• Title/Summary/Keyword: 근대성

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A Study of the Science on Gaining Knowledge of the Study of Things (格物致知學) (개항기 격물치지학(格物致知學)(science)에 관한 연구)

  • Park, Jeoung Sim
    • The Journal of Korean Philosophical History
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    • no.30
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    • pp.59-86
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    • 2010
  • This paper tries to study theoretical transformation about modernity by analyzing changes of the concepts of Gaining Knowledge of the Study of Things(格物致知). Gaining Knowledge of the Study of Things(格物致知) was the main concept to explain the thought of Neo-Confucianism(性理學). But in the Modern era Gaining Knowledge of the Study of Things(格物致知) was understood as the meaning of Science. In Neo-Confucianism(性理學) Gaining Knowledge of the Study of Things(格物致知) was closely related to the side of human duty and the moral value judgement. But in the modern meaning Gaining Knowledge of the Study of Things(格物致知: Science) was focused to scientific study of the objective matter. So the Science on Gaining Knowledge of the Study of Things(格物致知學) effect to breakup the thinking of Neo-Confucianism(性理學).

A study on method of acquisition of modernity in comic narrative;in 『Byeolgeongon』 (웃음서사의 근대성 획득방식 연구;『별건곤』을 중심으로)

  • Lim, Seon-Ae
    • Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology
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    • v.7 no.3
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    • pp.151-161
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    • 2017
  • In the period of Japanese occupation comic narratives were popular to such an extent as to be published not only newspapers and magazines but also books as 『Yojigyeong』(1910), 『Jeodobaekhwa』(1912), 『Gaegeonhuihui』(1912), 『Angcheondaeso』(1913), 『Kkalkkaluseum』(1916), 『Socheonsoji』(1918), 『Gogeumgidamjip』(1923), 『Mangogidam』(1924), 『Joseonpaldo iksal & jaedam』(1927), 『Segyesohwajip』(1934). This study is to discuss about how those narratives gain modernity with the titles scattered in 『Byeolgeongon』 as the central figure, and to reveal the nature of the comic narratives in 『Byeolgeongon』 by looking into contents. The comic narratives in the magazine are 149, especially from the titles show the editors' agony at that time. The narratives gain modernity by combining the new trend cultural terms which can't be found in our traditional culture as 'sinbu huboja jeonramhwoe.', 'sinrang huboja jeonramhoe.', 'nonsense teuksseolgwan', 'how modern shipbuilding 10 inventions sinjejo', 'sohwabangsongsil', 'sohwabangsongguk', 'freedom march', 'sinchunpoksodaehwoe' and 'humor orchestra'. The narratives give laughter to the readers by carrying the characters such as wit, enlightenment, critics of social conditions, grotesque. The narratives in the magazine 『Byeolgeongon』 represent much to survive with comic story in a time of gloom in the period of Japanese occupation.

An Analysis of Liquidity of Social Work Practice in Korea throuth Bauman's Theory of Modernity (바우만(Bauman)의 근대성 이론을 통한 한국사회복지실천의 유동성 분석)

  • Kim, Giduk;Choi, Myungmin
    • Korean Journal of Social Welfare
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    • v.66 no.4
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    • pp.53-75
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    • 2014
  • The current status of Korean social work can be summarized as multiple complexities and ambiguities not only in ideological but in practical aspects. Although they have long been considered as an unique feature of social work as one of representative human service professions, the extent of such complexities are now reaching the culmination enough to raise the questions about the very nature of social work practice. This study aims to analyse such ambiguities and complexities around the field of social work in a systematic ways with the theory of liquid modernization, an creative framework for modern society, coined by Zygmunt Bauman who is now considered as one of the leading sociologist and thinker. The study shows clearly that social work in Korea is nowadays entering the phase of liquid modern society and specific features of liquidity of modern society such as consumerism, privatization, corruption of publicity etc are founded in the areas of social work. To make it worse, social work are thinking about the anachronical response to this flow of liquidity by selecting the strategies useful in solid modern era, not in the liquid one. In this context, the study suggests that social work practice have to prepare to adequate measures to secure its own autonomy and sustain genuine identification from the ruthless melting power of liquid modern society.

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분석취재_산란계 산업 발전방안 - 계란 수급조절 최우선 과제 쿼터제 도입만이 대안

  • Kim, Jae-Min
    • KOREAN POULTRY JOURNAL
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    • v.41 no.6
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    • pp.103-107
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    • 2009
  • 계란은 우리 국민이 가장 선호하는 식품 중 하나로 가격은 저렴하고 영양은 매우 높아 우유와 함께 신이 내린 완전식품으로 불린다. 하지만 계란산업은 아직도 전 근대성을 벗어나지 못한 상황으로 시설의 규모화, 자동화, 사육기술의 발달 등으로 사육부분의 비약적 발전에도 불구하고 유통 부분의 전 근대성과 이로 비롯된 수급 조절 기능 부재 등은 채란산업의 발전을 가로막고 있다. 이에 최근 대안으로 거론되고 있는 채란부분 쿼터제 도입과 이를 위한 과제 그리고 유통부분 혁신안에 대해 분석해 보았다.

