• 보존과학연구
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• s.36
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• pp.49-63
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• 2015

In this study, the annual and seasonal concentrations of aldehydes was measured using the active type and passive type method in the temporary exhibition hall and outdoor air. It was compared with the correlation between the methods according the comparison of methods to measured concentrations. As a results, the ${\Sigma}$ aldehydes in exhibition hall by the active type was higher than 6.4 times by passive type. The formaldehyde was exceeded standards in exhibition facilities of the Ministry of Environment. It was the highest concentrations in summer. Annual I/O ratio of formaldehyde was 5.4 and acetaldehyde was 1.9, it was confirmed that a large amount occurs in the temporary exhibition hall. The results of the correlation coefficient and the t-test of formaldehyde were a strong positive linear relationship between the active type and the passive type.

• 프린팅코리아
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• v.14 no.7
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• pp.118-119
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• 2015

국립민속박물관(관장 천진기)은 명주사 고판화박물관(관장 선학)과 함께 6월 3일부터 7월 20일까지 기획전시실II에서 특별전 '인쇄문화의 꽃, 고판화'를 개최한다.

• Korean Architects
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• s.594
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• pp.170-181
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• 2018

국립현대미술관은 김중업건축박물관과 공동주최로 건축사 김중업을 조명하는 '김중업 다이얼로그'전을 8월 30일부터 12월 16일까지 국립현대미술관 과천 중앙홀과 2전시실에서 열고 있다. 그가 설계한 30여 년간의 건축물과 관련된 사진과 자료 3000여 점이 전시중이다. 전시는 학예연구사의 안목과 해석작업이 중요하다. 역사와 문화라는 재료를 요리하는 학예연구사의 안목에 따라 그 가치가 빛나거나 그 반대일 수 있는데, 이런 이유로 학예연구사는 전시기획에 대한 권한을 갖고 역사해석, 전시방법 선택 등을 하게 된다. 정다영 학예연구사는 2011년부터 국립현대미술관의 건축부문 학예연구사로 일해 왔다. 올해 베네치아 건축 비엔날레 한국관 공동 큐레이터로 참여해 '스테이트 아방가르드의 유령'전을 기획했으며, 이번 '김중업 다이얼로그'전도 그의 작품이다. 월간 '공간'에서 약 6년간 기자생활을 하고, 학예연구사의 길을 걷고 있는 그녀는 전시라는 매체를 통해 건축의 영역과 담론을 확장 증폭시켜 관계를 맺고 퍼트리는 어쩌면 당대 건축계에 가장 필요한 일을 해주고 있다.

• 프린팅코리아
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• v.11 no.2
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• pp.114-115
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• 2012

1년 365일, 작가의 독특한 감성을 담은 '2012한글일일달력전'이 지난 1월 29일까지 서울 세종문화회관 한글이야기 전시실에서 열렸다. 캘리그라피디자인 그룹 어울림과 소다프린트가 주최하고 세종문화회관, 기프토, 사단법인 한국시각정보디자인협회, 한국캘리그라피디자인협회가 후원한 이번 전시회는 한글학회 김종택 회장, 세종대왕기념사업회 박종국 회장, 한국캘리그라피디자인협회 여태명 회장을 비롯 탤런트 권해효, 오윤아, 가수 유열씨 등 초대 작가 66명과 어울림 회원 300명이 참가한 가운데 인쇄업계에서는 성도GL 김상래 대표, 해인기획 류명식 대표가 일반회원 자격으로 참여했다.

• Korean Institute of Interior Design Journal
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• v.21 no.1
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• pp.203-210
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• 2012

Since a private museums started in Europe 17C, many private museums established for high-class people like aristocrats to collect and to keep art works and to appreciate for limited members. After the French Revolution in 18C, the publicity became an important social issue through all European regions, and the museum gradually changed into public ones. Like that, as the concept of museum changed, its social role as well as its function was also changed. The concept of collection and display or preservation changed into the concept of exhibition and appreciation featuring the publicity. With the year-round exhibition, a classical concept, the planned-exhibition, a new active concept set as an important factor for a museum's projects. The latter concept embraces new social issues. Therefore as the space for planned-exhibitions reflecting social issues every season was needed, a museum sets its planned-exhibition space with the changeability, and gradually expands this kind of space in size. It is expected that planned-exhibition spaces characterized as the changeability may give some changes on the flow of a museum's overall space, and may have substantial influences on the flow. To recognize the changes in a planned-exhibition space's influence on the museum, this study selected some national, public museums having the planned-exhibition space, and investigated their influences on each museum's overall space structure through the analysis on space syntax. This study assumed the change of planned-exhibition space as the changes in the number of convex spaces, and measured it. And to understand the planned-exhibition's changes on a museum's overall spaces, such changed assumed as the numeric changes in convex spaces and measured them. In addition, the numeric changes's influence on the overall space structure was analyzed by measuring the overall space's average integration level. Through the above two factors, the 3 research methodologies and analyzed results were drawn out.