• The Research Journal of the Costume Culture
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• v.26 no.5
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• pp.700-713
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• 2018

The purpose of this study is to analyze the characteristics and symbolism of peony, the traditional noble flower, create knit fashion designer applying the aesthetic beauty of flower, and suggest the various possibility of developing knit fashion design. As for the study method, the study conducted review on literature and previous studies to investigate on history, characteristics, symbolism of peony, and examined various expressive technique through previous studies about fashion design using flower images. To express characteristics of peony in three dimensions, the study investigated and reflected on crochet expressive technique to design 4 women's knitwear. The results are as below. First, as shape of peony is big, voluminous, fancy and noble, it symbolizes wealth and beauty. Including red which is the generally known color of peony, there are yellow, white, pink, purple, green, blue, black, gray, white purple, white color. This study reflected characteristics and symbolism of peony and created knit fashion design applying abundant aesthetic characteristics of flower. Second, crochet method is advantageous as it is operable with thread and hooked crochet hook without time and space restriction, it can create unique fashion design. Crochet knitting on hand knit can diversity changes to express relief textures, and as there is no limit in size, it can be applied to small props to big pieces. This study suggested the various possibility of knit fashion design development and various expressive possibility on modern fashion design.

• Journal of the Korean Applied Science and Technology
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• v.35 no.1
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• pp.235-246
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• 2018

Paeony has pharmacological activities such as anti-inflammatory, anti-allergic, anti-bacterial, central inhibitory, gastric secretion inhibition, and antispasmodic activities. In addition, its antioxidant activity and whitening effect being reported, thus it is being explored as raw materials for cosmetics. We compared the changes in the contents of paeoniflorin and paeonol in Peony extracts, depending on the changes of extracting solvents, temperature and time. The HPLC method was set up for simultaneous analysis, the system suitabilities were confirmed by using the calibration curves and the QC samples for each assay batch. Paeonol was detected only in roots, and paeoniflorin was higher in leaf and flower than root. Higher concentrations of both ingredients were extracted when the root was used after grinding to a suitable size, and when 30% 1,3-butylene glycol was used as the extraction solvent. Also the concentrations tended to increase at higher temperature and longer time, but the increase was gradual at over $75^{\circ}C$ and 4 hours. The ratio of root, leaf and flower was determined to be 2+2+1g/0.5kg of batch, reaching the contents criteria of paeoniflorin and paeonol. Finally, we selected as the best extraction condition when the raw materials are mixed with 2+2+1g/0.5kg and extracted with 30% 1,3-butylene glycol as an extraction solvent at $75^{\circ}C$ for 4 hours, considering both the concentrations of two components and the cost of raw materials and manufacturing process, The extraction units were scaled up to 10 kg under this condition.

• Proceedings of the Plant Resources Society of Korea Conference
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• 2023.04a
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• pp.60-60
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• 2023

특허제도는 발명자에게 발명의 공개에 대한 대가로 일정기간 독점권을 인정하여 기술개발에 투자한 자금을 회수할 수 있는 기회를 제공하고 공개된 발명은 새로운 기술개발을 위하여 누구나 이용할 수 있도록 하여 기술발전을 촉진할 뿐만아니라 이미 개발된 발명에 대한 중복투자, 연구를 하는 낭비를 방지하기 위한 목적을 가진다. 본 조사는 2022년 12월 31일까지의 정부 특허정보넷인 키프리스(www.kipris.or.kr)에서 꽃차 관련 실용신안 특허 내용을 검색하여 정리하였으며 그 결과는 다음과 같았다. 1. 1983년 엘다베리꽃차 제조방법에 대한 것을 시작으로 최근 2022년 12월 31일까지 총 30개가 출원되어 2022년에는 증가된 것이 없었다. 2. 출원된 실용신안 특허 총 30개 중에서 소멸 2개(엘다베리/1983, 연꽃/2009), 취하 3개(무궁화/1992, 백화차/2005, 꽃차/2014), 거절 6개(매화/2001, 장미녹차/2007, 혼합꽃녹차/2007, 동결꽃차/2008, 소금꽃차/2015, 꽃차누룽지/2017), 공개 6개(꽃차/2014, 소금꽃차/2015, 꽃차추출물/2017, 기능성꽃차 /2018, 꽃차추출물/2018, 금잔화꽃차/2019), 포기 2개(개복숭아 꽃차/2015, 동백꽃차/2017), 등록(녹차꽃차/2006, 사과꽃차/2008, 목련꽃차/2012. 목련꽃차/2014, 칡꽃차/2015, 장미꽃차/2017, 모란꽃차/2017, 꽃차제조방법/2018, 꽃차로스팅장치/2018, 꽃음료/2020, 향 강화 꽃차/2021)은 11개였다. 3. 출원된 실용신안 특허 총 29개 중에서 개인이 출원한 것이 19개, 회사(아모레퍼시픽, 휴먼코스메틱, 화이통협동조합, (주)꽃다비, 주식회사 플러드, (주)우리꽃연구소)나 기관(한국식품연구원, 고창군), 대학(전남대, 동의대 2개)이 출원한 것이 11개였다.

