• JOURNAL OF ELECTRICAL WORLD
• /
• s.300
• /
• pp.78-83
• /
• 2001

미쓰비시電機가 제안하는 에너지솔루션은, 고객의 에너지절약, 코스트절약 및 환경개선의 파트너로서 현장에 밀착하여 에너지의 종합엔지니어링력(力)(에너지 발생$\cdot$공습$\cdot$이용기술)과 IT를 구사하여, 고객의 에너지와 관련된 여러 가지 과제(부분적인 과제에서 고객 전체의 에너지과제까지)에 대하여 에너지절약 컨설테이션, 설계시공, 설비리스, O&M, 에너지 공급, 에너지운용관리까지 폭넓게 고객과 함께 해결해 오고 있다. 그 일환으로서 동사는 마이크로 가스터빈의 코제너레이션 시스템''마이크로 에코터보 MTG-28''을 분산전원의 레퍼터리로서 제품화하고 동시에 분산전원에 의한 전$\cdot$열공급 서비스사업을 적극적으로 전개하고 있다. 동사는 Capstone사 제품인 28kW 마이크로 가스터빈을 이용하여 열이용을 포함한 코제너레이션 패키지를 개발하고 또한 고객의 큰 관심사항인 메인터넌스에 대해서도 24시간 원격감시하는 시스템을 실용화하여 애프터서비스 체제를 정비하고 있다.

• Journal of the Korean Institute of Telematics and Electronics
• /
• v.21 no.1
• /
• pp.57-61
• /
• 1984

This paper deals with the selection of minimal test instruction set for microprocessor data processing test. This test method is based on a function description of the instructions which are obtained from the data given by the user's manual. Selecting procedure is done in 3 steps: 1) a test execution graphs are represented on the instructions which are grouped functionally, 2) the essential graphs, the eliminable graphs, the eliminable graphs, and the eligible graphs are built, 3) optimal test instruction set from the essential graphs and the eligible graphs is defined. In the case of INTEL 8048, 50 test instructions can be selected optimally from 8048 instruction repertories (96 instructions)

• Sijohaknonchong
• /
• v.25
• /
• pp.145-174
• /
• 2006

The purpose of this study is to research the correlation of Sijo with Akjang. In Joseon Dynasty, the contact of folk music and court music was brisk. Although they had some political premises, many Jeongjaes presented in the royal court parties accepted Gagok, one of the representative folk song genres. It was an eye-opening matter. The song words sung by Gagok music accompaniment were the lyrics of Sijo. We can give Sijo that was used in diverse royal court parties as an typical example about introduction of folk music to the court music. A lot of Goryeo Dynasty's Jeongjaes were introduced to Joseon Dynasty nearly as they are. Naturally so most Sokak-gasas were. Bukjeon was sung to Jinjak tune which Jeong-gwajeong was sung. Bukjeon in the music book Akhak-Guebum is a long song, but instead Bukjeons in the music book Geumhapjabo and Yang'geum-sinbo are short. It suggests that the poetic form of Sijo was introduced to the Lyric of royal court music from a point of time in the early Joseon Dynasty. Especially, Bukjeon had been continued to the late Joseon Dynasty after exchanging to the lyric form of Sijo. Bukjeon had been used In the royal court to the first half of Joseon Dynasty It became established in the repertory of Gagok after spreading to people out of court. Turnover from the long Bukjeon to the short was a result that the folk music influenced royal court music. Bukjeon. song words praying King's longevity. was used in the diverse situations such as a small royal parties, royal archery, and King's outing. It can be a clue that the Korean song words continued to late Joseon Dynasty were used for the lyric of royal court music. In the correlation of the poetic form of Sijo and Akjang, we can find out some characteristics different from our common sense to distinguish royal court music from folk music.

• (The) Research of the performance art and culture
• /
• no.18
• /
• pp.315-346
• /
• 2009

Korean 'Sin-Pa' play is a way to examine self-reliance of Korean culture and influence of Japanese culture on the Korean one in the early modern times. Although the 'Sin-Pa' play has been estimated negatively in many aspects, such an estimation can be different depending on the methodology. Therefore, I tried to explain a characteristics of the rise of 'Sin-Pa' play. While making these trials, I made efforts to reappreciate the developing process of Korean 'Sin-Pa' play and its theatrical structure and value. Particularly, I focused on structure of 'Sin-Pa' play in the context of an actual cognition of colonized Korea. Based on the 'Sin-Pa' play's repertoires I found out that one of the representative characteristics of Korean 'Sin-Pa' play is a changing process from orality to literacy. And I made attempts to uncover some ideological functions and their effects of 'Sin-Pa' play, focusing on and whose story line is usually consisted of 'provocation-pangs-defeat' while it interacted with 'provocation-pangs-penalty' of the structure of melodrama under the contemporary cultural conditions. 'Sin-Pa'' play can be considered as a performance mode to accept the Japanese value embedded in the colonized Korea since the 1910s on the one hand and to resist the overwhelming power of western culture imported through Japan on the other hand. In other words, it was closely related with the cultural-field of that period. Based on these results of this research, I tried to outline what the mode of 'Sin-Pa' was, what it reflected, and what it desired for under the influence of the contemporary cultural conditions. I analysed double qualities of 'Sin-Pa' play as a dominant narrative and/or a resistant narrative considering its relationship with the people of colonized Korea. And also I examined the place of the 'Sin-Pa' play in the history of theatre and in the history of culture.