• Title/Summary/Keyword: 대자보

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Repertoire of Selection and Communication of Refusal "Annyeongdeul Hasipnikka?" and Communication Theory of Niklas Luhmann (선택의 토대와 거부의 소통 안녕들 하십니까 현상과 루만의 체계 이론적 커뮤니케이션)

  • Kim, Young-Bin;Han, Hye-Kyoung;Kim, Moo-Kyu
    • Korean journal of communication and information
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    • v.71
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    • pp.224-249
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    • 2015
  • The main purpose of this paper is to account for the so-called "Annyeongdeul Hasipnikka?" communication in terms of Niklas Luhmann's communication theory. The communication theory of Niklas Luhmann which is constructed on the basis of the system theory is, despite its complexity, effective to shed light on many unique communicative phenomena. To understand the thematic diversity and ceaseless conjunction as the obtrusive characteristics of the "Annyeongdeul Hasipnikka?" communication the adoption of the system-theoretical communication theory is required. Unlike Habermas's the theory of communicative action highlighting the consensus as decisive goal of communication, Luhmann maintains that the proliferation through diversification and persistence of communication even through refusal are also the communicative elements for its operation. This paper tries to demonstrate the uniqueness of "Annyeongdeul Hasipnikka?" communication by virtue of the system-theoretical perspective.

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Column_시론 - 스티브잡스 시대, 그리고 88만 원 세대

  • Park, Jin-Jun
    • 발명특허
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    • v.35 no.6
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    • pp.76-79
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    • 2010
  • 지난 달 서울의 북쪽 대학에서 한국의 젊은 대학생이 "나는 대학을 거부한다. 이제 대학과 자본의 거대한 탑에서 내 몫의 돌맹이 하나가 빠진다. 탑은 끄떡 없을 것이다. 그러나 작지만 균열은 시작되었다." 라는 대자보를 붙이고 자발적 퇴교를 결정했다. 도미노 현상일까? 다시 이번엔 서울의 남쪽 대학에서 제 2의 대학 거부사건이 터졌다. 그러면 이다음 남쪽 대학에서 떠질까? 스티브잡스와 우리의 대학생들을 같은 비교선상에서 논하기는 어렵지만 두 사람 모두 대학을 부정하면서 창의성 없는 대학 교육을 질타했는데 이러한 흐름의 태동을 보면서 곧 한국의 스티브잡스가 나올 것만 같은 느낌을 받는다.

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A Study on the Role of Comic Strips through Analysis on the Social Phenomenon of "How are you, really?" as a Material for Satirical Cartoon (만평의 소재로써 "안녕들 하십니까?"의 사회현상 분석을 통한 만화의 역할 연구)

  • Park, Kyeong-Cheol
    • Cartoon and Animation Studies
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    • s.34
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    • pp.167-195
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    • 2014
  • A handwritten poster named "How are you, really?" appeared on December 10, 2013. And other handwritten posters sympathizing with it followed in places and are on everyone's lips hotly through internet and SNS. Such a social phenomenon is delivered to readers as a form of article in different meanings according to the viewpoint of each press. It is also delivered to readers as a material for delivering a meaning of a specific case in four panel comics strips and satirical cartoon of newspaper. This is because that comic strips of the press are now having a power to enlighten readers on the key point of a case easily and intuitively together with catharsis from the position of meditating the world. Notwithstanding differences depending on the viewpoints of the press or cartoonist, four panel comics strips and satirical cartoon on the newspaper are fulfilling their social role having their own voice. Of the genres of comic strips, social role of the comics of the press can be divided largely into two things. First, they actively intervene in social phenomena. In other words, comics of the press make their position and insistence on social phenomena clearly by exaggeration and emphasis. Second, they persuade or enlighten readers by concrete directions, which means that comics of the press make reader with similar viewpoint emphasize by delivering a clear message. This study aims to assert that comic strips are the most important medium with social role and responsibility. As part of studies on the social role of comics, this study wish that comic strips can be able to deviate from vicious circle of being socially condemned for reason of negative portion.