• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.37 no.4
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• pp.51-59
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• 2019

This study aims to examine the design and construction methods of movable Pavilions. Through the literature analysis, the setting up of the construction background, location and direction, size and composition, materials and construction methods were analyzed. The results are as follows; First, the movable pavilion is designed to enjoy a wide range of views. It was a creation that reflected the way in which the ideal life was pursued based on the experience of enjoying scenery rather than owning one's own house and running a pavilion. Second, the formation of movable pavilion was intended to enjoy the scenery by season without restrictions on time and place. It can also relieve the hassle of having to move tools to enjoy the wind every time. Third, the movable pavilion faces to a place with good scenery and determines its position and direction. Most of them were built on a small scale and divided the space for viewing the scenery, playing GO(Baduk), writing poems, and playing musical instruments. Also, wood was used mainly. To reduce the load, roofs and walls were constructed with light materials such as bamboo, straw, thick sheet of oil, and cotton cloth. The construction method was mainly used by the method of fastening for easy coupling and dismantling. When a building was constructed on the upper part of a ship or cart, the wooden structure of a regular pavilion was constructed. Fourth, when comparing the design and construction characteristics of ordinary pavilion and movable pavilion, the movable pavilion is easy to see for contrast purposes, so there is no limit to setting the location and direction. Instead, more stringent systems and techniques were called for, because as mobility forces should be considered, structurally measures to withstand loads, and they should satisfy their function and form as pavilion.

• Journal of the Korean Institute of Landscape Architecture
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• v.51 no.6
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• pp.12-32
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• 2023

Nowadays, the increasing number of religious travelers seeking inner healing has led to the popularity of Buddhist 'temple stays', Protestant and Catholic 'retreats' as alternative vacations. However, unlike Buddhist temples, which are inculturated, Christian retreat centers follow the formula of general recreational facilities and lack an overall framework due to relying on sponsorship. This study attempts to design appropriate outdoor environments for a retreat by reflecting 'theological aesthetics' based on the process of 'Spiritual Exercises', the main method of retreat. First, as the Spiritual Exercises are often described as an 'inner pilgrimage', the images and theological aesthetics experienced in prayer themes were examined. Next, the characteristics of the spaces required for the facility were analyzed, and the composition of religious spaces was proposed. Also the landscape resources of the site were investigated, and the retreatants' behavior to derive spatial preferences was analyzed. Overall, outdoor spaces were planned to induce a shift in consciousness and broaden the spectrum of the retreatants' experience through a physical environment consistent with the mechanism of prayer. This study aimed to implement theological aesthetics by selecting a retreat center with high potential for landscape resources. As a result, it was possible to reveal the 'poetic landscape' to effectively evoke images during 'contemplative prayer', and to support religious experience. The significance of this study lied in deriving various design vocabularies for outdoor spaces of religious facilities.

• Water for future
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• v.44 no.9
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• pp.14-19
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• 2011

본 고에서는 친수 및 경관 등의 기능을 고려한 농촌용수의 개발 및 관리방안에 대하여 소개하였다. 이러한 지역용수를 고려한 농촌용수 개발은 농촌에 활력을 불어 넣는데 큰 역할을 할 수 있을 것이다. 특히 4대강 둑 높이기 사업이나 농지전용 등으로 확보되는 수량을 적극적으로 지역용수로 활용하여 농촌발전에 기여할 수 있었으면 하는 바램이다. 앞으로 농촌용수 개발사업계획 및 설계에 적극 반영되기를 바라는 마음이다.

• Journal of the Korean Institute of Landscape Architecture
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• v.37 no.4
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• pp.72-85
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• 2009

This study attempts to examine the principles of landscape composition for a 'Suhwon(書院)' and the meaning and value of its traditional landscape architecture, in order to apply the results to the design of modern landscape architecture. A 'Suhwon' is a vital space containing the form and meaning of human activity. This study analyzes the characteristics of landscape composition in the construction of the Namgea Suhwon, located in Hamyang, by examining the form and meaning of its area and composition. The Namgea Suhwon was constructed with a suitable configuration and harmony in a good location, neither field nor mountain, and which encompasses transcendence and a return after passage through a period of birth and abundance. Its appearance means 'life existence and hidden death(生居死幽)'. Its spatial system is a reflection of the idea of Samshinoje(三神五帝: The three abilities of Providence and its five subjects) connected with Ilsangje -Samshin -Ohje. It was built based on the idea of Biryebudong(非禮不動) meaning that one should follow only good decorum and avoid discourtesy, complying with "the frame of decorum" developed by the family rites of Chu Hsi. The environmental design of the Namgea Suhwon was interrupted by the material confrontation between mountains and water and a binary code system, such as front to rear, length to breadth, and movement to stillness. The design did not adhere to stiff axes, but pursued the harmonic principles of asymmetric balance in the building and the yard, which are very naturalistic. The name 'Namgea Suhwon' is closely related with the view of placement(置) and harmony(和), which are unified with the function and meaning formed by connecting Sung Confucianism with the Pungsu-Sasinsa structure in the layout of the grounds. When examining the D/H ratio of the building and yard, it can be seen that the spaces of Ganghak, Yusang and Jehyang were built appropriately, according to the natural characteristics of each space, such as a sense of openness, enclosure, tension, relief, enhancement, and hierarchical order. The spaces also reflect human scale concepts that take advantage of auditory features. The transition process after the construction of 'Namgea Suhwon' reveals the intentions of the builder to create an ecological landscape composition based on Placement and Harmony. Placement embodies' a purposeful space in which nature and the building are connected naturally, 'incomplete open space pursuing completion', and 'potential beauty in which tension and relaxation are repeated'. Harmony embodies 'order and continuity having a sense of unity with the natural environment' and the 'sharing of daily life and memory'. 'Namgea Suhwon' contains many ideas for landscape planning, land use and the design of a campus environment.

