• Proceedings of the Korea Society of Information Technology Applications Conference
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• 2001.05a
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• pp.31-36
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• 2001

KMS에서 지식전달 및 지식공유를 위한 커뮤니케이션 도구는 필수적인 요소지만 현재 국내 KMS에서 채택하고 있는 비실시간, 혹은 문자 중심의 커뮤니케이션 도구로는 지식전달 및 공유를 위한 조직원간의 커뮤니케이션 활성화가 불가능하다. 본 연구에서는 KMS의 커뮤니케이션 활성화를 위한 실시간 멀티미디어 인스턴트 메신저의 역할을 제시하였다. 제시된 KMS용 실시간 멀티미디어 시스템은 화상/음성통신, 문자/그래픽통신, 화이트보드통신, 화면공유, 그리고 에스코티드 브라우징과 같은 다양한 커뮤니케이션 방법을 제공하기 때문에 조직원간의 지식공유/전달, 공동작업, 그리고 사용자 편리성 및 접근성을 제공할 수 있을 것이다. KMS에서 지식전달 및 지식공유를 위한 커뮤니케이션 도구는 필수적인 요소지만 현재 국내 KMS에서 채택하고 있는 비실시간, 혹은 문자 중심의 커뮤니케이션 도구로는 지식전달 및 공유를 위한 조직원간의 커뮤니케이션 활성화가 불가능하다. 본 연구에서는 KMS의 커뮤니케이션 활성화를 위한 실시간 멀티미디어 인스턴트 메신저의 역할을 제시하였다. 제시된 KMS용 실시간 멀티미디어 시스템은 화상/음성통신, 문자/그래픽통신, 화이트보드통신, 화면공유, 그리고 에스코티드 브라우징과 같은 다양한 커뮤니케이션 방법을 제공하기 때문에 조직원간의 지식공유/전달, 공동작업, 그리고 사용자 편리성 및 접근성을 제공할 수 있을 것이다.

• Cross-Cultural Studies
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• v.41
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• pp.163-175
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• 2015

In recent years, there has been significant interest and research on the Comprehensive Index of Character in the Warring States Period, which has resulted in many scholarly achievements. Hence, it is necessary to comprehensively categorize and summarize these achievements. Some researchers have already done a good job in this categorizing and summarizing. However, there is still work to be done in the comprehensive collation of the seal character research of the Warring States Period. The purpose of this essay is to regionalize the "SiMaZhiXi" Seal collected by "GuXiHuiBian (古璽彙編)" 0024. The number 0024 seal is an ancient seal collected by "Guxihuibian" (古璽彙編). In general, this is a Chu seal from the Warring States Period. But some scholars think that the seal is actually from the Qi or Yan States.

• The Korean Journal of Archival Studies
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• no.35
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• pp.217-230
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• 2013

근대 이전 몽골 부족의 기록생산은 토바어, 훈누어, 숨베어, 거란어, 한자 등 여러 고대 언어에 의해 십여 종의 기록에 집중되어 있음을 발굴기록을 통해 알 수 있다. 최초의 몽골어 기록생산은 소고도어의 영향을 받은 몽골비사라고 할 수 있다. 소그도어에 기반한 몽골문자는 13세기 이후 몽골의 기록생산에 사용되었으며 위구르어와는 다른 독창적인 문자이다. 칭키즈칸의 석문은 몽골제국의 공문 생산의 증거이며 소그도어로 쓰여졌다. 이후 몽골제국의 기록생산은 몽골제국이 여러 나라에 보낸 기록을 통해 알 수 있다. 몽골의 전통기록은 고지, 포고, 칙서, 임명장 등 여러형태가 있으며, 제목, 본문, 결재 부분으로 구성되어 있다. 본고에서는 몽골 전통문서의 형식과 구성요소에 대한 설명을 제공한다. 17세기 이후 몽골의 공식문서는 13세기의 문서 양식에 기초하고 있다.

• Proceedings of the Korea Information Processing Society Conference
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• 2008.05a
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• pp.76-79
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• 2008

선사 이래 인류의 대표적 고대 문화유산의 하나가 금석문이다. 이런 금석문들은 다양한 과학적 기법들로 그 원 형태를 인식하고자 하는 노력을 하고 있다. 그러나 가장 오래되고 유용한 보존과 인식 방법은 탁본에 의한 것이다. 그러나 원 자료의 심각한 훼손으로 탁본자료의 형상 인식이나 문자 인식은 일반적인 이미지 복원 방법과는 다양한 면에서 차이를 보이고 있어 이의 노이즈를 제거하고 원이미지를 복원하여 형상을 인식하는 것이 중요하다. 이러한 탁본의 판독에는 다양한 잡음들이 있어 이를 전문적인 판독가 들도 이설을 제기하는 경우들이 있다. 다양하고 심각한 훼손 상태에 있는 탁본의 이미지들은 다양한 형태의 심각한 노이즈를 가지고 있어 전통적이고 일반적인 이미지 향상이나복원 기법들을 적용하기에 적절하지가 않다. 본 연구에서는 구름이나 야간 상황 등 다양한 노이즈를 가진 SAR 이미지처리 기법과 다양한 환자들의 다양한 병적 상태의 이미지들에 효과적으로 적용되는 방법들을 살펴 탁본 문자인식에 적용하고 그 효과를 히스토그램과 이미지 엔트로피를 이용하여 측정하고자 하였다.

