• Proceedings of the Korea Society of Design Studies Conference
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• 1999.10a
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• pp.88-89
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• 1999

오늘날 $\ulcorner$장식적 의미$\lrcorner$ 로서 사물의 성격을 표현하는 디자인 경향이 있다. 가끔 열악한 제조환경이나 기술적 빈곤은 장식의 과다현상으로 나타난다. 하지만 장식은 단순히 디자인자체를 꾸미기 위해 이용되기보다는 재료나 기능에 관련된 의미나 구조로부터 발생되어 진다. 그래서 사물에 적합한 재료와 기능을 반영시킴으로서 디자인의 시작이 가능해 진다. (중략)

• Korean Institute of Interior Design Journal
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• v.21 no.6
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• pp.158-167
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• 2012

This research began by considering that, although architecture and architectural culture of the last two decades seem to have rediscovered ornament and some recent studies have reconsidered the ornamental issues of contemporary buildings, there is currently some difficulty in providing a synthetic investigation of this topic, because of the complex nature of the contemporary architectural situation. Following this premise, this research provides some reference points for further studies that will aim to expand the understanding, and attempt to classify and hypothesize the future of contemporary ornamental phenomena. Based on the assumption of the historical continuity of ornamental problems, and adopting the relation - both technical and aesthetic - between ornament and structure as one of the crucial issues to link past and present problems, the study firstly defines two categories and two sub-categories concerning the relation between ornament and structure, namely: a) ornament integral with the structure and b) ornament applied to the structure; a1) ornament visually expressing the structure and a2) ornament not visually expressing the structure. The study then reviews the historical development of ornament from ancient times to the present in the light of the above mentioned categories, and finally discusses the principles of traditional and modern ornament thus analyzed in relation to contemporary ornamental trends, as identified in selected case studies. Some common points between past and contemporary experiences are revealed in order to facilitate further investigations. In particular, the analysis shows a certain trend in contemporary architecture for a strong link between ornamental treatment and the structure of the building and a current tendency among contemporary designers to keep the exterior appearance of the building project separate from the design of the rest of the construction.

• KOMUNHWA
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• no.65
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• pp.57-80
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• 2005

Mogari is an ancient Japanese ritual ceremony, part of a series of ceremonies which are conducted from people's death to the time that they are buried in the tomb. Mogari has been recorded in a number of historic documents, including ${\ulcorner}$

• Archives of design research
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• v.14 no.4
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• pp.87-98
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• 2001

In the Chosun Dynasty (1392-1910), the walls and chimneys of palaces, temples, and the houses of the upper-class show various characteristics of decorative design patterns. This study investigated ceramic bricks and roof tiles, which is one aspect of environmental design studies. This study aimed to provide a typology ot traditional Korean design of bricks and roof tiles used in walls and chimneys, and to show the design characteristics. This study collected 685 designs of bricks and roof tiles, and divided them into 18 categories and 5 types of design patterns based on object figures, architectural styles, materials, and decorative methods. In conclusion, there were differences and similarities among the design patterns. In general, the palaces mostly used red, gray, and black bricks that had more detailed designs presenting auspicious signs or exorcism. But, temples and the houses usually used (black) roof tiles horizontally configured with the edges overlapping to decorate as wall as to strengthen their structure.

• Journal of the Korea Fashion and Costume Design Association
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• v.9 no.2
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• pp.31-48
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• 2007

The purpose of the this study is to make a historical review of changes in the structural decorations of men's costume from ancient times to modern times and to provide basic materials for developing handicraft decoration techniques and sewing methods in contemporary fashion. Their gorgeousness of collars and sleeves reached its peak along with the exaggerated expression of the human body during the Renaissance when people were free from Christian traditions of the Middle Ages and pursued human pleasures. Huge and decorative collars gave great dignity and formality to the wearer. Sleeves were slim and cuffs were small or nonexistent after the French Revolution. Various decorated pockets had been developed since pockets began to be attached to coats in the 17th century. Pockets were at the bottom of coat in the late 17th century, but they were gradually placed much higher on the coat. Buttons began to be used as the tool for sticking fast body to clothes in the 12th century and became extremely sumptuous accessories in the $16th{\sim}18th$ centuries. Men's clothes were simpler and more practical after the French Revolution. The result was that decorative buttons begun to disappear and metal buttons came out for practical purpose. The number of buttons worn on sleeves was also noticeably reduced. This research suggested the possibility that various decoration techniques could create the unique details in the each part of clothes. In order to develop high value-added products, we need to study various decoration-sewing methods and put to practical use them for creative fashion design.

