• 제목/요약/키워드: 넥웨어

검색결과 3건 처리시간 0.014초

시각장애인의 라이프 사이클을 지원하는 인공지능 웨어러블 플랫폼 (Artificial intelligence wearable platform that supports the life cycle of the visually impaired)

  • 박시웅;김정은;강현서;박형준
    • Journal of Platform Technology
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    • 제8권4호
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    • pp.20-28
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    • 2020
  • 본 논문에서는 시각장애인의 라이프 사이클을 사전에 학습하여 시각장애인의 자립생활을 돕는 적정기술로 음성인식 기반 스마트 웨어러블 디바이스, 스마트 기기 및 웹 AI서버를 포함하는 음성, 사물 및 문자 인식 플랫폼을 제안하였다. 시각장애인용 웨어러블 기기는 착용편의성과 사물인식기능 효율을 높이기 위해 리버스 넥밴드 구조로 설계하여 제작하였으며, 웨어러블 기기에 부착된 고감도 소형 마이크와 스피커는 웨어러블 기기와 연동된 스마트기기의 앱으로 구성된 음성인식 인터페이스 기능을 지원하도록 구성하였다. 음성, 사물 및 광학문자 인식 서비스는 웹 AI 서버에서 오픈소스 및 구글 API를 활용하였고, 서비스 플랫폼의 음성, 사물 및 광학문자 인식 정밀도는 실험을 통하여 평균 90%이상 달성하였음을 확인하였다.

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소재 재활용에 의한 패션소품 디자인 개발 (Fashion Accessories Designed from Recycled Fabric Remnants)

  • 김찬주;노미경
    • 복식
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    • 제60권10호
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    • pp.65-79
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    • 2010
  • Each season, many clothing companies dump small pieces of fabrics left over from making samples. Since fabrics do not decompose easily, this results in environmental pollution. This research was done to discover effective ways to reuse these fabric remnants. As most of these remnants were not large enough for making clothes, fashion accessories was chosen as the design object. Four steps of design development process followed: information research & analysis, prototype design & sample making, market testing, final design decision. After market research and trend analysis, four neck decoration wear -- scarf & muffler(SM). collar & cape(CC), vest & top(VT), and necklace(NE) -- were selected as final product types. 45 designs arose, and 120 items with variations in fabric materials and colors were produced as samples. The three main themes (multiple. reversible, cross) were applied throughout all of the design items. Samples were evaluated from the reactions of the consumers through a 10-day sale at a retail store. Based on the sales record and customers' opinions, five designs from each of the product types SM, CC, and VT were picked out as final designs. In conclusion, fashion accessories turned out to be a more appropriate item to reuse fabric remnants from clothing companies than clothes were, because they necessitate small fabric size and the limitation in fabrics could be compensated with creative design ideas.

서양 예술작품에 나타난 넥타이의 역사적 고찰 (A Development of Necktie Design in Western Art)

  • 이의정;정세희
    • 한국의상디자인학회지
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    • 제8권1호
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    • pp.81-96
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    • 2006
  • This study aimed to investigate the sociocultural phenomena which affected to clothing change in 1650-1900 and to examine the features of men's necktie in the western art. For this study, information about historic neckwear is obtained from the visual evidence of painted or engraved portraits, contemporary written sources. The covered area of this study was Europe mainly England and France. For this process, research steps were as follows : 1. Investigating the sociocultural phenomena which affect to clothing change through 1650-1900 and analysis of men's clothing and appearance. 2. Finding the changing characteristics of neckties including it's different types, shapes, knots, colors and materials and analyzing similarities and differences of neckties by the times. 3. Examining necktie as one of important and representative icons of male gender identity. The results of the study was as follows: 1. In 1660-1900, men's fashion was simplified in color and detail due to the influence of practical Puritanism and matured civil culture. And British men's fashion spreaded throughout whole European countries and get popularity. 2. In 1650-1720, there were band, cravat and steinkirk. And expecially cravatier, a expert custodian of cravats, was appeared in that period. In 1720-1800, there were stock, solitaire and cravat. In 1800-1850, neckwear were popularized and got various sizes and types up to shape and size of chemise collars. Black stock, scarf cravat and shawl cravat were popular and terms of 'necktie' were used for an certain neckcloth shape. And abundant literature for necktie were published thanks to the development of printing technology in that period. In 1851-1900, the leady-made neckties were spreaded and there were changes in shape, length, knot of necktie up to V-zone formed with shirt's collars and vest types. Neckwear was gradually evolving through four distinct styles, bow tie, scarf or neckerchief, Ascot and four-in-hand. 3. After the mid-l7th Century, as civil culture matured and splendid and extravagant colorful men's wear disappeared, British men's fashion spreaded throughout whole European countries and got popularity. The necktie become an essential ornamental accessory of men's fashion and one of important and representative icons of male gender identity.

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