• Journal of Fashion Business
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• v.14 no.5
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• pp.158-175
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• 2010

Culture means a lifestyle realizing a definite object or ideal. Each local special culture is enormous in value as a local culture inheritance. If it is developed a local culture products representing local culture, it can perform an important role on one of the strategies for revitalizing local economy. One of the typical cultures in Kyung-Nam is the Gaya culture. The most characteristic of the Gaya culture is powerful iron culture and lots of cultural properties have been founding as relics. Judging from a lot of iron relics, we can figure out a high level of iron manufacturing technology. I studied focussing on the plasticity of Gaya relics and collected base materials for developing local cultural goods, using the motif of Gaya culture with excellent aesthetic consciousness. I classfied Gaya relics into a crown style, jewelry, harnessry, weapons, armor, earthenware, and considered its characteristic of the plastic arts, based on the preceding studies and document data. There exists natural, moderate, polished, indigenous, simple, rhythmical, delicate, florid, technical, symbolical, strong, diverse, naive beauty in the plastic characteristic of Gaya relics. Gaya culture with the special excellence of aesthetic resources, is worthy enough to be recreated as local cultural goods. Variable and special cultural fashion-products with the distinctive feature of Gaya culture need to be developed without delay.

• Journal of Conservation Science
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• v.26 no.4
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• pp.407-416
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• 2010

Bacteria with ability for iron reduction in the soil can use corrosion products of iron remains as energy source. The activities of this bacteria cause the change of corrosion products. As a result, it can be difficult to identify corrosion products promoting corrosion of iron remains. The purpose of this study, is to investigate the change in corrosion products that bacteria causes and to improve understanding about the corrosion of iron remains. To simulate corroded condition of excavated iron remains, carbon steel corroded by solution of NaCl and $Na_2SO_4$ was prepared. Then the prepared carbon steel was immersed in a liquid medium with bacteria. The incubation period was 42days. After experiment, the carbon steel was analyzed by SEM-EDS, X-ray diffraction method. The result is that the carbon was changed to green because of activity of bacteria and that the plate crystal and lozenge crystal were generated on the corrosion specimen. Also, we confirmed that the activities of bacteria differenciated colors and forms of corrosion products.

• Journal of Conservation Science
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• v.6 no.2 s.8
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• pp.126-140
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• 1997

There were some cases in the past that waterlogged wooden finds were neglected and damaged severely because adequate methods of conservation processing could not be found. However, since a wooden ship unearthed in Anapji of Kyongju was processed by poly(ethylene glycol) (PEG) impregnation method in 1975, most of waterlogged wooden finds have been processed by diverse scientific methods. Most commonly-used conservation processing methods of waterlogged wooden finds in Korea are PEG impregnation method, alcohol-ether-resin method and vacuum freeze-drying method. New methods developed recently in Europe and Japan such as sucrose method, sugar-alcohol method and higher alcohol method are also being studied here. The most important task in conservation processing of waterlogged wood is to find good impregnation materials suitable to Korean climate and environments and develop their application methods. For efficient conservation processing, it is important to know the natures of finds and impregnation materials and relation between impregnation and drying condition. To achieve it, many experiments and studies are needed.

• Journal of the Korean Wood Science and Technology
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• v.32 no.5
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• pp.20-28
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• 2004

26 wooden relics excavated in Jedeok bay, Jinhae, Gyeongsangnam-do, Korea were identified. Wood species identified were consisted of 7 softwoods and 19 hardwoods. Softwoods identified were hard pines (Pinus spp.), while 19 hardwoods were consisted of 15 Lepidobalanus (Quercus spp.), 1 Cyclobalanopsis (Quercus spp.), 1 Meliosma oldhami Miq., 1 Platycarya strobilacea S. et Z., and 1 Carpinus spp., respectively. The wooden fences were composed of a variety of wood species such as hard pines (Pinus spp.), Lepidobalanus (Quercus spp.), Meliosma oldhami Miq. and Carpinus spp. Wooden members of ship were consisted of Lepidobalanus (Quercus spp.), and parts of ship body were hard pines(Pinus spp.). The other relics that uses were unknown were hard pines (Pinus spp.), Lepidobalanus (Quercus spp,), Cyclobalanopsis (Quercus spp.), and Platycarya strobilacea S. et Z.

