• Journal of the Korean Institute of Landscape Architecture
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• v.49 no.5
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• pp.12-26
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• 2021

The purpose of this research is to analyze the influence and legacy of Le Corbusier, who has been neglected in the past discourse of landscape architecture, on the formation of modernism in landscape architecture. The research examined the relationship between Le Corbusier's ideas and practices and modern landscape architecture in three parts. The first part analyzed chronologically the relationship between architecture and landscape in Le Corbusier's theories and practices. The evaluations and criticisms of Le Corbusier's landscape practices were also examined. The second part analyzed the relationship between Le Corbusier and European Modernism in landscape architecture and his influence on European modern landscape architects focusing on Vera, Lurcat, and Canneel-Claes. The third part looked into Le Corbusier's influence on American and British modern landscape architects including Tunnard, Chruch, Rose, Eckbo, and Kiley. The result of the research showed Le Corbusier's works and theories heavily influenced important landscape architects in Europe and America, who played key roles in forming Modernism in landscape architecture. Rather than introducing Le Corbusier's Modernism theory into the discourse of landscape architecture without questioning, modern landscape architects accepted his theory and practice of Modernism selectively with praise as well as criticism. Canneel-Claes, Turnnad, and Eckbo were the pioneers who tried to establish the basis of Modernism in landscape architecture by positively accepting Le Corubiser's thoughts on Modernism; whereas, Steel and Rose criticized Le Corubiser's attitude on landscape architecture. Church and Kiely were indirectly influenced by Le Corbusier in forming their Modernism style.

• Korean Architects
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• s.551
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• pp.80-87
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• 2015

• Korean Architects
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• s.544
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• pp.86-95
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• 2014

• Korean Architects
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• s.550
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• pp.78-84
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• 2015

• Korean Architects
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• s.545
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• pp.78-85
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• 2014

• Korean Architects
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• s.549
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• pp.82-89
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• 2015

• Korean Architects
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• s.547
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• pp.82-90
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• 2014

• Korean Institute of Interior Design Journal
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• v.17 no.6
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• pp.82-91
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• 2008

After modernism, artistic movements such as Cubism, Futurism, De stijl and Bauhaus demonstrated a connection to architecture and other plastic arts and developed a tendency towards a synthetic art. Above all, the unification of painting and architecture is the most noticeable point; a blueprint and a multi-coloring space that are applied on 3-dimensions painting brought new dimensions into relief. Following this artistic trend, it is easy to point out that Le Corbusier's works; which were created under the name of Charles Edouard Jeanneret, show the pictorial peculiarity in the Space Design. Even if white space that he has designed under the slogan such as standardization and mechanization, the variety and metamorphism that he has tried to express on his work have widely been recognized. Especially, his late architectural works were produced as the figurative arts expressing the ambiguity of painting and hence led a step towards a synthetic art. The study analyses Le Corbusier's 2-dimensional Painting as well as his 3-dimensional Space Design. Furthermore, it aims at embarking on the unification of painting and architecture in terms of Le Corbusier's synthetic design philosophy.

• Korean Architects
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• s.588
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• pp.148-155
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• 2018

프랑스에서 건축은 특별한 의미를 갖는다. 1965년 9월 프랑스 루브르궁에서 '현대건축의 아버지'로 불리는 르코르뷔지에의 장례식이 국장(國葬)으로 치러진 것에서도, 또 유럽최초로 건축을 문화적 관점에서 성문화한 것에서도 이를 엿볼 수 있다. 1977년 당시 프랑스는 건축법(Architecture Act)에서 "건축은 문화의 표현이다. 건축의 창조성, 건물의 품격, 주변환경과의 조화, 자연적 도시적 경관과 건축유산의 존중은 공공의 관심사다"라고 규정했다. "프랑스에서는 옛날부터 국왕이 건축사(Architect)를 초청해 식사를 할 정도로 건축을 예술 문화적 관점에서 이해하고 접근하며, 특히 건축사(Architect), 예술가, 문화가는 프랑스에서 대단히 중요한 위치를 차지합니다." 프랑스 2PORTZAMPARC에서 20년 넘게 건축을 해온 송현정 건축사(프랑스 건축사)는 프랑스가 건축에 있어 특수한 역사적 맥락을 갖고 있다고 설명한다. 2PORTZAMPARC은 프리츠커상을 수상한 프랑스 건축사 크리스티앙 드 포잠박이 이끄는 사무소다. 업무차 한국을 찾은 그를 3월 28일 서울 광화문 성곡미술관에서 만났다.