• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2015.07a
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• pp.337-338
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• 2015

최근 들어 기존의 MPEG-2 시스템에서 벗어난 차세대 방송 서비스 및 시스템 기술에 대한 관심이 고조되고 있다. 즉, 부호화된 콘텐츠를 전송하기 위해서 현재 사용되고 있는 MPEG-2 스트림 대신, 세그먼트 기반의 IP를 활용하는 방향으로 변모하고 있다. 더욱이, 차세대 방송 표준화를 추진 중에 있는 ATSC 3.0 에서는 MPEG-2 스트림을 제외하고 세그먼트 기반의 IP 만 고려하고 있다. 본 논문에서는 이러한 기술 기반의 차세대 방송 서비스 및 시스템 개발을 위해서 필요한 콘텐츠 반복 재생 방법을 제안한다. 제안된 방법은 기존 디지털 방송에서 사용하고 있는 MPEG-2 스트림의 반복 재생과 동일하게, 제한된 용량의 콘텐츠를 반복 재생하여도 연속적으로 재생되는 것처럼 보이도록 하여 실제 방송 환경과 동일한 테스트 환경을 제공한다. 향후, 세그먼트 기반의 차세대 방송 서비스의 도입 단계에서 제안된 내용이 많이 활용될 것으로 기대한다.

• Digital Contents
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• no.1 s.80
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• pp.59-61
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• 2000

네티즌들은 인터넷 방송을 최근 들어서 처음 접하게 되었으나 앞으로 인터넷 방송을 이용할 외향은 매우 높은 것으로 나타났다. 이는 한국정보문화센터가 최근 인터넷사이트 라이프넷(lifenet.or.kr)을 통해 네티즌 7.754명을 대상으로 설문 조사한 결과 나타났다.

• The Journal of the Korea Contents Association
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• v.10 no.3
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• pp.32-43
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• 2010

IPTV is an emerging technology that combines both broadcasting and tele-communication technologies, and provides various multi-media contents to the service subscribers. In general, IPTV broadcasters transmit scrambled signals (multi-media contents) to the paying subscribers, and the users within the acknowledged network descramble the signals using the smart-card. That is, users are verified through communication between STB (Set-Top Box) and smart-card. In 2004, Jiang et al. proposed a secure protocol regarding the verification process. The method has been modified and enhanced by several following research works. However, all the methods that have been proposed so far required modular exponentiation operations which may raise the smart-card costs. In this paper, we propose a new efficient mutual authentication and session-key establishment protocol using only hash functions and exclusive-or operations, and show that the proposed protocol is still secure under various security attacks.

• Journal of Digital Convergence
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• v.12 no.6
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• pp.559-568
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• 2014

In this age of multimedia, the content of media works as an important factor rather than the format of media. Popular television programs are being supplied cross-border and they go through the process of adaption to the local viewers which is called "formatting". This kind of "formatting" industry had begun in the States, then the Europeans have taken the inactive from 1990s. Since then, it has been settled firmly by the "super-formats". It now has the assumed value of 31 hundred million Euro per year. Especially after 2000s, England has been the center of world broadcasting format industry, and its case has lots of suggestions to Koreans trying to foster the cultural content industry. So this study aims to find the suggestions to Korean content industry by considering the history of broadcast format industry chronically and examining the industrial background of English as a powerful nation of content.

• Journal of Digital Convergence
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• v.10 no.1
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• pp.455-461
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• 2012

The paper explores the relationship among paradigms, ecosystem which need to establish broadcasting, information and communications industry as the core of national competitiveness in the digital convergence era, and proposes the future progressing strategies and policies directions that consider environmental factors which all mass media converged on Internet. This paper makes an attempt to contribute innovative & integrated perspectives in the industry.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.9 no.2
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• pp.65-71
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• 2009

The end of the 1990s due to the rapid development of Internet communications and two-way communication advertising, public relations, online music, video, movies, e-Book, and distribution of digital content is actively underway. The combination of Internet and TV, as well as born of IPTV and interactive digital content industry's future has become a key industry. However, these two-way communication that illegal adult sites, illegal Bulletin, illegal Ads, PR, shopping mall, illegal music copying, video replication, such as negative due to the emergence of IPTV and is always around us and should be recognized. For example, on the Internet, which has been operating in the ocean sounds from the music copyright issue, the prosecution decided to prosecute because of the digital cultural content, copyright issues has become an important issue. Status and issues of this paper to learn the digital content, using intelligence to solve these problems, two-way communication advertising, public relations and practice of digital content, practices and courses of students vulnerable to offers for the analysis simulation.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.11 no.2
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• pp.189-196
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• 2011

As internet is getting advanced day by day, digital contents have been developed in various areas as killer content in the IT industry. It needs to develop lots of complicated digital content protect systems due to the enhancement and variety of user's multimedia devices. Although there are lots of protect systems based on DRM(Digital Rights Management) technology, it is difficult to provide secure protection because of the problems resulting from analog hole problem, inefficiency of key sharing and various independent protect technologies. Thus, in this paper, we propose a novel authentication and protect system based on RFID(Radio Frequency Identification) technology to solve the problems and show possibility of free content duplication and efficient contents management in smart home environments.

• Journal of Digital Contents Society
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• v.7 no.3
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• pp.211-217
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• 2006

The digital contents industry has now become the most important industry in the 21st century. Among the various digital contents industries, the animation industry has emerged as a higher value-added culture contents business with a strong possibility of growth from the field of image and character to the copyright area. Yet, the overall market structure has not been consolidated except for a few successful projects because of the sharp decline in domestic animation and the upward trend in global animation business. Due to reduced investment in producing TV animations, OSMU is an essential alternative for the animation industry. In this research, we aim to analyze the development of the domestic animation industries by studying the actual condition of OSMU for broadcasting contents.

• Journal of Digital Contents Society
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• v.10 no.3
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• pp.461-468
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• 2009

In a recent year, the broadcasting system has been changed from analogue to digital all over the world, not just in Korea, and Korea aims at accomplishing 100% digital broadcasting by 2013. The HD(High Definition) Video Format, which currently plays a key role in digital broadcasting system, has been gradually extended in the field of broadcasting and movie. Additionally, many kinds of camcoders and editing systems have been rapidly converted into the digital types, and they are supporting to photograph and video editing systems with the various types of image formats such as SD(Standard Definition) format, HD format, 2K, 4K, etc. Tape Video Storage System, which has been usually used in the stage of photographing by this day, is gradually evolving into Tapeless Video Data Storage System. Thus in this study, Video Compression method of HD format photographed by Sony PMW-EX3, one of major tapeless camcoders, is studied and also the way of applying it effectively in Avid Media Composer, a non-linear editing system, is discussed.

• Journal of Broadcast Engineering
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• v.12 no.4
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• pp.321-332
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• 2007

The digitalization of a broadcast has caused the oversupply of the contents in order to fit the user's needs for various broadcast services. The massive contents could not help demanding one-sided watching without considering a taste and preference of a user. This situation is enlarging the demand about the personalized broadcast service to enable user to watch broadcast contents in anytime according to surplus provision of broadcast contents. TV-Anytime standard could be a solution for broadcast service to enable users to watch personalized broadcast contents according to their preference. The paper proposes the personalized broadcasting system for authoring, receiving and transmission of TV-Anytime metadata, the detailed information about the broadcast contents so that user could efficiently search a large of broadcast contents stored in the PDR(Personal Digital Recorder)receiver under the DCATV(Digital Cable Television) environment.