• Journal of the Korea Fashion and Costume Design Association
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• v.12 no.1
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• pp.1-10
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• 2010

The purposes of this study are to review the Chinese traditional patterns and to apply one of them, the Peony Blossom pattern into modern textile designs for fashion For this purpose, first, the categories and symbolic meanings of the patterns existing in the Chinese traditional clothing from literature were reviewed. Second, the Peony Blossom patterns of Chinese traditional patterns from literature were reviewed and selected one of them, Third, authors applied the Peony Blossom pattern to creative textile design which would fit to appetite of people lived in modern society. The results were as follows: The patterns of Chinese traditional clothing could be classified as animal pattern, plant pattern, nature pattern, character pattern, lucky token pattern, geometric pattern and so on. All these patterns contained individual symbolic meaning, which varied according the different wearers. Moreover, it endows a peony blossom pattern of Chinese traditional patterns with modern style and purposes the textile design. The theme of the design is "Luxuriant Outing" with the concept of "Dream in Fantasy". The design target is the female born in the 1980's, that is, the target population between 20 and 30 years old. In addition, it is designed for the romantic one-piece. This paper perceives the national spirit revealed in the Chinese traditional patterns and designs with the combination of traditional culture and modernized technique of expression.

• Journal of the Korean Society of Costume
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• v.60 no.1
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• pp.101-116
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• 2010

In this study, the subjects are the expression methods and compositions of peony patterns in Chinese textiles. This study represents the peony patterns which are from Tang Dynasty to the Qing Dynasty, the research subjects are the peony patterns in fabric, except the peony patterns which are expressed by gold foil, embroidery and kesi. The objects of this study are 72 pieces of peony patterns. We sketched the configuration details of peony patterns through the Illustrator program. Analyze and classify the configuration accurately. Based on the 72 pieces of peony patterns, expression methods and compositions of the peony pattern are as following, firstly, we classified peony patterns into three categories, based on expression methods, as realistic shape, pattern shape and shape. Among these 72 fabric relics, there most of realistic shape 42 pieces(58.3%), pattern shape 25 pieces(34.7%), and shape 5 pieces(7.0%). Secondly, in the realistic shape peony, the most of pattern has petal accumulate as grape- shaped. This type is found in almost every Dynasty and was used regularly in the eras of Song and Ming Dynasty. In the era of Ming Dynasty, by using petals like the curly mushroom, Yeongji(靈芝), the pattern of symbolizing longevity was habitually used. The U-shaped flower pattern (type E) and the pattern of emphasizing the veins of petals are found only in the remains of the era of Qing Dynasty. Thirdly, in the pattern shaped peony, the most of pattern has some petals which are separated(type C). Fourthly, we classified peony patterns into four categories, based on compositions, as individual branch form, floral branch form, cluster branch form and floral nest form. Among these 72 fabric relics, there most of individual branch form 33 pieces(45.8%), floral branch form 18 pieces(25.0%), cluster branch form 13 pieces(18.1%), floral nest form 8 pieces(11.1%).

• Proceedings of the Plant Resources Society of Korea Conference
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• 2021.04a
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• pp.61-61
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• 2021

특허제도는 발명자에게 발명의 공개에 대한 대가로 일정기간 독점권을 인정하여 기술개발에 투자한 자금을 회수할 수 있는 기회를 제공하고 공개된 발명은 새로운 기술개발을 위하여 누구나 이용할 수 있도록 하여 기술발전을 촉진할 뿐만아니라 이미 개발된 발명에 대한 중복투자, 연구를 하는 낭비를 방지하기 위한 목적을 가진다. 본 조사는 2020년 12월 31일까지의 정부 특허정보넷인 키프리스(www.kipris.or.kr)에서 꽃차 관련 실용신안 특허 내용을 검색하여 정리하였으며 그 결과는 다음과 같았다. 1. 1983년 엘다베리꽃차 제조방법에 대한 것을 시작으로 최근 2020년 12월 31일까지 총 29개가 출원되었다. 2. 출원된 실용신안 특허 총 29개 중에서 소멸 2개(엘다베리/1983, 연꽃/2009), 취하 3개(무궁화/1992, 백화차/2005, 꽃차/2014), 거절 6개(매화/2001, 장미녹차/2007, 혼합꽃녹차/2007, 동결꽃차/2008, 소금꽃차/2015, 꽃차누룽지/2017), 공개 6개(꽃차/2014, 소금꽃차/2015, 꽃차추출물/2017, 기능성꽃차/2018, 꽃차추출물/2018, 금잔화꽃차/2019), 포기 2개(개복숭아 꽃차/2015, 동백꽃차/2017), 등록(녹차꽃차/2006, 사과꽃차/2008, 목련꽃차/2012. 목련꽃차/2014, 칡꽃차/2015, 장미꽃차/2017, 모란꽃차/2017, 꽃차제조방법/2018, 꽃차로스팅장치/2018, 꽃음료/2020)은 10개였다. 3. 출원된 실용신안 특허 총 29개 중에서 개인이 출원한 것이 19개, 회사(아모레퍼시픽, 휴먼코스메틱, 화이통협동조합, (주)꽃다비, 주식회사 플러드)나 기관(한국식품연구원, 고창군), 대학(전남대학교, 동의대학교 2개)이 출원한 것이 10개였다.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.37 no.2
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• pp.30-39
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• 2019

