• 한국의사학회지
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• 제15권1호
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• pp.3-10
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• 2002

Acupuncture and moxibustion of theory had begun in the "Nei-Jing" and "Nan-Jing". But definite acupuncture needling techniques had been investigated after Jin and Yuan Dynasty. After Ming Dynasty, much more scholars had studied about definite acupuncture needling techniques. So various techniques and theorys about how to select and operate needling points appeared in print. "Zi-Wu-Liu-Zhu-Zhen-Jing", "Zhen-Jing-Zhi-Nan", "Shen-Ying-Jing", "Zhen-Jiu-Da-Quan" and so forth are representative books. But these books include mutually different techniques, so then scholars would be thrown into confusion. So I have analysed acupuncture and moxibustion of theory into Ki(vital energy)-blood's circulation, disease region, time, sex, restorative and restrictive techniques. As a result, I have known that every restorative and restrictive techniques and theories are connected with Ki(vital energy)-blood's circulation and practical application methods are decided by sex, time, disease region, pathogenic energy.

• 한국조경학회지
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• 제28권6호
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• pp.16-28
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• 2001

The purpose of this study is to arrange the terminology of the drawings in Chosun Dynasty, and to investigate the characteristics of drawings after the middle of Chos n Dynasty. This study is based on the and analysis of historic documents and drawings including drawings from China and Japan. In order to accomplish this, the drawings for the process of design were studied first, and the techniques of drawing were studied next in comparison with Japanese drawing techniques. Lastly, the technicians of drawing were studied. The results of this study were as follows; 1) Though the procedures of design Choson dynasty were not divided into planning, designing, construction and maintenance just like those of modern society, a variety of drawings in that time were used in each level. 2) The drawings in Choson Dynasty ere divided into Tohyong and Tosol, and mostly, those for design and construction were Tohy ng. 3) Based on the interpretation of Japanese drawings, several suggestions were presented to solve the questions of the drawing techniques for design and construction. 4) The technicians of drawing were the painters who were trained in a government organization in charge of royal paintings. In the future, research of this area should be continued in to deepen study on drawings as historical materials. This research provides meaningful of guidance in the analysis of historic drawing paintings.

• 건축역사연구
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• 제20권6호
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• pp.115-129
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• 2011

The bracket sets which are supporting the weight of the roof, has to meet both requirements which are structural functions and act as an ornamental element. Therefore the bracket sets differ in many types from time and space and has done an important role in the history of architecture with many studies being presented. The first form of the bracket set has been found in the bronze table relics in zhong shan wang ling (中山王陵). Through the Eastern Han dynasty (A.D. 25-220) it became more specific in the shique (石闕) and huaxiangshi (畵像石) in the Han dynasty (206 B.C.-A.D. 220). Afterwards, as Buddhism was introduced to China, the bracket construction techniques shown in the Mogao Caves, Yungang Grottoes, and Longmen Grottoes has given much help for understanding the building techniques of wooden architecture. Especially the Xia-ang structure seen in the Mogao caves shows a vast development in wooden structure and a typical building would be the main hall of Fo Guang Shan monastery in Mt. Wutaishan from the Tang dynasty (A.D. 618-907). This accumulated techniques is inscribed in the 'Ying Zao Fa Shi (營造法式)' wooden structure designs which was published during the Northern Song dynasty (A.D. 960-1127) and many buildings were constructed following this technique after the publication. During this period, it is assumed that Baek-jae (B.C.18-A.D.660) in the Korean peninsula also used the Xia-ang technique, but there havn't been many studies on this field. In this thesis it is introducing the development of the building techniques and structural features of the Xia-ang wooden architecture during the Tang and Song dynasty.

