• Trans-
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• v.12
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• pp.81-106
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• 2022

The possibility of metaverse system to be a catalyst for hyper-connected society will be dependent on the speed of connected technological development and its social utilization in the same manner as AI technology. Putting these technical realization processes in brackets, this paper focus on some philosophical-political issues in connection with cognitive-ecological changes in the future cinema which will be influenced by the complexive techno-socio couples of accelerated development of metaverse system. Generally speaking, essence of metaverse system seems to be the degree of immersion by technical accuracy, but is not true. In perspective of cognitive-ecology, flow degree of a picture or photograph is relied not on 'accuracy of representation' but on its message's contextual link-up. In this aspect, real potentiality of metaverse system shall be understood in the context of cognitive-ecological changes of human brain's multi-intelligence networking abilities(intersection of augmentation-simulation and outside-inside) which will be activated in the new structure of natural-social-technological coupling of metaverse system. These cognitive-ecological potentialities have been partially actualized in the cinematic process of tripod mimesis for the longest time, [real contradiction/conflicts (Mimesis-1) -->fictional solutions of cinema (Mimesis-2) --> selective interpretation of spectator's wish fulfillment (Mimesis-3) --> real change (Mimesis-1')]. Therefore metaverse's real potentiality must be considered to be dependent on the possibility of deepening and extending of cinematic circulation between real seperation/problems and ideal connection/solutions. In this context, advanced metaverse system can be compared as a modern technical version of ideal circulation of physics and metaphysics

• Information and Communications Magazine
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• v.31 no.7
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• pp.32-38
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• 2014

소프트웨어-콘텐츠 산업은 IT 및 전통산업에서도 대표적인 지식산업이면서 타 산업에 대한 연관관계가 매우 높고 파급효과도 대단히 높은 산업으로 고부가가치를 실현할 수 있는 산업이다. 한국통신기술협회(TTA) 소프트웨어-콘텐츠 기술위원회(TC6)는 기반 소프트웨어 기술(공개SW, 메타데이터, 소프트웨어 품질평가, 웹서비스 등)과 융합 소프트웨어 기술(임베디드SW, 사이버-물리시스템(CPS), e-내비게이션, e-퍼블리싱 등), 그리고 디지털 콘텐츠 기술(게임, 디지털시네마, 컴퓨터그래픽 등) 분야의 표준 제정을 담당하고 있다. 본고에서는 TC6 산하 9개의 PG에서 2013년에서 현재까지 제정한 70여건의 표준에 대하여 간략하게 정리하여 제시함으로써, 향후 소프트웨어-콘텐츠 분야의 표준이 참조될 수 있는 기회가 있기를 희망하며 표준화 추진 동향에 대하여 소개 하고자 한다.

• The Journal of the Convergence on Culture Technology
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• v.4 no.3
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• pp.75-86
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• 2018

Desktop Documentary is a new documentary mode which uses a screen capture technology to complete the multitasking process of the creator who searches in the Internet Open Archive instead of shooting with a camera and remixes the selected multimedia contents using a computer interface. In this paper, we explore the desktop documentary that transforms potential archives into database narratives in the new media environment, converts cinematic mise-en-$sc{\grave{e}}ne$ into computational mise-en-interface, and transcends the boundaries between creation and criticism through creative mechanism as curation through stream of consciousness. We also examine the concept, type and characteristics of the desktop documentary which emerges since 2010s as an experimental attempt of new media art, a new hybrid genre of mainstream horror film, a new mode of fiction film, a new mockumentary style, and a new form of video essay and audiovisual critique.