• 베이커리
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• no.5 s.454
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• pp.162-165
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• 2006

피카소, 고흐처럼 이름만 들어도 알만한 화가들의 작품 활동에 큰 영감을 줬던 몽마르트(Montmartre) 언덕. 예술가들의 거리 몽마르트에 터를 잡은 아르노 라레 쉐프는 화가가 자신의 그림에 혼을 쏟아내듯 자신의 예술작품이나 다름없는 초콜릿과 과자에 열정을 담나내는 젊은 파티시에다. 오늘도 쉼없이 이어지는 그의 행복이야기에 귀를 기울여본다.

• Journal of the Korean Society of Costume
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• v.60 no.5
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• pp.19-34
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• 2010

This study aims to examine associationistic psychology and psychological operation associated with each color image, then to study the relation between particular colors used in paintings produced by Gogh and Klimt in different times and these painters' psychology in a bid to explore the meaning and role of psychological operation of colors. The findings of the study indicated that red and blue colors represent mainly negative images, while yellow and orange colors represent mainly positive images and psychologies. Specifically, in the case of Gogh, red expresses anxiety, a negative image, yellow symbolizes passion, a major positive image of emotional liberation, dark and thick green and the green involving blue symbolize negative images, emptiness and despair, and blue represents negative images of internal desire conflicts, and screaming. Also, purple used together with white represents anxiety and depression. In the case of Klimt, red represents negative images of anger toward mother and suppressed energy, yellow, an alternative to gold color, symbolizes the positive image of hope, passion, desire and eroticism, the arrangement of strong gold and orange colors represents a color of psychological healing more than a color of hope. As such, colors used in paintings produced by modern Western painters express the physiological conditions, psychological feeling and emotion in life, at the time when the artists produced such works. It was found that colors are yet another language of expressing emotions, and symbolize the psychologies of the artists, indicating that colors have something to do with the painters' experience and emotional impulses.