• Title/Summary/Keyword: 디자인 원리

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A Study on the Display Composition Theory in Exhibition Space (전시공간의 디스플레이 구성원리에 관한 연구)

  • 신홍경
    • Korean Institute of Interior Design Journal
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    • no.29
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    • pp.235-241
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    • 2001
  • Today, display is rapid changing with the rapid expansion of industrial society, the rapid changing of distribution structure, various world fairs and living environmental improvement. The extreme effect, visibility and imphasis are necessary for the efficient exhibition to show the invention Idea and products. Exhibition space's functions is to possess accumulative results and can communicate with visitors. The display in exhibition spare connect space, human and objects. This study is to systematize the display composition methods by the characteristics of arrangement and installation in display.

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A Study on the Organic Expression Principles of the 20C. Architecture. (20세기 건축의 유기적 표현원리에 관한 연구)

  • 김주연;우경덕
    • Korean Institute of Interior Design Journal
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    • no.18
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    • pp.51-58
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    • 1999
  • The aim of this study is to discover the organic expression principles of the 20C. Architecture. As a result, first, the organic expression principles was organised in six categories, a. naturalism b. neo-naturalism, c. realism, d. abstractionism, e. regionalism, f. functionalism. Second, among the organic expression principles, the naturalism, the neo-naturalism and the abstractionism were the most dominant organic expression principles of the 20C. Architecture. Third, from 1960, the functionalism have become one of the most dominant organic expression of the 20C. Architecture.

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A Study on the Present State and Principles of Architectural Composition for the Healing Environment of the Urban Type Hospital - focused on spatial composition of the ward and public space - (도심형 병원의 치유환경조성을 위한 건축공간구성의 현황 및 원리에 관한 연구 - 병동과 공용공간을 중심으로 -)

  • Yoo, Jin-A;Lee, Jung-Man
    • Proceedings of the Korean Institute of Interior Design Conference
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    • 2005.05a
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    • pp.196-202
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    • 2005
  • Recently, hospital architecture has acknowledged remedial value of environment and atmosphere, which consider patient's statement of physical, spiritual, psychological and social focus, escape from the past focus of functional and rational space composition. The many research of hospital architecture just analyze elements of architectural planing which focus how to make a healing environment for patients. The purpose of this study is to abstract the design principle of architectural space composition for healing environment significance, through case study which follow up space composition. To abstract healing environment significance by space composition, each case study hospitals should be analyzed and estimated on the spatial composition elements. It is to provide the basic data for effective architectural planning of the hospital.

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Analyzing evaluation factors of multimedia interface design - A study on the evaluation of multimedia interface design (2) (멀티미디어 인터페이스 디자인의 평가 요소 분석 - 멀티미디어 인터페이스 디자인의 평가에 관한 연구 (2))

  • 이지수;임창영;권은숙
    • Archives of design research
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    • v.11 no.1
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    • pp.153-160
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    • 1998
  • User, contents exchanged between user and computer system, and media are axes among the vanous factors related to multimedia interface. The points of contact resulted by three mam factors bring many design problems. User factor is most important among and its cognitive constraints become mam design principle for multi-modality features of multimedia. Because media could be understood differently depending on the level of information delivery, it is necessary that various characteristics and representation mode of media are clarified. This thesis develops design evaluation process that tells multimedia interface as a entity integrated with contents, media, and representation elements and assesses its sub elements whether they are correspond with design principal.

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A study on Typography Expression of the Street Paper. (스트리트 페이퍼의 타이포그라피 표현에 관한 연구)

  • 오정화;정성환;홍찬석
    • Proceedings of the Korea Society of Design Studies Conference
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    • 2000.11a
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    • pp.70-71
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    • 2000
  • 잡지는 산업혁명의 부산물로 산업시대의 산물인 그래픽 디자인의 역사와 함께 발전을 거듭해 왔고 책과 신문의 전통적인 타이포그라피 방식에서 벗어나기 위해 끊임없이 글과 그림들을 새롭게 조합하기 위한 창조의 과정을 거쳐왔다. 잡지는 중요한 시각표현 원리와 기술 재현 능력을 구사해 볼 수 있는 실험실과 같은 것이다. (중략)

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