In this study, 27 representative plants with symbolism and appreciation were extracted from 68 plants collected in Li Yu (1611-1680)'s monograph named 'Xianqingouji Zhongzhibu'. The interpretations were as follows. First, symbolism of plants could be summarized as 1) Li Yu thought that Paeonia suffruticosa was called 'the king of flowers', not only because of its beauty, but also because of its upright character. The only flower that could compete against Paeonia suffruticosa was Paeonia lactiflora Pall.. This flower was called 'the flower prime minister' by common people. But Li Yu thought that Paeonia lactiflora Pall. should also be included in the feudal princes. 2) Prunus persica and Camellia japonica were compared to 'beautiful cheeks', and Malus spectabilis (Ait.)Borkh, Jasminum sambac, Rosa multiflora var. platyphylla, Narcissus tazetta, Papaver rhoeas were compared to 'beautiful women', expressing his love for flowers. 3) Li Yu called Nelumbo nucifera a 'gentleman in flowers' and Buxus sinica Rehd. et Wils. Cheng a 'gentleman in trees'. On the contrary, Daphne odora was compared to 'villain in flowers'. 4) Ilex integra was compared to a hermit, and Campsis grandiflora was compared to an immortal. Second, appreciation of plants could be organized by 1) Appreciation of plants required assistive tools. When going to suburb to enjoy the scenery, tents needed to be prepared. Paper screens should be used to appreciate Prunus mume in the courtyard so as to gain more elegant. Li Yu also proposed that ornamental objects should be properly placed near Orchidaceae so as to gain more elegant. 2）Li Yu took Lagerstroemia indica and Prunus armeniaca L. as examples to interpret that plants were as perceptive as animals and human beings. 3) Li Yu took Salix pierotii and Albizia julibrissin as examples to interpret that people should communicate with plants through five senses to produce resonance. And took Nelumbo nucifera and Rosa rugosa to emphasize the ornamental and practical value of plants. 4) Plants were metaphored sth. similar to them. An interesting example was Celosia cristata L. which was more like an auspicious cloud in the sky than the crest on the cock's head. To sum up, Li Yu personified plants and thought that people should communicate with plants by multi-sensory world when appreciating plants. Through this, it fully showed his love for plants. Meanwhile, Li Yu's symbolism and appreciation of plants, to some extent, reflected the elegant life of literati in the early Qing Dynasty.

• Proceedings of the Plant Resources Society of Korea Conference
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• 2010.10a
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• pp.6-6
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• 2010

제주도는 우리나라의 가장 남쪽에 위하고 있으며 따뜻한 기온과 연중 축제 및 식물원, 박물관 등의 테마파크가 많아 온국민이 가장 선호하는 관광지역이다. 식물을 이용한 지역축제 및 관광명소 만들기는 초기비용이 적게 들어가고 친환경적이며 날이 갈수록 부가가치가 커지는 장점을 가지고 있다. 본 연구에서는 현재 제주도에서 행하여지고 있는 축제의 특성을 간단히 알아보고 자원식물을 이용한 제주도에서 연중 가능한 축제 프로그램을 개발하고자 하였으며 결과는 다음과 같았다. 1. 제주도의 축제는 총 31개이었으며 그중에서 식물을 이용한 축제는 15개로 전체의 48%를 차지하였다. 2. 지역에 따른 구분을 보면 제주시의 전체 축제는 16개이었으며 그중에서 식물을 이용한 축제는 8개로 전체의 50%를 나타냈고 서귀포시는 15개중에서 7개로 절반이 안되는 47%이었다. 3. 자원식물을 이용한 제주도에서의 연중 축제 프로그램 개발에 있어서 50여개를 제안하며 봄의 3월은 동백꽃축제, 수선화축제, 칡캐기축제, 서향축제, 4월은 꽃잔디축제, 개나리축제, 고사리축제, 조팝나무축제, 모란 축제, 개복사꽃축제, 살구꽃축제, 유채꽃축제, 청보리축제, 새우란축제, 왕벚꽃축제, 진달래축제, 5월은 참꽃나무축제, 대나무축제, 해당화축제, 작약축제, 라일락축제 등이 가능하다. 4. 여름의 6월은 한라산철쭉축제, 꽃창포축제, 접시꽃축제, 우리밀축제, 7월은 풍란축제, 홍화축제, 도라지축제, 수련축제, 산수국축제, 배롱나무축제, 8월은 해바라기축제, 무궁화축제, 다알리아축제, 칸나축제, 다육식물축제, 하귤축제, 열대과수축제, 등이 가능하다. 5. 가을의 9월에는 꽃무릇축제, 미로찾기축제, 10월에는 감국축제, 구절초축제, 11월에는 닥나무한지축제, 국화축제, 제주한란축제, 포인세티아축제 등이 가능하다. 6. 겨울의 12월에는 제주자생 구상나무를 이용한 크리스마스트리 경연대회, 1월에는 납매꽃축제, 먼나무축제, 2월에는 매화축제, 풍년화축제 등이 가능하다.

