• The Korean Publising Journal, Monthly
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• s.245
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• pp.10-10
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• 1998

통일시대의 문학은 다시 좌.우문학, 즉 문학의 정치성.이념성을 주장하는 사회주의 계급문학과 문학의 자율성.예술성을 강조하는 자본주의 순수문학이 갈등을 겪을 수밖에 없을 것이다. 실상 분단의 비극은 이러한 삶의 두 속성, 문학의 근본이치가 정당하게 구현되지 못한 데서 오는 온갖 모순과 불합리를 의미한다.

• CHINESE LITERATURE
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• v.95
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• pp.129-153
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• 2018

《說苑》是一部西漢末葉劉向編撰歷史故事的典籍. 編撰的主要目的在於提供皇帝的閱覽. 劉向爲 了達成編撰的目的往往使用了文學的敍述方法, 由於如此理由 《說苑》裡面含有很多的文學成分. 所 以這篇論文的寫作意圖在於探究 《說苑》裡面的文學的性質. 硏究的結果如此: 《說苑》所含有的諸多文學性當中有詩歌文學·傳記文學·說文學方面的可 注目的成就. 由於劉向受了家風的影響, 他熟悉了 《詩經》, 因此他常常引用了 《詩經》裡面的詩歌. 特別是他 在比喩和誇張的修辭方面活用了 《詩經》活用得很好. 所以通過所要傳達的文學的表現, 他不但達成 了自己的編撰目的, 而且更加提高了 《說苑》的詩歌文學的性質. 因爲 《說苑》含有衆多人物的論和行迹, 於是不過 《說苑》是一部收集人物的傳記的典籍. 通 過敍述各種人物的生涯當中可注視的行和逸話, 《說苑》不但提高了人物的聲價, 而且在文學方面 描述了人物的性格·人品·智慧等描述得很好, 因此 《說苑》可以說達成了傳記文學的成就. 《說苑》雖然在根本上努力傳達了歷史的事實, 但是爲了達成勸戒的效果, 它有時候要表現得事 實不一樣. 因此 《說苑》裡面多有說的因素包括虛構·想像·遺聞逸事·民間傳說什麽的. 甚至於 一部分故事具有說的內容和構造. 這種成果讓我們更加注視 《說苑》的說方面的成就.

• Journal of Korean Classical Literature and Education
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• no.35
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• pp.5-46
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• 2017

This study aims to investigate the context of materials in literature textbooks and the awareness about the educational value of classical literature, as part of an interest in literature education phenomena. This study accepts the premise that textbooks affect the practice of classical literature education and, in particular, materials in textbooks are chosen according to the intentions, demands, and perspectives of education in specific social conditions. I divided the educational value of classical literature into two categories, classical and literary value, and investigated the actual conditions and context of materials of literature textbooks based on the 2009 revised curriculum and the 2011 revised curriculum. Classical literature is generally alienated and excluded; contemporary literature materials are mostly included and organized in the domains of 'the role of literature', 'reception and production of literature' and 'literature and life.' In addition, the tendency to heighten classical value and diminish literary value is deepening. In order to solve the problem that classical literature is only included as the product of the past, changes must be made not just to the curriculum, which are external changes, but to the awareness of the essence of classical literature, which are internal changes. Above all, generality as 'literature' and the sense of distance about space and time as 'classic' should be connected to various relationships which respond to problematic situations and the demands of learners. Based on the relationships, we can expect a rich diversity of contexts and aspects of included classical literature. In addition, an extension of the width and scope of included classical literature is anticipated. The reduction of workload, the advent of the concept of capability and the dissolution of traditional literature concepts are the changes of external environment, which is continuously requiring renewed investigation into classical literature beyond simple appropriateness.

• The Korean Publising Journal, Monthly
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• s.239
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• pp.4-4
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• 1998

환상문학이 비상한 관심을 끌고 있다. 여기에는 모더니즘의 퇴조, 문학의 위기의식, 모호한 시대적 상황 등이 맞물려 있다. 흥미로운 것은 한국 고전문학에도 이같은 패턴이 자주 발견된다는 점이다. 우리의 고전문학과 현대문학에서 '환상성'의 중요성은 이제 결코 간과할 수 없다.

• The Korean Publising Journal, Monthly
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• s.94
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• pp.17-17
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• 1991

지금까지 우리에게 소개된 아프리카문학은 그동안 알게 모르게 통념화돼 있던 세계문학의 공식을 깨뜨리는 데 일정한 기여을 했을 뿐 아니라 우리문학의 방향성 자립에도 유효한 관점을 제시했다고 평가된다. 그러나 양으로 볼 때 우리의 아프리카문학 수용현황은 지극히 일면적이다.

