• Korean journal of communication and information
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• v.50
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• pp.94-120
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• 2010

This Studies interpret Kim Ki-duk's film in terms of shamanistic world views. In this studies, the ritual properties of Kim Ki-duk's film were trying to reveal. To do this, Kim Ki-duk's entire 14 works were analysed. Specifically, shamanistic characters, their actions, themes, ways of storytelling, mis-en-scenes, and visual settings were focused on. The results show, fantastic and ritual properties were represented directly and the very archetypes of Korean cultural shamanistic symbols were embedded in his films. Shamanistic symbols and narratives in Kim Ki-duk's films were related to the main themes of harmony between suppressing men and suffered women. This symbols and narratives could be interpreted through the sacrifices of characters, exorcistic behaviors, expressions of death etc. In the long run, as visionary or anti-realistic author, Kim Ki-duk has been performing shamanistic ceremonies(in Korean "Gut") with his whole works. With these findings, processes from preparations to completions of Gut-Pan (Shamanistic ceremony) in Kim Ki-Duk's works were tried to reconstruct.

• 프린팅코리아
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• v.12 no.7
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• pp.110-113
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• 2013

한국출판문화산업진흥원(원장 이재호)은 최근 프레스센터 내셔널 프레스클럽에서 '창조경제시대, 문화융성을 견인하는 출판정책'이라는 주제로 포럼을 개최했다. 이날 포럼은 김기태 세명대학교 교수의 사회로 진행됐으며, 이민화 카이스트 초빙교수가 '창조경제와 출판'에 대해, 김기덕 건국대 교수가 '문화융성과 출판'에 대해 주제발표를 진행했다. 본지에서는 김기덕 교수가 주제 발표한 내용을 요약 게재한다.

• 대한치과보철학회:학술대회논문집
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• 1998.05a
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• pp.15-15
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• 1998

• The Journal of the Korea Contents Association
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• v.14 no.5
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• pp.74-84
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• 2014

The places of the movie are not a just backdrop, are discribed by the character. Imagetelling movie is a character movie by itself. One of the famous korean director which made a imagetelling movie is a Kim-kiduk. Most of his movies are the lonely people who lives a insulated locale like a island. The is also lonely people who lives in insulated area in Seoul, Korea. The is the best movie of all his film life. This Thesis will explain how to make a narrative using a chunggye industrial tools center more effectively and define the power of the locale in the movie.

• The Journal of the Korea Contents Association
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• v.14 no.2
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• pp.94-102
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• 2014

Dir. Kim, Giduk's first work is (1996) which was created a new character and episode which disregard the main trand movie. His emotion in his film is over the reallife and common sense. His emotion is attached to the primitive feeling. He is called the tererist of Korean film culture. This thesis studys on the allegory of kim, Giduk's film world by Kim, Sunam's 'Korean auterism' which discusses dir.'s film work on the base of the background of filmmaker and his view of life. And also to represent film image he used space, water, color, repeated same meaning oposition by the usual image of rhetoric.

• The Journal of the Korean dental association
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• v.37 no.11 s.366
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• pp.837-846
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• 1999

• Broadcasting and Media Magazine
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• v.22 no.2
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• pp.85-94
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• 2017

• Proceedings of the Korean Institute of Communication Sciences Conference
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• 1991.10a
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• pp.38-41
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• 1991

• Proceedings of the Korean Institute of Communication Sciences Conference
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• 1991.10a
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• pp.62-68
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• 1991

• Proceedings of the KGS Conference
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• 1999.05a
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• pp.79-83
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• 1999