• 제목/요약/키워드: 니트 디자인특성

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자연의 주름 특성을 활용한 남성 재킷 디자인 (Development of men's jacket design applying nature's folding characteristics)

  • 김희정;이윤미;이연희
    • 복식문화연구
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    • 제28권6호
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    • pp.787-800
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    • 2020
  • This study aims to derive the criteria of folding techniques and their characteristics through analysis of literature and previous studies. This will be realized by performing a case study on male fashion design and folding. It will propose diverse directions and data for male fashion design, by making men's jackets using a folding technique. The concept and terms of folding were clarified through examination of existing literature and previous studies. Specifically, four pieces were created with motifs of the four seasons. Among the types of pleats expressed in the works, composition pleats include double ruffles, gathers, and draperies, while processed ones include box pleats, knife pleats, and accordion pleats. This study expresses continuity, fluidity, scalability, and ambiguity through the use of such pleats. The results of the production are as follows. First, in terms of the continuous use of regular and repetitive pleats, a possibility of rich pleats was confirmed because they varied depending on the gap between the pleat and target material. Second, in liquid but irregular pleats, diverse moods were created by the pleat movement. The overlapping of repeated pleats expresses diverse spaces and shapes in a 3D extended silhouette. Third, in pleat classification, ambiguity was confirmed with the use of continuous accordion pleats in the printed gradation fabric. It is anticipated that more diverse and creative designs could be created using more extended techniques in future studies.

소니아 리키엘의 니트 디자인 특성에 관한 연구 (A Study on Characteristics of Knitwear Design by Sonia Rykiel)

  • 최광돈
    • 한국생활과학회지
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    • 제19권5호
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    • pp.873-882
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    • 2010
  • Knitwear has become a part of fashion since aristocratic trend-setters of Medieval Spain and France began wearing luxurious silk stockings. However, in more recent times knitwear emerged as a fashion item in the early 20th century when jersey two-piece Channel dresses became popular amongst the French upper classes. Knitwear then evolved into genuine going out clothes through Sonia Rykiel in the 1970s. Sonia Rykiel has made a great contribution to developing knitwear, which she transformed from being used only in informal dresses or clothes for home wear, to a boarder in use in high-quality dresses such as those worn at parties. Unlike most designers who tend to make very different styles each year, she has restricted her clothes to those made with knitwear. The study examined the designs and formative characteristics of her knitwear in order to clarify why Sonia Rykiel's knitwear fashion is apparently so timeless. Results showed that her garments consistently used black oriented color combination, strife patterns, intarsia techniques and application of diversified subordinate materials and other materials that overcome earlier limitations of knitwear. In addition, her designs consistently express the typically Parisian sophisticated urban femininity through practicality, sensuality and playfulness. Overall, her fashion has shown that it exists for women in action through practical design within the scope of demode, the philosophy in her early days, and it has led her to hold great power over knitwear fashion for the past 40 years.

현대(現代)니트웨어 디자인의 변천(變遷)과 특성(特性)에 관(關)한 연구(硏究) - 1920년대(年代) 이후(以後)를 중심(中心)으로 - (A Study on the Design Changes and Characteristics of Modern Knitwears - Focusing on the1920's After -)

  • 최경희;이순홍
    • 패션비즈니스
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    • 제3권4호
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    • pp.113-129
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    • 1999
  • The purpose of this study is to discover the changes and characteristis of modern knitwears from the 1920's to the 1990's. The result of this study is as follows: The popular knitwears in the 1920's had a simple boxy-line and modern unisex image with a sporty look. The knitwears in the 1930's-1950's had seen more short, feminine detail and texture, fit silhouette with syntheyic fibers. In the 1960's, the knitwears of sporty look and unisex style was popularized by young peaples, and crochet with handkniting by the fiber artists was popularized. In the 1970's-80's, the layered looks and unisex styles of knitwears were popularized by influence of a ecology mood and a woman movemant. And various patterns was developed with the computer machine. The items of outer knitwear was increased by the use of fancy yarns and the knitwears as the total fashion was popularized. In the 1990s, the knitwears had a very forceful characteristics by the mixed style and the technique of design developed into the post-modernism. The key words of the character of the modern knitwears are funtional pursuit, unisex, high value, hightechnique, art. By the change of the life style and the develope of technical innovation, the knitwears will be the key item to leading the fashion in the 21th.