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근대 중국의 치과의료사정

  • The Korean Dental Association
    • The Journal of the Korean dental association
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    • v.29 no.1 s.260
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    • pp.69-72
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    • 1991
  • 본문은 일본치과대학 다까스기 교수가 1988년 9월부터 1989년 6월까지 중국사천성을 위시한 몇몇 지역의 치과대학 구강의학원을 방문, 근대 중국의료의 실제를 중국의사와 함께 체험한 것 중 치과의료에 관한 부분만 발췌 요약하여 소개한다

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서평 : 박정재, 한국경제 100년 <한국경제의 근대화과정>, 서울 한국생산성본부 1971

  • 윤기중
    • Journal of the Korean Statistical Society
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    • v.1 no.1
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    • pp.79-80
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    • 1973
  • 이 책은 전문 684페이지, 4편으로 구성되어 있다. 1편은 한국경제의 근대화과정서설, 2편은 경제사회의 변천-근대화의 전개과정, 3편은 사회경제정책의 추이, 그리고 4편은 경제통계의 발달과정, 부록으로서는 경제연표, 경제지표 및 주요상품가격추이로 이루어져 있다.

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A Study on the Innovation of Modern Design in Korea -A Study on the Collection of Modern Design Museum- (한국 근대디자인의 혁신성에 관한 연구 -근현대디자인박물관 소장 자료를 중심으로-)

  • Park, Arm-jong
    • The Journal of the Convergence on Culture Technology
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    • v.5 no.1
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    • pp.1-12
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    • 2019
  • Even though Korea has lost its important modern era due to Japanese colonialism, it is in the rank of advanced nation today. It is common to think that there was no creative and innovative design activity because it was highly constrained by design activities. Is there no creative idea or innovative design in this period of design activity? As a result of analyzing the various products of modern design left in the question, I was able to find a new and unique Innovation in 10 fields. In other words, today, we can confirm that we have utilized innovative strategies in the field of design such as brand family, new sign system, modernism style, localization, star marketing, one source multi use, private brand, nature friendly, fusion and parody strategy.

A Study on the Interpretation of Modern Urban Structure and Urban Landscape of Iri(Iksan) in Connection with Railway (철도시설과 연계한 이리 도시구조와 도시경관의 근대성 해석)

  • Lee, Kyung-Chan
    • Journal of architectural history
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    • v.21 no.6
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    • pp.63-76
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    • 2012
  • Modern railway construction by Japanese had a great influence on the urbanization, transformation of urban structure and landscape during the Japanese imperialism and compressive increasing period in Iri(Iksan). This paper aims to find out the effect of railway on the modern urban structure and urban landscape in Iri(Iksan). Railways in Iri, Honam railway, Kunsan railway, Jeonla railway have been constructed progressively during 1911 and 1915 with Iri and old Iri(east-Iri) station. From the analysis of land registration maps and street plans, old photographies and historical records, some significant features underling railway construction can be followed in view of modern urbanization process in Iri. Firstly railways cut off the possibility of developing urban structure based on traditional spatial structure of Iksan. Secondly railways made dual spatial structure in Iri. Japanese and Korean life zone were divided into separate district around urbanization area and market place. Thirdly traditional space cognition system based on four cardinal directions were changed to front and rear space of railway station. Fourthly railways and stations caused neo-baroque spatial order and imperialistic urban landscape of Iri with axis, vista and gridiron plan. Fifthly break points and fringe belts garbling modern urbanization process are created. Sixthly modern cultural and consumptive urban spaces were taken their seats in relation with daily urban life.

Problems and Tasks of Historiography of Modern Architecture in Korea (한국 근대건축사 서술의 문제와 과제)

  • Lee, Sang-Hun
    • Journal of architectural history
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    • v.24 no.2
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    • pp.27-34
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    • 2015
  • The tasks of writing history is to reconstruct the past in order to understand the present condition and to envision the future. Modern architectural histories in the west have assumed this role, from Winckelmann to Giedion. Likewise, history of Korean modern architecture has to serve this purpose. However, existing histories of Korean modern architecture simply list up stylistic changes from western eclectic architecture to modernism without any historical narratives explaining the transition from Korean traditional architecture to modern architecture. History of Korean modern architecture has simply been understood as a unilateral process of transplantation of western architecture into Korea. This paper points out two major problems underlying this kind of historiography of Korean modern architecture. The one is formalistic approach which sees history of modern architecture mainly as a process of formal and stylistic changes. The other is humanistic approach which sees modern architects as agents of history. This paper argues that this kind of history writings has limitations since modernity of Korean architecture is fundamentally different from that of the west. and that specific tasks that Korean modern architectural history has to address are then two folds;(re)connecting the past architectural tradition to the present and forming self-identity of Korean architecture.

A Study on the Early Museum Architecture until the 1930s to fill the Gap in the History of Museum Architeture (뮤지엄 건축 역사의 공백기 보완을 위한 1930년대까지의 초기 근대 뮤지엄 건축 연구)

  • Lee, Kwan-Seok
    • Journal of the Architectural Institute of Korea Planning & Design
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    • v.36 no.3
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    • pp.79-90
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    • 2020
  • This study traces the flow of modern museum architecture from the 18th to 19th century when the rationalist architectural spirit influenced the museum architecture to the 1930s, before the museums of the modern architectural masters appeared. With early modern museums until the 1930s as a target, which had long been enshrined in classicality, finally contributed to narrowing the gap with the times, but did not receive the right evaluation, this study examines their different architectural styles from previous museums and reveals that they have a significance to announce the departure of modern museums beyond classical ones. The three museums, built in the 1930s, will be identified as respectable early modern museums that will fill the remaining blank space of the history of museum architecture. In this study, modern museums are asymmetric, non-centre oriented, and non decorative. They have multi-directional circulation, and a neutral, open and flexible exhibition space. They also try to align themselves with the modern architectural tendency of the day.