• 지역과문화
• /
• v.8 no.3
• /
• pp.1-25
• /
• 2021

Nosong-dong is used to be center of the administration, education and transportation in Jeonju. It has ironically been the location of the city's prostitution quarter 'called Seonmichon'. This place is recently selected as an area of urban regeneration by Jeonju. The project has involved numerous programs which gradually transfer this place for the women's rights and arts. This paper focuses on exploring the socio-cultural meanings of a community museum, an archive for gender equality, and an exhibition site for local artists. The Seonmichon quarter has long been stigmatized as an area of ill repute and regarded with contempt by the surrounding neighborhood. It is space where polarized interests are entangled. City authority has tried to reflect this by presenting a variety of perspectives on the Seonmichon district. An initiative of the community museum has been its hosting of several exhibitions around the themes of women's rights and community arts. The most remarkable aspect of the exhibitions that have taken place in the heart of the Seonmichon district has been the active participation of local community residents as a catalyst for progressive social change. The paper's overall purpose is to provide an introduction and analyze the process of development of the exhibition initiative, and further examine the social role and meaning of the community museum in Nosong-dong, as well as its future tasks and directions.

• 건축구조
• /
• v.17 no.1
• /
• pp.16-20
• /
• 2010

• 건축구조
• /
• v.16 no.2
• /
• pp.15-17
• /
• 2009

• 건축구조
• /
• v.17 no.5
• /
• pp.34-45
• /
• 2010

• 수목보호
• /
• s.2
• /
• pp.35-40
• /
• 1996

• Journal of Korea Far Infrared Association
• /
• s.17
• /
• pp.44-50
• /
• 2003

• 건축구조
• /
• v.18 no.6
• /
• pp.33-44
• /
• 2011

• 베이커리
• /
• no.8 s.445
• /
• pp.142-147
• /
• 2005

지루한 여름 장마가 끝나고 본격적인 한여름 무더위가 시작됐다. 가만히 앉아 있어도 땀이 흐르는 8월은 시원한 바람 한점이 마냥 그립기만 하다. 오랫동안 간직했던 지난 여름날의 추억을 떠올리며 보기에도 탐스러운 화과자를 얼음 동동 띄운 차가운 녹차 한잔과 함께 음미하면 맹위를 떨치던 불볕더위도 잠시 잊게 된다. 옥이슬, 추억, 노송, 회상을 만들어 본다.

• Proceedings of the Korean Institute of Landscape Architecture Conference
• /
• 2001.10a
• /
• pp.66-68
• /
• 2001

• Journal of the Korean Institute of Traditional Landscape Architecture
• /
• v.33 no.4
• /
• pp.77-86
• /
• 2015

The Koreanology as well as a study of the classics should start from the correct understanding of certain words or concepts. Inaccurate or even misinterpreted explanation is bound to lead to failure. If you read a classic text, if the object does not come up to indicate clearly what the bar often. Bout, are seen refer to the translation or commentary, sometimes encounter cases of very serious misunderstanding. If a simple mistake or error, and if you recognize and fix it, but eopget a big problem, described by early to conclude identified by the fact that the amount of problem becomes serious. Besides, if the trend will spread to quote it, the situation is not out of control. One sample is "Nodongchwibyeong(老松翠屛)" in "Kyoungdojapji(京都雜誌)" "Poonsock(風俗)" "Jetaek(第宅). In some places, it is called "Booyeon(附椽), it has been described elsewhere as a kind of "chwibyeong(翠屛)". This short manuscript clarified by reviewing the old literature closely, it was "songcheom", "songboong(松棚), another expression of Bungga(棚架). More precisely, it was a nickname of Hanyang Yangban in the 18th and 19th century. However, the historical research is just not as having a meaning only one explanation for the particular word. Dare to be confident that these study are meaningful. In the extremely weak division in the understanding of the original text, the cases of applying blindly without a reflection occurs frequently. This short manuscript is to give warning to recent trends. Humanities and classical field researchers made very carefully, taking into account the impact of translation and annotations, and the other branch to accommodate the research of classical humanities disciplines should try to see this information must be verified meets the facts.