settling and fellowship as well as cultural economical effect from the viewpoint of urban regeneration.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.29 no.4
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• pp.87-97
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• 2011

The main objective of this study is to analyze the sustainable development of the landscape management system for the historic city of China, and to find out the implications to historic city in our country. Firstly, this study introduces the karrimor of historic city in China and the evolution of historic landscape management policy, and then analyses the main content of the historic landscape management system with Beijing, for example: "the protection planning of historic city", "the protection and construction planning of historic city in twelfth five-year plan", "the comprehensive planning of Beijing", and lastly suggests the way of sustainable development for historic landscape management of Beijing. In Beijing, three are three different levels of landscape management system, cultural properties(individual), historic districts(area), and historic city(as a whole) on the basis of the landscape management for historic city. The sustainable development of the historic landscape management system in Beijing gives meaningful implications to historic cities in Korea.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.29 no.4
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• pp.98-110
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• 2011

Seochon('West Village') is located in the west side of Gyeongbokgung(Gyeongbok Royal Palace) inside the old city wall of Seoul. Seochon has beautiful scenic view surrounding Mt. Inwang and has been known as the representative historical and cultural landscape region in Korea that historical and cultural resources are rich. But when the figure of Seochon which has repeated the changes with the ones of the times is considered, values of beauty of natural landscape that Seochon had and its own placeness have not been gradually recognized as it has been swept away in logic of the development on the strength of economics. This study tries to examine the original form of landscape on Seochon which can be the standard of landscape change, the causes and process of its change and possibility to conserve and restore it to recognize potential value about historical culture of Seochon landscape and conserve and protect it. For this, this study compared and analyzed literature including poems and Yusangi, paintings and names of the scenery of the seasons as the landscape texts with the current status. The study result has found that Pilwundae should rehabilitate cultural assets to secure the prospect right and protect neighboring bedrock, Suseong-dong should expand the restoration areas focusing on the projects to make parks which are now being restored, Cheonghwigak and Cheongpunggye areas should restore waterways including historicity which is connected to figures and Seshimdae and Baekun-dong green zone should set the protective area for conservation.

• VENDING MACHINE INDUSTRY
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• no.winter
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• pp.21-34
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• 2000

자판기가 있는 곳에 필연적으로 존재하는 게 자판기 문화이다. 자판기문화는 산업과 사회현상, 그리고 자판기와 소비자를 연결하는 고리이자 커뮤니케이션 수단이다. 국내 자판산업이 20년의 역사가 넘어선 지금 자판기문화는 이제 생활 속에 없어서는 안될 중요한 문화의 한 부분으로서 굳건한 자리매김을 하고 있다. 이러한 역할과 위상 증대를 바탕으로 국내 자판기 문화는 21세기를 향해 성큼 발걸음을 내딛고 있다. 이러한 시점에서 금호 특집란에서는 우리 자판기 문화의 현주소를 진단해 보는 시간을 마련하고자 한다. 과연 국내 자판기 문화는 20여년의 자판기 연혁에 걸맞은 성숙도를 자랑하고 있는가? 아울러 21세기를 향한 자판기 문화의 올바른 발전방향은 무엇인지를 집중 조명해 봤다.

• Journal of Korean Home Economics Education Association
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• v.20 no.3
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• pp.31-47
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• 2008

In this study the interpretive perspective means a point of view on educational curriculum in which in order to reach the understanding of the meaning of the behaviors and beliefs of human beings, and the historical and cultural products, the process of discussing on the basis of historical and cultural knowledge is very important. The developed curriculum means the one that consists of the goal of the curriculum, the contents of the curriculum, lesson plans, and the instruction-learning materials. This study has been carried out in four steps: conceptualization, development, application and evaluation. This study has tried to propose some changes in the contents of clothing life education on the basis of the interpretive perspective by firstly, assuming some core concepts that were related to clothing life education in Home Economics and secondly, organizing the contents of the clothing life culture area based upon historical and cultural materials. The results of the application of the developed curriculum came out positive. The strong points of the developed curriculum showed that for the students the curriculum was helpful in seeking answers to such questions as 'who I am' and 'what kind of being I am' through the perception of traditional culture and clothing life. In addition, the developed learning contents were recognized as new knowledge. It also showed that teaching contents with a focus on the interpretive perspective could play a role as reflection for the practice and for the arrival at the final perception. A weak point of the developed curriculum is that the Home Economics teachers themselves might find difficulty preparation for teaching this material because of their limited understanding and knowledge of the historical and cultural materials about clothing life.