• Journal of Korea Multimedia Society
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• v.16 no.7
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• pp.852-861
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• 2013

When users use medical volume rendering applications, selecting specific region of volume data and observing the region by magnification is a common process.As the wood-grain artifact is arise from the magnified image, the jittered sampling technique has been used to remove the problem. However, the jittered sampling leads to some noise along the volume edge. In this research, we reveal the reason of the noise, and present a solution. To remove the wood-grain artifact without the noise, we propose the empty space jittering and the sampling alignment method. Using these methods, we can produce high quality volume rendering images without noticeable time consuming.

• Korean Architects
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• no.10 s.48
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• pp.73-79
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• 1972

• Composites Research
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• v.30 no.4
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• pp.241-246
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• 2017

The brittle nature in most FRP composites is accompanying other forms of energy absorption mechanisms such as fibre-matrix interface debonding and ply delamination. It could play an important role on the energy absorption capability of composite structures. To solve the brittle nature, the adhesion between pines and composites was studied. Thermal treated pines were attached on carbon fiber reinforced polymer (CFRP) by epoxy adhesives. To find the optimum condition of thermal treatment for pine, two different thermal treatments at 160 and $200^{\circ}C$ were compared to the neat case. To evaluate mechanical and interfacial properties of pines and pine/CFRP composites, tensile, lap shear and Izod test were carried out. The bonding force of pine grains was measured by tensile test at transverse direction and the elastic wave from fracture of pines was analyzed. The mechanical, interfacial properties and bonding force at $160^{\circ}C$ treated pine were highest due to the reinforced effect of pine. However, excessive thermal treatment resulted in the degradation of hemicellulose and leads to the deterioration in mechanical and interfacial properties.

• Journal of the Korean GEO-environmental Society
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• v.14 no.7
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• pp.39-50
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• 2013

Crib wall is one of the segmental grid retaining walls using headers and stretchers to establish the framework of the wall. In this method, grids formed by the intersection of headers and stretchers are generally filled with the gravel to maintain the weight of the wall. Therefore, the construction can be carried out with higher speed and much economically when compared with the concrete retaining wall. Furthermore, it has high drain capacity, and environmentally friendly aspects also have been pointed out because the possibility of the planting at the front of the wall. However, in the wooden crib wall method, the relative movement between the individual headers and stretchers was generally recognized, and stress redistribution in the gravel filling was also observed when subjected to the external loading and self-weight of filling. In this study, it was analyzed fracture types and causes of wooden crib wall through detailed investigation and analysis of a large crib wall construction site. As a results, it occurred the damage in the members of 5.7% in a total of 2,315 locations and the damage of header occurred in the members of a header 80.2%. The 65.7% of the damaged header are concentrated in the lower part of crib wall. Therefore, it was analyzed the differences of fracture types and causes of wooden crib wall depending on the installation position and the kinds of members. It is considered basically the members of various forms of distortion and the grain affecting.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.7 no.3
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• pp.506-511
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• 2006

Silver is one of the most appropriate Jewelry materials for Jewelry casting and bench working. The technique known as 'Mokumegane' is good for making silver jewelry with natural patterns, such as wood grain patterns, but the process is not easy for silversmithing because it requires complicated and heavy labour. Instead of using conventional Mokumegane technique, we propose a new modified silver-copper casting process that enables a similar surface effect with good metal bonding strength between silver and copper. Simply pouring the molten silver into pre-aligned copper granules or 0.5 mm to 1.5 mm-thick copper sheets leads to well embedded copper silver ingots. The rolled silver plates from those ingots show excellent bonding interface even after the silver plate rolled ten times. We successfully fabricated prototype rings with copper embedded silver plates. Our result implies that our newly proposed process nay be a simpler way to fabricate silver jewelry with a pseudo-Mokumegane effect.

• Proceedings of the Korean Society of Dyers and Finishers Conference
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• 2012.03a
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• pp.116-116
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• 2012