• Journal of the Korean Society of Costume
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• v.29
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• pp.99-116
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• 1996

The object is to study the influence Korean ornaments had on the Japanese during the THREE KINGDOM PERIOD. In ornaments(Earrings Necklaces Bracelets Rings) also we can find commonness between Korean and Japan. CHIZASIL( a gardenia seed) and heart shaped of Earrings the use of gems in Necklaces engravings of abdomen on Bracelets and rhomb-shaped Rings all these are common between Korea and Japan. And the same time we can that our country was superior to Japan ornaments.

• Journal of the Korean Society of Costume
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• v.27
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• pp.17-26
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• 1996

This thesis is to study the original form of Buckles of our country in ancient times On the upper garment bound the leather belts that was hanged a hook that shaped of animal form at the end. The background of Buckles was originated from those northern mounted normadic groups which was Scythe style costume culture. In Korea through the antique records and tombs bequests the styles of Buckles was divided into three groups horse-shaped tiger-shaped bar-shaped Buckle. These styles were influened by scythe style and developed greatly and trasmitted to Japan.

• Archives of design research
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• v.14 no.4
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• pp.99-108
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• 2001

The Charm is composed of various kind of ancient signs, letters and systematic characters so that they delivers messages with many expressions. They, compared with the experimental typography, are more logical and experimental than we generally think. Also, they have meanings and attributes as characters do, in which there are symbols, hieroglyphs, pictures and other similar words. Each attribute diverse from symbolic meaning, associates to deconstruction of letters. It is needed to review the experimental attributes of charms with the view of structural typography for potentialities of expression. The purpose of the study is to analyze and classify the morphologic construction of charms so that we can find the possibilities of applying the attributes to visual languages and typography. Future study seems to be extending the area of expressing of typography fit for our own culture, not for Western

• Journal of the Speleological Society of Korea
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• no.92
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• pp.1-7
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• 2009

The Altamira Cave painting which Spain which is a world-wide cave painting will know, France Grotte de Lascaux painting, observes the France Chauvet Cave and sees and about Choungryongdo with the Sangyoungchong which are an ancient tomb mural of Korea introduces. This paper provides an overview of the rock art of the Northern Mariana Islands and particularly as the rock art discovered to date predominantly pertains to ancestor worship within the Chamorro cultural group. For centuries, the Western world has categorized the ancient Chamorro inhabitants of the Marianas Archipelago as a "prehistoric" people; a people without a written history. In addition to providing an overview of the rock art of the Northern Mariana Islands, this paper also emphasizes the fact that the ancient Chamorros did indeed have a recorded history and that this chronological record exists in the pictographs and petroglyphs that they painted and carved.

• Journal of The Geomorphological Association of Korea
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• v.27 no.3
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• pp.105-121
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• 2020

There has been a lot of controversy over the claim that ancient characters were engraved on a stone plane collected near the Samsin Mountain in Hadong-gun, and that it was used as an altar based on the contents on the stone. The importance of the role of geoscience in prehistoric petroglyph research was presented through analysis and comparison with representative domestic petroglyphs. First, by examining the geological formation process of the collected stone objects, it proved that prehistoric actions were not applied. Second, as a result of comparative analysis from the viewpoints of human geography and topography with representative petroglyphs in Korea, it is unreasonable to argue that the stone was made for an altar. Third, it is considered that among the ancient characters under debate, the straight line indicates a cleavage of carbonate minerals, and the curved shape results from the growth of lichens. Finally, we propose that reproducing the lines found on the stone was impossible by using ancient techniques, and that there was no trace of any artificial actions applied to the spots considered to be curved characters. As shown in such research cases, the results of petroglyph research will have high reliability, if research by experts in each field continues after the geoscientific basis is secured. In this respect, the contribution of Earth science to cultural assets and archeology is expected to increase in the future.

• Journal of the Korean Society of Costume
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• v.67 no.2
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• pp.101-115
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• 2017

Ancient documents, characters, and relics are the utmost important materials when it comes to researching ancient clothing. Of these, the ancient characters explain the contents of the time, which makes it an objective historical record. China has hieroglyphics, such as oracle bone inscription and bronzeware script, which existed in Sang[Eun] Ju era. This character is formed by a simple line and detailed drawing, showing the object or the concrete form and characteristics, so the reader can understand the meaning. Oracle bone inscription and bronzeware script, which are written in pictograph, include contents that help to grasp the original shape and form of ancient official hats. Chinese characters Geon(巾, 건) Byun(㝸, 변) Myun(免, 면) Mo(冒, 모) Ju(冑, 주) and Kwan(冠, 관), which are the names of the official hats, have been researched, and Mi(美, 미) Ryung(令, 령) Wang(王, 왕) and Hwang(皇, 황), which are the characters related to the official hats, have been studied. Geon(巾, 건) switched its form from shape of material around waist to wraping wearer's head. Byun(㝸, 변) is a hat with decoration, and Myun(免, 면) is in form of a helmet with ornaments. Mo(冒, 모) in bone script looks like a hat with decorations on each sides, but in bronzeware script, it is more like a simple round hat Ju(冑, 주) covers one's head and has decorated ornaments, and The Kwan(冠, 관), which is now a common name of official hats, is not shown in oracle bone inscription or bronzeware script, It might have been used later than the other two types of hats. As for the related Chinese characters, Mi(美, 미) is in the shape of a feather decoration, Ryung(令, 령) is similar in shape to the letter 'A', and Wang(王, 왕) is in shape of simple hat from 령 with decorations. Hwang(皇, 황) is like a Wang(王, 왕) hat, but with fancier decorations. Oracle bone inscription and bronzeware script show the original form and shape of ancient hats.