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특성화 고등학교의 섬유·의류 전문 교과 교육과정 실태 분석 및 제안 (Analysis and Proposal of the Textiles and Clothing Curriculum in Vocational High Schools)

  • 이지수
    • 한국가정과교육학회지
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    • 제34권4호
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    • pp.113-129
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    • 2022
  • 본 연구는 특성화 고등학교의 섬유·의류 전문 교과 교육과정 중 의류 관련 학과의 교과목 개설 현황을 바탕으로 의류 관련 학과 교육과정 및 내용을 분석하고 제안하는 데 목적이 있다. 이를 위해 관련 자료와 문헌을 분석하고, 의류 관련 학과 전공 교사들을 대상으로 설문 조사 후 FGI를 실시하였다. 연구 결과는 다음과 같다. 첫째, 기초 과목으로는 '패션 디자인의 기초' 또는 '의복 구성의 기초'가 개설된 학교 수가 많았다. 이는 특성화 고등학교 의류 관련 학과에서 기술 교육이 우선시 되고 있음을 알 수 있고, 이를 통해 이론 교과목에 대한 보다 현실적이고 교육 가능한 부분에 대한 논의와 탐색이 이루어져야 한다는 점을 확인하였다. 둘째, 실무 과목에서도 기초 과목의 선택 결과와 비슷하게 2~3과목에 편중되어 개설된 현황을 살펴볼 수 있었다. 반면, 많은 기자재와 높은 기술력의 필요한 '니트 의류 생산' 교과목과 '가죽·모피 디자인 생산'의 교과목에 대해서는 교육부 차원에서의 교사 연구 기회 확대 및 기자재 확충 사업이 구성되기를 희망한다. 셋째, 실무 과목 내의 NCS 능력 단위 편제의 경우 실습 과정에서 교사와 학생이 수업을 진행하는 데 용이하거나, 각각의 학과에서 제시한 인력 양성 유형과 밀접한 능력 단위에 집중되어 있었다. 넷째, 의류 교사들의 설문과 FGI 결과를 바탕으로 학생들의 직업 탐색을 고려한 선택 기회를 확대할 수 있는 기술 교육이 진행되기 위한 산업체와 연계된 교사 연수와 기자재 및 실습 부자재 지원이 학교 발전에 기여할 수 있음을 제안하였다. 본 연구 결과는 차기 섬유·의류 전문 교육과정 편성을 위한 기초 자료를 제공함과 동시에 의류 관련 학과의 교과 교직 과목을 운영하고 있는 대학교에서 특성화 고등학교 현장 교육에 대한 이해를 돕기를 기대한다. 또한, 학생들에게는 전공 관련 교과목의 선택권을 확대함으로써 고교학점제가 시행되는 시점에서 의류과 관련 교과목 개발 및 안착에도 기여할 것이라 사료된다.

스텔라 맥카트니 패션에 나타난 비거니즘 특성 (The characteristics of veganism in Stella McCartney's fashion)

  • 이해임;이연희
    • 복식문화연구
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    • 제30권6호
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    • pp.779-798
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    • 2022
  • The purpose of this study was to propose the direction of veganism-based fashion design in environmental and animal protection through the theoretical consideration of vegan fashion and the analysis of the practical design characteristics of veganism in Stella McCartney's fashion. The research was conducted through literature research and case studies. After investigating the concept and characteristics of vegan fashion, focusing on previous studies and various fashion-related Internet data, Stella McCartney's fashion was examined with particular attention on vegan characteristics. The results of the study are as follows: First, imitative nature pursues animal and environmental protection, but the motif or appearance is a characteristic of pursuing a multi-purpose design that imitates animals and nature. Second, expression of value is based on slow fashion, simplicity, and sustainable minimal design. It is expressed indirectly by pursuing permanence, simplicity, and long-wearable design, or directly expressing vegan values through phrases expressed in performances or costumes in the collection. Third, alternative eco-friendliness is characterized by using cruelties-free materials such as faux fur, recycling materials, new bio-materials, and regenerated materials. These vegan characteristics are comprehensively and organically expressed in the works of the collection, and through this, sustainable and eco-friendly vegan fashion is pursued. It is anticipated that by deriving the vegan fashion characteristics of Stella McCartney, who represents vegan fashion, it will be possible to provide the basis for practical direction and design methods for fashion brands aiming for vegan fashion styles.