국내 섬유산업의 경쟁력을 향상시키고 채산성을 확보하기 위해 고부가가치 섬유 제품의 개발이 요구된다. 심미성을 발현하는 대표적인 후가공 기술인 카렌더 가공은 국내뿐만 아니라 국외 후진국에서도 보편화된 기술로 대량 생산으로 인한 가공비 저하, 물량 확보 등에 많은 어려움을 격고 있어 고부가가치의 신기술을 요구한다. 최근 이태리, 일본 등의 선진국에서 후가공 기술인 EMBO 롤러를 이용한 무아레 가공 원단이 고가로 거래되고 있다. 무아레(Moire)는 프랑스어로 "물결 모양의 무늬"라는 뜻으로 직물에 파형(波形)또는 나뭇결 무늬를 나타나게 하는 가공 기술로, 국내에서도 EMBO 롤러를 이용하여 무아레 가공을 하거나 두 겹의 원단을 이용한 무아레 가공이 시도되고 있으나, 전자의 경우 사용되는 롤러가 일반 롤러에 비해 훨씬 고가이고 한 종류의 롤러로 제한된 패턴 밖에 표현할 수 없고 적용 소재가 한정되는 등 많은 단점을 지니고 있고, 후자의 경우 세탁내구성이 나빠 상품화조차 되지 못하고 있어 현재 국내 섬유가공 기술로는 고내구성을 가지고 다양한 효과를 발현하는 무아레 가공이 불가능한 실정이다. 직물의 경 위사 밀도차이를 이용하여 무아레를 형성할 수 있다는 점에 착안하여, 경 위사 조직을 갖는 이형(離型)원단에 PU 수지를 코팅하여 격자무늬(grid) 필름을 제조하고 제조된 Grid 필름과 Base원단을 라미네이팅하여 경 위사 밀도차에 의해 무아레 무늬를 형성할 수 있었다. 이형원단과 Base원단의 경 위사의 밀도에 따라 다양한 패턴의 3차원 무아레 무늬를 발현시킬 수 있으며 합성섬유 및 천염섬유 등의 원단 소재에 제약 없이 영구 내구성의 무아레 제품을 생산할 수 있을 것으로 판단된다. 본 연구에서는 Grid 필름을 이용한 무아레 가공을 위하여 이형원단 제조 조건을 확립하였고, grid 필름 캐스팅 조건, 라미네이팅 조건을 달리하여 이형성 및 무아레 형상을 비교하여 고찰함으로써 제품화에 필요한 요소 기술의 기초를 마련하고자 한다.

• Journal of Conservation Science
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• v.33 no.1
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• pp.11-16
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• 2017

This study reviews the structure of wooden printing blocks in Japan, focusing on the blocks as three-dimensional objects. Inspection is more effective three-dimensionally than two-dimensionally, and for the first time in wooden printing block research, the study uses a 3D CT scanner and a high-resolution 3D digitizer. The 3D CT scanner examines cross sections of the blocks and identifies their grain and contents, including insects surviving within them. The 3D digitizer enables observation of objects up to 0.02 mm; this allows detailed collection of block surface information, which is difficult to identify with a conventional microscope.

• Korean Institute of Interior Design Journal
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• no.12
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• pp.57-66
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• 1997

This study was carried out to find out some similarities and differences of the ornamental technique and motifs in folk furniture between Denmark and Korea which had quite different background of development of folk furniture as one of a cross-cultural study. Furniture made and used in the 18th and 19th century was investigated in order to eliminate the influence of internationalism in the design area in the 20th century. This study was fulfilled by many study trips all over the districts in Denmark to identify Danish folk furniture as well as literature study. Study trips to folk museums. Insa-dong, Janghanpyung furniture market were done for Korean folk furniture. Characteristics of ornament in Danish folk furniture were as followings; Main materials of the Danish folk furniture were conifers, especially pine tree, as pine was very common and easy to get from their surroundings. The most popular and unique types of decoration in Danish folk furniture was painting. Colors used in painted furniture were very bright and vivid. This might be a reaction to the long and dark winter of Scandinavian countries. Motifs used in Danish folk furniture had been chosen to reflect their surroundings. Flowers, six-angular stars, animals, human figures and Biblical motifs were popular sources of decoration for Danish folk furniture. Characteristics of Korean folk furniture were as followings; Main materials of Korean folk furniture were broad-leaved trees as well as conifers, because of their beautiful wood grain. The Korean ways of decoration were different from Danish ones. The method of painting with bright from Danish ones. The method of painting with bright colors was hardly ever used in Korea, except only in lacquering. The most popular decoration method for Korean folk furniture was revealing the natural wood grain with transparent vegetable oil finish, instead of painting. Metal ornament was unique to Korean folk furniture. therefore a lot of metal ornaments were attached on the furniture. Motifs used in Korean folk furniture were more like symbolic than Danish ones. Korean people tried to express their longings and norms through the motifs, such as longevity, prosperity, good luck, and many sons, etc. Therefore, it was natural for Korean motifs to have special symbolic meanings.