• The Korean Publising Journal, Monthly
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• s.253
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• pp.11-11
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• 1999

80년대 문단이 문학의 사회성과 예술성을 둘러싼 리얼리즘과 모더니즘의 선명한 대립선상에서 파악될 수 있다면, 이념의 깃발이 내려진 90년대 문단을 지배한 것은 문학(비평)의 위기와 상업주의의 악마적 질주에 대한 문학적 대응이라고 할 수 있다. 선명한 진영은 해체되고 위기의 담론이 넘쳤으며 문단 상업주의는 더욱 노골화됐다. 따라서 90년대는 '중심'을 상실해간 시대에 진정성의 문학이 놓일 자리를 찾는 잡음과 소음의 연대로 기록될 것이다.

• Cross-Cultural Studies
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• v.50
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• pp.347-370
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• 2018

This paper proposes a new direction for Comparative Literature which has been deeply Eurocentric and even colonial ever since its birth. 'Comparison' in Comparative Literature has been in fact the ideological mechanism for containing, classifying, and eventually controlling all differences in the world. Literature has naturally served as a national institution of the West at epistemological and discursive level with hidden adjective "comparative". To re-conceptualize the discipline and practice of "Comparative Literature", we need to revolutionize methodology itself based on Wai Chee Dimock's idea of "Weak Theory", Foucault's "disappearance of author", and Clifford Geertz's "thick description". "Thick description" as a methodology of comparative literature re-establishes the discipline as a field of "weak theory", defusing the centrality of linguistic identity and re-making it as a "long network" of loose and missed connections. "Thick description" poses the publicness of nation-state within "confusion of tongues", problematizes the legitimacy of modern knowledge, and puts (the western) nationalism in question. With this idea as a starting point, we can re-imagine Comparative Literature anew as a field of ceaseless discourse of longer, weaker, and thicker networks of interpretation and re-interpretation of differences.

• The Korean Publising Journal, Monthly
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• s.83
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• pp.24-25
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• 1991

작게는 여성의 문제, 크게는 우리의 삶과 사회를 새로운 눈으로 볼 것을 가르쳐준 페미니즘문학론은 문학운동가에게는 자기논리를 확장하고 심화시키는 계기가 되었을 것이며 여성지식인들에게는 자신감을 한층 이끌어올리는 결과가 되기도 했을 것이다. 오늘날 비등하고 있는 페미니즘문학론은 결코 일과성으로 끝날 것 같지 않다.

• The Korean Publising Journal, Monthly
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• s.236
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• pp.6-7
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• 1998

디자이 오사무가 일제강점기와 한국문학과의 연관성을, 무라카미 하루키가 90년대 한국과 일본문학의 한 특성을 설명해 줄 것이다. 두 일본작가 사이에 존재하는 시기에 대한 문학사적인 반성도 가능하다. 두 작가 사이 공백기의 책임은 일본문학계와 출판계가 져야 할 것이다.

• The Journal of the Korea Contents Association
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• v.15 no.12
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• pp.234-246
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• 2015

When the Information age led by media comes, The literature yielded its prominence to visual media, and the Korean literature also faced a crisis, prompted by decreased demand for it. In this reality, literature festivals which have increased rapidly since 1995 and currently number at least 110, when the local government system was launched, played an important role in promoting literature to the society. This thesis has selected Manhae Festival, one of the most vibrant and successful, as the case study to analyze its present status and accomplishments to derive ways for improvement which can be used to promote policies on literature. Manhae Festival which celebrates Manhae Han Yongun, a poet and an independence activist, also became one of the top literature festivals through Manhae Grand Awards and various cultural, art and academic events, despite being held in Inje County, Gangwon Province, a remote location. Based on this study, in the near future, Manhae Village, as a complex cultural venue, as a If we can make the place into complex cultural space and with additional policy support by gaining political supports like designation as Slowcity and special zone of culture and tourism, and pursuing glocalization by making Manhae into a star brand, Manhae Festival will cement its current position as a successful literary festival. It has very meaningful since most of literature festivals operate in small scale. Now, we need to develop literature festivals into local ones by attracting larger popularity. Meanwhile, a more comprehensive study, in the future, is needed with special emphasis on successful literary policies and their precedents in other countries.