• Journal of Korea Multimedia Society
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• v.15 no.1
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• pp.131-139
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• 2012

Many researches are actively doing for digital implementation of traditional architectural heritage using multimedia and virtual reality technologies. In addition, various attempts are progressed to utilize the digitally implemented traditional architectural heritage as "contents." Nowadays, the digitally implemented traditional architectural heritage can be displayed on through the Internet and/or many multimedia appliances by these attempts. Recently, virtual reality technology, especially augmented reality technology, begins to grab the attention for digitally implementing architectural heritage. Augmented reality is a technology that makes possible to show the overlapped contents by piling up the virtual objects on the real world. Many studies for augmented reality are progressed because it has an advantage in interacting with virtual objects and information. This study proposes the method of digital implementation of traditional architectural heritage by using augmented reality technology. We presented the method and process of digital implementation of traditional architectural heritage with augmented reality technology. Moreover, digitally implemented traditional architectural heritage with augmented reality is compared with the contents implemented by other computer technologies. We, also, presented how to utilize the traditional architectural heritage contents by using augmented reality.

• The Journal of the Korea Contents Association
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• v.22 no.5
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• pp.276-287
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• 2022

Since the 1990s, digital technology has been actively applied in the field of heritage, and this presents a new possibility of using cultural heritage as a way to utilize the original cultural data that was previously recorded and stored. Methods of interpreting cultural heritage have been particularly diversified due to various external circumstances such as COVID-19 and time constraints, and the use of contactless digital content has played a significant role in built heritage that cannot be moved. Building Information Modeling (BIM) technology is considered as a way to properly express the authenticity of built heritage, but simply creating built heritage content with BIM cannot express the authenticity of cultural heritage. Therefore, it is necessary to show the reliability of the process of content production through an authorized institution and to provide the information of members on the content. This study intends to contribute to the field of digital heritage by suggesting ways to improve reliability and express authenticity in the production of built heritage content.

• Korean Architects
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• no.12 s.380
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• pp.42-45
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• 2000

• Korean Architects
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• s.612
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• pp.36-39
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• 2020

• Korean Architects
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• s.654
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• pp.17-17
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• 2023

• The Journal of the Korea Contents Association
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• v.18 no.3
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• pp.636-647
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• 2018

This study is to explore the characteristics of contemporary Chinese architecture from the aspects of the regionalism of environment, culture and technology. Six cases of contemporary Chinese architecture which won the world-wide famous were selected and analyzed. The results are the followings; First, the regionalism of environment emphasizes the building's response to the regional environment (topography, climate and regional landscape). Second, the regionalism of culture reflects as the relevance between architecture and community structure, economic patterns, folk customs and other social factors of the region. Third, the regionalism of technology requires the coordination of construction process, structure form, materials and other contents of architecture with the regional environment and culture, and emphasizes the suitability of technology. Environment, culture and technology determine that the regionalism of contemporary Chinese architecture is not purely the meaning at the formal level, but explores the underlying causes.

• Korean Architects
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• no.9 s.47
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• pp.2-8
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• 1972

현대건축조류를 더듬어 원고를 정리하고 있는데 그 이유는 필지 불어 올 북의 거센 바람에 맞서는 다시말하여 건축이라는 창작활동에 있어서도 사상적으로 마음을 가다듬고 사물을 정확히 파악하여 이에 대비하려는 마음에서이다. 원고의 일부인 일차대전후에서 기능주의의 시작까지를 회지에 기고하였다. 물론 독일표현주의가 더 많은 지면을 찾이 하여야 할 것이다. 기회가 있으면 그 다음을 계속하겠고 독자 여러분의 참고가 될는지 모르겠다.

• Korean Architects
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• v.5 no.9 s.25
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• pp.48-77
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• 1970

• Korean Architects
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• s.513
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• pp.40-45
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• 2012

인사동은 서울 도심의 한 복판, 그 중심(中心)에 있다. 조선시대 이래 중심이었으며 오늘날에도 중심성을 유지하고 있으며 전통문화적 공간을 표현하는 하나의 아이콘으로 사용되어지고 있다.

• Journal of the Korea Convergence Society
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• v.11 no.7
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• pp.73-78
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• 2020

Modern architecture and design show experiments that practice exchange and convergence with other genres through expansive thinking. This study aims to propose the use of graphic skins as a means of dematerializing and invisiblizing expressions of architecture. The method of realizing 'invisible architecture' can be largely divided into methods that use materials that manipulate light and graphic approaches based on trickery techniques. The exterior wall graphic of the special stage in Seoul Plaza can be said to be an attempt of dematerialization to make the building structure light and transparent, and a case to propose the role of super graphics to maintain the identity of the original place by erasing disharmonious elements from the field of view. It is expected that the graphic skin will be used as a powerful means of expression in the era of 'invisible architecture' as an effective camouflage method and media beyond the means of decorating the exterior walls of the completed facilities.