• Proceedings of the Korea Fashion and Costume Design Association Conference
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• 2004.06a
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• pp.77-80
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• 2004

요선오자란 의(衣)와 상(裳)으로 구성되어 있고 허리에 여러 줄의 요선(腰線)이 장식되어 있는 독특한 형태의 포(袍를)를 지칭한다. 이러한 특징적인 형태를 지닌 요선오자는 원대(元代) 문헌부터 그 명칭이 등장하고 각종 회화자료에서도 몽골인들이 착용한 모습을 볼 수 있으며 복식유물도 이 시기부터 출토되어 중세 몽골인에 의해 착용되기 시작한 것으로 알려져 있다.(중략)

• FLOWER RESEARCH JOURNAL
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• v.19 no.1
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• pp.68-76
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• 2011

This study was conducted to investigate customer taste related to satisfaction of a baby's first birthday party and re-visit of venues. General characteristics of customers were similar in male and female or the married and the unmarried. Mainstream age of respondents was from in their 20's to 30's. Among them, the number of university graduates were the largest in education level. Theoretical model was composed with seven significant variables of design style and composition and design harmony and color sense for flower decoration, accessibility, facility, service and price, satisfaction, and intention of re-visit based on the result of analysis on these factors. Exploratory factor analysis was performed using SPSS 14.0K. Structural equation modeling(SEM) for simultaneous measure of path coefficient in all casualty of study model, measurement model of AMOS 7.0 for evaluation of validity, and reliability and factor analysis method using technical statistics, frequency analysis, and Cronbach's Alpha for data analysis were used. The result of hypothesis verification showed that design style and composition was the most significant item in satisfaction of parameter and it was followed by design harmony and color sense. While service and price had positive effect on satisfaction, accessibility and facility had no relation to it. It means that the most crucial variable was a flower decoration in planning and representation of the celebration of baby's first birthday. In conclusion, the finding of this study suggests that the effective utilization of these variables will contribute to the enhancement of satisfaction affecting improvement service and price or intention of re-visit.

• Journal of Conservation Science
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• v.32 no.2
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• pp.141-154
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• 2016

The gilt-bronze decorated bamboo mudguards with heavenly horse design excavated in 1973 at Cheonma Tomb of Shilla are the unprecedented relics in Korean history as it has its original structure. Although the bamboo mudguards were excavated in not only Cheonma Tomb, but also in Geumgwanchong and Geumryeongchong, all of them remains into pieces. In addition, there are no exact data related with its structure and manufacturing technique. The report deals with the manufacturing technique of the bamboo mudguards with heavenly horse design excavated in Cheonma Tomb through the naked eye's observation, X-Ray Fluorescence, and Transmission X-rays analysis etc. Bamboo mudguards basically have the three divided structure with central-focus structure of a radiation style. And the mudguards consists of Bratticing gilt-bronze, fabric, and bamboo plates together, as ornamental fringe of 4 plates. The surface of the gilt bronze plates was decorated with a variety of workmanship and pendant. Bamboo plates have a waved pattern by using about three hundred bamboo bark. Two types of textiles were mainly found in the textile plates, and the leather were partially found. In order to combine all plates together, gilt-bronze bottonhead, pendant decoration, and ornamental fringe were used. It would be helpful to study bamboo mudguards during 5th-6th centuries in Shilla period and basis investigations of Geumgwanchong and Geumryeongchong excavations.

• Proceedings of the Korean Institute of Surface Engineering Conference
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• 2014.11a
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• pp.195-195
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• 2014

탄화규소(SiC)의 복합체는 고온강도, 내식성, 내마모성, 내화학 특성, 열충격성 및 기계적 특성이 우수하며 제조공정으로 CVD 공정은 많이 연구되어져 있으나 비교적 간단한 구조로 우수한 특성을 얻을 수 Si 증발입자 확산방법에 대한 체계적인 연구가 수행되고 있지 않다. 본 논문에서는 Si 증발입자가 탄소표면에서 확산 반응으로 형성되는 SiC 복합체에 대한 검토 및 연구 개발 동향을 기술한다.

• Annual Conference on Human and Language Technology
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• 2021.10a
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• pp.346-349
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• 2021

표 기계독해에서는 도메인에 따라 언어모형에 필요한 지식이나 표의 구조적인 형태가 변화하면서 텍스트 데이터에 비해서 더 큰 성능 하락을 보인다. 본 논문에서는 표 기계독해에서 이러한 도메인의 변화에 강건한 사전학습 표 언어모형 구축을 위한 의미있는 표 데이터 선별을 통한 사전학습 데이터 구축 방법과 적대적인 학습 방법을 제안한다. 추출한 표 데이터에서 구조적인 정보가 없이 웹 문서의 장식을 위해 사용되는 표 데이터 검출을 위해 Heuristic을 통한 규칙을 정의하여 HEAD 데이터를 식별하고 표 데이터를 선별하는 방법을 적용했으며, 구조적인 정보를 가지는 일반적인 표 데이터와 엔티티에 대한 지식 정보를 가지는 인포박스 데이터간의 적대적 학습 방법을 적용했다. 기존의 정제되지 않는 데이터로 학습했을 때와 비교하여 데이터를 정제하였을 때, KorQuAD 표 데이터에서 f1 3.45, EM 4.14가 증가하였으며, Spec 표 질의응답 데이터에서 정제하지 않았을 때와 비교하여 f1 19.38, EM 4.22가 증가한 성능을 보였다.