• KOMUNHWA
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• no.60
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• pp.27-64
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• 2002

It has been known that pit-wooden chamber tomb with stone piling, pit-wooden chamber tomb, jar coffin tomb and fosse-girded tomb were the chief burial systems of the 'Jumtodae' pottery cultural age in Honam province. But in this thesis, I lay emphasis on

• Journal of Conservation Science
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• v.37 no.2
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• pp.120-134
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• 2021

A Woolen carpet from the late Joseon Dynasty was unearthed in the process of repairing Seongjeonggak in Changdeokgung. Since relics are rarer than documentary records, the woolen carpet is highly valued as a relics. It is presumed to have been woven in the late 19th or early 20th century because there is a record of repairing Seongjeonggak in 1907. In the carpet, a pattern is made by inserting colored yarn dyed yellow and red onto a reddish-purple ground weave. The selvage of the woolen carpet used cotton thread, and jute is used for the warp and weft of the ground weave. The colored patterns is made of wool in the form of loop pile. Cut piles may appear occasionally when the colored yarn changes, but are almost invisible from the surface because they are pressed tightly with a shuttered weft. Making carpets with jute and wool is thought to be influenced by the Brussels carpets of the mid-18th century. Furthermore, the woolen carpet is torn and the pattern is completely unclear; however, it is understandable that the pattern is partially repeated. Microscopic and Fourier transform-Infrared spectrometer(FT-IR) analyses were performed for the above investigation. To identify the dyes used in relics, we compared them with natural dyed fabric samples based on chromaticity measurements and Ultraviolet/Visible spectrophotometer(UV-Vis) analysis. These analyses revealed that the woolen carpet's dyed green yarn did not use indigo, and reddish-purple ground weave is estimated to have used Caesalpinia sappan.

• Journal of Conservation Science
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• v.29 no.2
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• pp.187-196
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• 2013

This study is on the corrosion of iron objects caused by sulfides in undersea environment. The corrosion state of objects in seawater and their damage state after underwater and left in highly humid air were studied. The samples of this study were four iron objects which had been taken out from undersea mud layer located in Taean Mado, Chungcheongnamdo. SEM-EDS and XRD analyse on the objects to check whether they have sulfides or not. The result of analysis suggested that the major component of corrosion product generated in undersea deposit soil is sulfur(S) and iron sulfide(FeS) is formed as sulfide. However, there was no clear corrosion on the surface of objects which was exposed to sea water because of the impact of concretion which covered the surface. In order to check the damage status of iron objects after they had been taken out of sea water, exposure tests in high humidity environment and dehumidified environment were done on the corrosion products. The result of the test suggested that the oxidization of iron sulfide corrosion product makes iron sulfate ($FeSO_4$) and sulfuric acid ($H_2SO_4$) and they can cause secondary corrosion of iron objects. Therefore, it is believed that the iron sulfide corrosion product of iron objects taken out from underwater environment should be removed by all means and the keeping environment of the iron objects should also maintain dehumidified state.

• Korean Journal of Heritage: History & Science
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• v.46 no.1
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• pp.228-237
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• 2013

Paper relics are affected by a number of complex physical, chemical, biological and artificial damaging factors due to the vulnerability of organic materials. Wet cleaning is a conservation treatment method for removing pollutants from paper artefacts. This study was carried out in order to analyse the effect of wet cleaning on Hanji (Traditional Korean paper made from mulberry trees) which is the main material used in Korean paper relics (historical paper documents). For this study, the color change and folding endurance of artificially degraded paper was analysed before and after immersion wet cleaning. The result showed that washing each twice in 30 minutes is the most appropriate method for obtaining cleaning efficiency and material stability.

• KOMUNHWA
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• no.69
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• pp.63-89
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• 2007

The Archaeological sites of so called Round Clay Rim Pottery (Jeomtodaetogi : 점토대토기) culture in Kangwon region have been rarely excavated in proper form. Since most cases belong to those of ground surface gatherings, it is difficult to certify the nature and the association with other artifacts. Therefore, researches on that culture have been limited to simply set the chronological order in the Bronze Age in realtion with the Plain Pottery culture. However, a comparative study trying to explain the Round Clay Rim Pottery culture in both Yeongseo(영서) and Yeongdong(영동) has become possible thanks to recent excavation results from the sites of Chilgeon-dong(칠전동) in Chunchon City(춘천시) and Songrim-ri(송림리) in Kangneung City(강릉시), for example. Certain difference can be observed in form and amount of artifacts in between Yeongseo and Yeongdong. Such difference can be seen as individual localization in different places diffused from a common source, rather than showing different stages of unilineal developmental process of one culture. The Round Clay Rim Pottery culture seems to have been coexisted with the Rim-Perforated Pottery(공렬토기) and Dolmen(지석묘) culture. According to the radiocarbondatings, the upper time limit of the Round Clay Rim Pottery culture goes back considerably beyond the alleged upper limit of either the late fourth century or the second century B.C.. However, both cultures absorbed into the Iron Culture during the same period.

• KOMUNHWA
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• no.59
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• pp.112-147
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• 2002

This article is contrived to analyse the present situation and social practices of culture goods in Gyungju, historical city. For this, I collected Materials from agencies and organizations concerning of production, distribution, consumption of culture go