• Korean Journal of Heritage: History & Science
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• v.46 no.2
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• pp.46-69
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• 2013

The results of study on the meaning landscape and environmental design techniques of the Byulup, Yoohoedang garden(Hageowon) based on the story in the collection of Kwon Yi-jin (Yoohoedangjip, 有懷堂集), are as below. First, Yoohoedang Kwon Yi-jin (有懷堂 權以鎭 : 1668~1734) constructed a Byulup garden consisting of ancestor grave, Byulup, garden, and a school, through 3 steps for 20 years in the back hill area of Moosoo-dong village, south of Mountain Bomun in Daejeon. In other words, he built the Byulup(別業, Yoohoedang) by placing his father's grave in the back hill of the village, and then constructed Yoegeongam(餘慶菴) and Geoupjae(居業齋) for protection of the pond(Napoji, 納汚池), garden(Banhwanwon, 盤桓園), and ancestor graves, and descendants' studying in the middle stage. He built an extension in Yoohoedang and finally completed the large-size garden (Hageowon) by extending the east area. Second, in terms of geomancy sense, Yoohoedang Byulup located in Moosoo-dong village area is the representative example including all space elements such as main living house (the head family house of Andong Kwon family), Byulup (Yoohoedang), ancestor graves, Hagoewon (garden) and Yoegeongam (cemetery management and school) which byulup type Byulseo should be equipped with. Thirdly, there are various meaning landscape elements combining the value system of Confucianism, Buddhism and Taoism value, including; (1) remembering parents, (2) harmonious family, (3) integrity, (4) virtue, (5) noble personality, (6) good luck, (7) hermit life, (8) family prosperity and learning development, (9) grace from ancestors, (10) fairyland, (11) guarding ancestor graves, and (12) living ever-young. Fourth, after he arranged ancestor graveyard in the back of the village, he used surrounding natural landscapes to construct Hagoewon garden with water garden consisting of 4 mountain streams and 3 ponds for 13 years, and finally completed a beautiful fairyland with 5 platforms, 3 bamboo forests, as well as the Seokgasan(石假山, artificial hill). Fifth, he adopted landscape plantation (28 kinds; pine, maple, royal azalea, azalea, persimmon tree, bamboo, willow, pomegranate tree, rose, chinensis, chaenomeles speciosa, Japanese azalea, peach tree, lotus, chrysanthemum, peony, and Paeonia suffruticosa, etc.) to apply romance from poetic affection, symbol and ideal from personification, as well as plantation plan considering seasonal landscapes. Landscape rocks were used by intact use of natural rocks, connecting with water elements, garden ornament method using Seokyeonji and flower steps, and mountain Seokga method showing the essence of landscape meanings. In addition, waterscape are characterized by active use of water considering natural streams and physio-graphic condition (eastern valley), ecological corridor role that rhythmically connects each space of the garden and waterways following routes, landscape meaning introduction connecting 'gaining knowledge by the study of things' values including Hwalsoodam(活水潭, pond), Mongjeong(蒙井, spring), Hosoo(濠水, stream), and Boksoo(?水, stream), and sensuous experience space construction with auditory and visualization using properties of landscape matters.

• Proceedings of the Korean Institute of IIIuminating and Electrical Installation Engineers Conference
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• 2008.10a
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• pp.177-180
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• 2008

화산성과 용암동굴이 우리나라에서는 유일하게 자연유산으로 등재되어 제주는 천혜의 관광자원의 보고이다. 용암동굴은 경관적 아름다움과 지질학적 가치를 인정받음으로써 지금과 같은 무제한적 개방으로 동굴의 안전성 및 생태계 광해 등으로 공개된 동굴을 중심으로 검토되어야 한다. 본 논문에서는 제주 동굴 조명설비의 실측을 통하여 실질적인 평가로 문제점을 제시하고 모델 시뮬레이션을 통하여 환경과 생태를 보존할 수 있는 적절한 조명 설계를 제시하고자 한다.

