• 베이커리
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• no.1 s.426
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• pp.70-71
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• 2004

한국 제과역사의 산증인 (사)대한제과협회 조승환 고문이 미수가 가까운 나이에 한국 제과업계의 역사에 한 획을 긋는 큰일을 해냈다. 5년이라는 긴 세월 동안 우리나라는 물론 미국과 일본에 있는 자료까지 샅샅이 훑어서 100여 년의 한국 제과 역사가 고스란히 담겨있는 <한국 빵 과자문화사>를 펴내 후손들에게 우리나라 제과업계의 소중한 기록을 남길 수 있도록 한 것이다.

• Proceedings of the Korean Society for Information Management Conference
• /
• 1997.08a
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• pp.183-186
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• 1997

고문헌의 텍스트와 이미지를 디지털 방식으로 축적하여 제공하는 사례가 많아지고 있다. 전자화된 고문헌은 기존의 보존방안이었던 영인본이나 마이크로필름의 단점을 극복하고, 네트워크와 발달된 정보기술을 통해 매우 효율적인 정보이용수단을 제공할 수 있다. 본 연구에서는 영국 Electronic Beowulf와 한글과컴퓨터사의 삼국사기 CD 96의 사례를 분석하여 고문헌을 디지털 방식으로 축적하고자 할 때 고려해야 할 사항을 제시하고, 이렇게 축적된 정보자원이 어떻게 이용자의 정보요구를 충족시킬 수 있을지 활용방안을 논하고자 한다.

• (The)Study of the Eastern Classic
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• no.62
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• pp.67-85
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• 2016

This paper review literary trend in the late Yuan and the early Ming dynasty and the position of Song lian 宋濂's literature in that time. Analyzing his literary theory chronologically, this paper were able to reveal that Song lian had falled into ancient prose of the Chin and Han dynasty for a long time. He have been symply summarized as a confucian literary man, but he could not extricate himself from ancient prose during youth and his manhood. It was only after that he met his teacher Huang jin 黃? and withdrew into the six confucian classics and began to have a view of literature based in confusian. But he still wasn't able to rid himself of the temptation of ancient prose. At the age of fifty, assisting Zhu Yuanzhang 朱元璋 in founding Ming dynasty, he's built up his own view of literature based in the Six Confucian Classics 六經, confucian scholars during the Song dynasty, ancient prose of the Tang and Song dynasty like as Hanyu 韓愈 and Ouyang Xiu 歐陽脩's works. In short, undergoing a complete transformation individually and historically through a tumultuous period of the late Yuan and the early Ming, Song lian could establish his own view of literature based in confusian and present ideological coordinates and a new model of the Ming literature.

• Korean Architects
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• no.6 s.219
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• pp.92-92
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• 1987

• Journal of the Korean Professional Engineers Association
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• v.44 no.4
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• pp.9-11
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• 2011

• KOMUNHWA
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• no.48
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• pp.181-190
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• 1996

• KOMUNHWA
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• no.54
• /
• pp.191-204
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• 1999

• KOMUNHWA
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• no.50
• /
• pp.251-265
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• 1997

• (The)Study of the Eastern Classic
• /
• no.70
• /
• pp.119-156
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• 2018

Suk Dang Kim Sangjeong (1722-1788) was one of the Big Three Noron literati of the mid-18th century, and is an author worth taking note of in that he expressed the duty to pursue the Qin-Han gomoon-ron (古文論) more clearly and radically than anyone else. The literary debates that unfolded in the letters he exchanged with Ahn Doje (安道濟) and Sin Daejeon (申大傳) are the clues that may explain the continual development of Qin-Han gomoon-ron within Joseon. His gomoon-ron is a self-reflection of the Dang-Song gomoon-ron that continued as tradition in the Noron literati after Kim Changhyeop (金昌協), and also reflects his literary and periodical confidence. At the same time, he also makes a distinction with Qin-Han gomoon-ron set forth by the Seven Masters literature from the Ming Dynasty (前後七子) in that he takes precautions against plagiarism and emulation. It has rarely been shown that his sentences plagiarize and excessively cite the classics, or that he abstrusely elaborates sentences. He sorted through things of value worth recording and cleanly reenacted them based on the scenes and conversations, further, delivered applicable normative lessons through allegoric writing. This may be discussed as the portions that are possessed by the Qin-Han gomoon-ron that he pursued, and particularly that have the esthetic and contact point of historical prose. Kim Sangjeong's writing pursued the Qin-Han gomoon-ron of a prior era, and though distinguishable from authors of difficult writings, possesses unique characteristics that make it distinct from the Dang-Song gomoon-ron that focuses on argument. The direction of Kim Sangjeong's antiquarianism seeks after imperial loyalty, and is mutually intelligible with the artistic discourse of the Noron Cheongryu literati such as Lee Yunyeong, Kim Sangsuk, Lee Insang, and Hong Naksun who preferred archaeological finds and classical prose. While their literary tastes are a reflection of their conservative worldviews, they may also have been utilized as a foundation supporting their lives which were devoted to literature.

• Journal of the Korean Professional Engineers Association
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• v.44 no.2
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• pp.11-13
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• 2011