• Proceedings of the Korean Institute of Interior Design Conference
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• 2004.05a
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• pp.171-175
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• 2004

This study aims at the examination of the characteristics of sectional design by Raumplan through the analysis of his 12 houses in which his architectural design concept is clearly showed. The analysis proceeded through 12 sectional drawings, because of Raumplan is originated from the spatial concept which is dividing spaces with various differences of horizontal level. Through this investigation, three characteristics of sectional design by Raumplan which is to present : 1) Free horizontal variation by different level 2) Spatial division by splitted wall 3) Horizontal & vertical refraction of viewpoint & movement These characteristic seems like to including his intention to put into the various human behaviour in residence, it can be spatial clue to solve existential experience of 'homelessness' which is one of the biggest problems of modern times.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2004.11a
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• pp.108-111
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• 2004

This spatial inclusion in actual housings are realized in the division of cellular space, formation of room through frontality, transition of room through material surface, and the dual-systemizing of circulation into function and formality. This simultaneously establishes the self-sufficiency of individual spaces and the interrelations between volumes, and leads to Raumplan, which is a form of architecture that gradually includes space within space. Though its dichotomous consideration of space. It economizes their use, which answers to the actual request of architecture in the modern era.

• Korean Institute of Interior Design Journal
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• v.13 no.2
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• pp.29-37
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• 2004

This study analyze the architectural space in the aspect of the 'Raumplan' and 'Plan Libre'. These concepts based on the 'Raumplan versus Plan Libre' exhibition in Delft University, Netherlands. It is generally agreed that the concept of 'Plan Libre' in connection with Le Corbusie architecture and 'Raumplan' related to Adolf Loos's works. that exhibition contents was focused an extent of modem architecture. But, These concepts continually influence contemporary architecture and offer diverse vision in architecture. Therefore, this study focused on the analysis that look for common element in the space through the case study and space element connection in change of the values, technical growth. This Paper reveals that Adolf Loos's Raumplan is similar to Louis I. Kahn's 'Room' concept and Ando Tadao's centrifugal space composition method In the dwelling architecture. And the concept 'Plan Libre': non-definitive formal system and the elements : column, free form screening wall is revived as formal application of 3 dimension composition in architecture. and transfer lots, void, and linear space in Rem Koolhaas's urban design projects. These aspects is so called topology. This topological concept is an attempt in view of the space connection state rather than formative viewpoint.

• Korean Institute of Interior Design Journal
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• v.17 no.6
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• pp.30-40
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• 2008

Adolf Loos showed important directionality in the thought of modem culture and architecture. The thought about the architecture of Adolf Loos was gathered by "Raumplan". It is the solution of the plan in space. But the concept and method of the "Raumplan" had not been synthesized until near the end of Loos's life. Loos's first reference to the "Raumplan" appears in 1929. I think that "Raumplan" became the solution of the plan in space with a formation process of the thought about the architecture and culture of Adolf Loos. Therefore, the purpose of this paper derived a characteristic of "Raumplan" from the relations between the architectural thought of Adolf Loos and "Raumplan". The processes of the study are as follows. (1)Consideration about the growth background of Adolf Loos and the social situation of Vienna. (2)Analysis about architecture and the cultural critic of Adolf Loos. (3)Analysis of "Raumplan" based on architectural thought of Adolf Loos. As a result, I got the four characteristics of "Raumplan" as follows. (1) Separation and continuation of "Raum". (2) Fragment of "Raum". (3) Overlay and transmission by the axis of multiplex eyes. (4) Structural adjustment of the "Raum" by Hierarchy. Finally, I understood the architecture which Adolf Loos pursued in "Raumplan" had a high function and contained the clear meaning and contents which had practical use and economic value, and it were not a results of the simple logic.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2003.05a
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• pp.150-155
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• 2003

Modern house degraded by object of possession by industry and capitalistic development, and it is losing genuine meaning as order system to secure perpetuity of dwelling. Paradigm of space embodiment need first of all laying stress on human's life to overcome such modem dwelling crisis. In modern age Europe, Adolf Loos tried to embody residing space of human center within modernistic developing of technology, urbanization etc.. For such reason, Raumplan is worth reviewing. By treatise that research about Raumplan is many already presentation of the results of ones study do. But most discussions were limited by opinion which is 'Three-dimensional space plan techniques' that give attention to in physical characteristics of Raumplan, and by opinion which is 'Adolf Loos' criticism about culture with outside society. We reconsidered Raumplan in side of general paradigm of residing space embodiment that started from relevant resident's life in treatise that see as such reason. As a result, we knew that is near in residing space original target that Raumplan wishes to embody human's life to space, and this nowaday suitable candidate for marriage as excellent thanks for residing crisis conquest of done situation quote may.