• The Proceedings of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.16 no.1
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• pp.20-29
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• 2002

최근 야간 경관조명의 설치가 늘어나면서 조명 시뮬레이션에 Lightscape를 적용하는 사례가 증가하고 있는 추세이다. Lightscape는 현재 조명 시뮬레이션에 가장 널리 사용되고 있는 소프트웨어로서 조명설계에 따른 조도와 휘도 분포를 계산할 수 있으며, 에니메이션이 가능하다. 에니메이션은 Radiosity를 사용한 화면은 물론 photorealistic한 고화질의 Raytrace영상이 가능하다. 본 보고서에서는 최근 건축물이나 구조물의 설계입찰시에 조명 시뮬레이션은 물론이고 에니메이션 파일의 제출요구가 증가하고 있는 점을 감안하여 Lightscape의 에니메이션 기능을 Learning Lightscape를 중심으로 설명하고 상세한 설명이 요구되는 곳은 Lightscape User's Guide를 발췌하여 소개한다. 또한, 본문의 내용은 Lightscape을 사용하는 것을 전제로 하고 있으므로 "3. 에니메이션 생성" 부분부터는 컴퓨터에서 직접 실행해 볼것을 추천한다.

• Journal of The Korea Institute of Healthcare Architecture
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• v.18 no.3
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• pp.9-17
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• 2012

본 연구는 미국 소재 T 대학교의 학생아파트를 대상으로 하여 창밖으로 보이는 외부 환경의 차이와 거주자의 환경조절 행태 사이의 관계를 분석하는 관찰연구로 진행되었다. 거주자와 거주환경간에 발생하는 부조화는 환경 스트레스의 한 원인이 된다. 이러한 환경 스트레스에 대한 대응 전략으로 거주자는 그들의 환경을 조정하곤 한다. 본 연구는 실내에서 식물을 키우거나 거주자의 취향에 따라 커튼을 교체하는 등의 환경조절 행태를 분석의 대상으로 한다. 창문과 현관 영역에서 발생하는 환경조절 행태의 정도를 비교 관찰하기 위해 군집형과 일자형으로 되어 있는 두 개의 배치 유형을 연구의 대상으로 선정하였다. 군집형 유형(cluster type: type A)은 상대적으로 도로에 가깝고 거실 창문의 조망이 다른 건물에 가로막혀 있으며, 일자형 유형(parallel type: type B)은 가로막고 있는 건물이 없어 자연경관을 거실 창문을 통해 조망할 수 있는 배치상의 두드러진 차이점이 있다. 관찰연구를 통해 군집형 유형에서 일자형 유형보다 더 높은 빈도로 식물 화분과 개별 커튼 등을 이용한 개인적 환경조절이 이루어진 흔적이 발견되었다. 이러한 결과는 창문을 통해 보이는 외부 경관의 특성이 거주자의 환경조절 행태에 미치는 영향의 정도를 암시하고 있다. 결론적으로 관찰연구에서 나타난 거주자의 환경조정 행태를 반영하여 디자인 고려사항을 제안하였다.

• Korean Journal of Environment and Ecology
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• v.11 no.2
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• pp.210-213
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• 1997

This study for development of close-to nature revetment techniques is conducted to rehabilitate disturbed stream ecosystem. For this objective, the experimental reach as on-site dimonstrated research was set up in Hakyoul, the Yangjaech'on from Oct. 1995 to Nov. 1996. Special emphasis on the developing process of the design of revetments was given to geomorphic character of 3 types of low flow channel bank: point bar, attack point and shallow bay. Each revetment was developed with the consideration on revegetation of emergent plants. And designed techniques were applied to the experimental reach, and were evaluated with monitoring for 1 year. As a result of the process, the experiment suggested ecological alternatives to enhance technical feasibility and to replace the conventional river-work.

• The Transactions of the Korea Information Processing Society
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• v.6 no.7
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• pp.1738-1748
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• 1999

Recent simulation tools combine the 3-dimensional graphic technique to implement the 3D visualization of the objects in the 2-Dimensional computer display. In this paper, a sight simulation tool is implemented using the recent 3D techniques. The proposed sight simulator can be applied to improve the human environment with the harmony of the nature. The system is consisted of modules for topography, object, and navigation. A sight database for the sight elements(objects) is implemented using Java. Combined with Java, VRML, which is considered as the standard for 3D virtual reality in the Internet is used to implement EAI(External Authoring Interface). EAI allows the users to communicate with a VRML scene.