• Proceedings of the Plant Resources Society of Korea Conference
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• 2020.08a
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• pp.106-106
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• 2020

특허제도는 발명자에게 발명의 공개에 대한 대가로 일정기간 독점권을 인정하여 기술개발에 투자한 자금을 회수할 수 있는 기회를 제공하고 공개된 발명은 새로운 기술개발을 위하여 누구나 이용할 수 있도록 하여 기술발전을 촉진할 뿐만아니라 이미 개발된 발명에 대한 중복투자, 연구를 하는 낭비를 방지하기 위한 목적을 가진다. 본 조사는 2019년 12월 31일에 정부의 특허정보넷인 키프리스(www.kipris.or.kr)에서 꽃차 관련 실용 신안 특허 내용을 검색하여 정리한 결과는 다음과 같았다. 1. 1983년 엘다베리꽃차 제조방법에 대한 것을 시작으로 최근 2019년 12월 31일까지 총 28개가 출원되었다. 2. 출원된 실용신안 특허 총 28개 중에서 소멸 2개(엘다베리/1983, 연꽃/2009), 취하 3개(무궁화/1992, 백화차/2005, 꽃차/2014), 거절 6개(매화/2001, 장미녹차/2007, 혼합꽃녹차/2007, 동결꽃차/2008, 소금꽃차/2015, 꽃차누룽지/2017), 공개 6개(꽃차/2014, 소금꽃차/2015, 꽃차추출물/2017, 기능성꽃차/2018, 꽃차추출물/2018, 금잔화꽃차/2019), 포기 2개(개복숭아 꽃차/2015, 동백꽃차/2017), 등록(녹차꽃차/2006, 사과꽃차/2008, 목련꽃차/2012. 목련꽃차/2014, 칡꽃차/2015, 장미꽃차/2017, 모란꽃차/2017, 꽃차제조방법/2018, 꽃차로스팅장치/2018)은 9개였다. 3. 출원된 실용신안 특허 총 28개 중에서 개인이 출원한 것이 19개, 회사(아모레퍼시픽, 휴먼코스메틱, 화이통협동조합, (주)꽃다비)나 기관(한국식품연구원, 고창군), 대학(전남대학교, 동의대학교 2개)이 출원한 것이 9개였다.

• Journal of the Korea Fashion and Costume Design Association
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• v.13 no.1
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• pp.113-123
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• 2011

The purposes of this study were to re-interpret the Traditional Korean Painting of Flower and Bird Patterns from a modern point of view and use them in apparel textile design. A literature review of the Traditional Korean Painting of Flower and Bird Patterns was made first, and then, through manual and Photoshop workings, two apparel textile designs were suggested. The results were as follows. First, Traditional Korean Paintings of Birds and Flowers are covered not only by decorative beauty but also by the common pure hope and ideology of loving and adoring nature, which is inherent in the symbolism and racial characteristics and high aesthetic sense appeared by ancestors' life feeling. The meaning that is symbolized by each subject matter appearing in the Transcontinental Painting of Bird and Flower is important, but the ancestors' deeper and affectionate desire is shown in the harmony and happy aspect of a picture where more than two subject matters appear, such as Song Hak do where pine is with crane, cockscomb with chicken, bamboo with beacon fire, or a couple of them with flower. Second, two kinds of textile designs were suggested. The motif of work 1 targeted professional women of activity and individuality in their late 30s to early 40s. The lotus blossom pattern was selected to present its concept, "Chic Elegance." The motif of work 2 targeted intelligent women in their mid 40s, and the peony blossom was selected to present its concept, "Romantic Elegance."