• Title/Summary/Keyword: 동방계회(同榜契會)

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A Bibliographical Study on Gimyo sama tongnyung kyechub made by Hong Jong Woon (덕곡(德谷) 홍종운(洪鐘韻)의 "기묘사마동년계첩(己卯司馬同年契帖)"에 관한 연구(硏究))

  • Roh, Ki-Chun
    • Journal of Korean Library and Information Science Society
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    • v.43 no.1
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    • pp.399-415
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    • 2012
  • Gimyo sama tongnyung kyechub(己卯司馬同年契帖) was made in 1639 to commemorate the meeting for successful candidates who had passed Samasi(司馬試). This study analyzes the physical characteristics of Gimyo sama tongnyung kyechub(己卯司馬同年契帖), which includes kyehoe-do(契會圖), list of identification(座目), preface(序文), poem of meeting(契會詩) and try to find out who is in the illustration, what happened in the meeting, and why they made this book comprehensively. According to the research, this book has different physical characteristics from others made earlier. It is revealed that the three men - Choi Sang Ho(崔尙虎), Kim Jeong Hwa(金鼎華), Hong Jong Woon(洪鐘韻) - out of four who passed the exam in 1639 held a meeting at the Mount. Wolchul in YoungAm in the fall of 1656. After that, they ordered the painter who belonged to Jeonla government in Gangjin, Jeonla province to make four copies of this book for the purpose to continue their relationship cross the generations.

A Study on the Costumes of the Characters of Higyongru Banghwoedo (<희경루방회도(喜慶樓榜會圖)> 속 인물들의 복식 고찰)

  • Bae, Jin-Hee;Lee, Eun-Joo
    • Korean Journal of Heritage: History & Science
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    • v.51 no.4
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    • pp.44-65
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    • 2018
  • This study examined the costumes of the characters in the painting titled Hig yongru Banghwoedo, which was designated as National Treasure No. 1879 in September 2015, and is currently kept in the Dongguk University Museum. The painting depicts a social gathering of Joseon aristocrats held at the higyongru, or watch tower, of the Gwangjumok, a government office, in 1567. It is characterized by the delicate illustration of the government officials, the main characters of the gathering, and the hyangri, ajeon, najang, chorye, akgong, and yeogi, the lower-class employees of the office. In order to investigate the costumes they wore, diverse materials including literature, costume artifacts, and paintings were used as reference sources. The scope of the study was limited to the characters' headdress and gown, and the accessories attached to the former. The study of men's clothing revealed that officials wore a samo and a red dalryeong as basic attire. In addition, it is presumed that they wore a belt indicating their official rank in the hierarchy, and a pair of black shoes. Retired officials wore a heuklip wrapped in horsehair or silk fabric with a red jing-nyeong and a doah. The hyangri wore a heukjukbanglip on their head, as well as a white jing-nyeong and a belted doah. In the Goryeo period, the banglip was a type of official headdress worn by members of the aristocratic elite ranked immediately below the king, but in Joseon it was demoted as the official headgear of the hyangri class, which was confirmed through Higyongru Banghwoedo. The ajeon wore a heuklip on their head, and a white jing-nyeong and a doah at the waist. As a rule, the najang wore a chogun on the head, and a banbieui on cheolrik and chungmokdai, but the najang in Higyongru Banghwoedo are depicted wearing a chogun and a cheolrik without a banbieui. Also, the chorye wore a heuklip wrapped in hemp cloth with a red cheolrik, whereas the akgong wore a somoja and a red cheolrik. Female entertainers, both adults and children, are depicted in the painting as either serving the aristocrats, dancing, or playing a musical instrument, wearing their hair in a voluminous, round, high bun, and dressed in a red daiyo, a hwangjangsam with a straight or reclined collar, and a belt. Notably, the donggi, i.e. young gisaeng, are shown wearing their hair in two short braids, and ddressed in a red gown with a y-shaped collar, or po.