• 건축역사연구
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• 제27권6호
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• pp.31-40
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• 2018

This paper is to clarify on the characteristics of the Haeeumwonji and the Main Palace of the Goryo Dynasty. The architectural techniques and construction methods such as embankment, stylobate, stairway, foundation stone, and pave are similar to those of the Haeeumwonji and the Main Palace of the Goryo Dynasty. In order to express the hierarchy of the area and building, the materials, techniques, and forms of the embankment, stylobate, stairway, foundation stone and pave were used differently. The paving of the floor of the main building and area is also an active expression of the hierarchy and status of the building area and the building through the use of building materials, techniques and forms. This result confirms the support of Goryeo royal family and the upper class for the construction of Haeeumwonji, which is recorded in the historical documents. And it also shows that the architectural techniques and processing method of the same period were shared in the capital and provinces, which is an important clue that proves that the capital-centered architectural technology has spread to the provinces. It is expected that additional research will be needed on the characteristics of the period of 12th century architecture technique in which Haeeumwonji was built.

• 건축역사연구
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• 제16권2호
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• pp.119-136
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• 2007

The purpose of this study is to examine the planning principles and historical meaning of Eupchi constructed during the Joseon Dynasty. I investigated the general character of Eupchi based on analyses of published materials from the Joseon Dynasty. The Joseon Dynasty, which started in 1392, set up Eupchi in a position to effectively govern the whole country. Eupchi was differentiated from the surrounding villages, and became the center of administration and education. Eupchi was established based on techniques taken from the capital. Following precedence in the capital, Eupchi was transformed with spaces for Confucian ceremonies. The cityscape of Eupchi was also differentiated from the surrounding villages. Such transformation of Eupchi represents the progress of urbanization. The developments found in Eupchi spread around Korea, and mark an important stage in the historical evolution of Korean urbanization. The Joseon Dynsasty used similar techniques from the capital to establish Eupchi. However, I found some differences between Eupchi and the capital. The Joseon Dynasty recognized that walls could protect not only the capital city bnt also the country from foreign enemies. Protective walls were required for a capital, but not for Eupchi. In addition, Eupchi did not have commercial institutions supported by the Dynasty. This further demonstrates that different planning principles were used at Eupchi.

• 한국작물학회지
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• 제36권2호
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• pp.185-196
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• 1991

도작은 동아 습윤지 농작물의 가장 대표적인 것으로서 고금을 통하여 국가의 재정과 식량원을 조달하는 주역의 위치를 차지해 왔었다. 또한 이러한 위상은, 물론 동남아 제국을 포함하여, 중국대륙과 한반도 및 일반열도로 이어지는 지역을 중심으로 기술교류와 이해관계를 맺어오면서 형성되어 왔음에 틀림이 없다. 특히 우리나라는 지리적 위치로 인하여 더욱 두드러진 교양적 역할을 담당할 수밖에 없었고, 더우기 문화적 교체는 물론 외침과 내환을 수없이 겪는 동안 농업조건은 개간과 황폐 및 회복을 거듭하였고, 이 위에서 도작과 도작기술의 수용발전은 칠전팔기하여 왔음도 분명하다. 그럼에도 불구하고 우리나라 역사는 왕조실록을 중심으로한 조정의 기록은 풍부한 반면에 지방과 농촌의 기록은 지극히 비약한 것을 특징으로 하기 때문에 도작과 도작기술의 변천상을 알 수 있는 길 또한 지극히 제한되어 있었으며, 결국은 조선시대 초기부터 편찬되기 시작했던 농서들을 시대별로 구분하여 검토하고, 다시 종합적으로 비교고찰하면서 맥락을 더듬는 도리밖에 없다. 본 연구는 우리나라 도작기술이 여말까지 직수입 되었던 고대중국의 한전식 기술로 부터 어떻게 우리의 실정에 맞추어 성립될 수 있었고, 또한 이들로부터 독창성을 찾아 재정립된 기간은 무엇이며, 이들이 조선시대의 파란많은 내외란을 통하는 동안 어떻게 존속되고 변천해 왔으며, 이들 결과가 선말에 이르러 존속 발전하면서 치루어낸 역할이 시사하는 바가 무엇이었는지를 고찰하고자 하였다.

• 헤리티지:역사와 과학
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• 제53권1호
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• pp.34-51
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• 2020

성남 고등동 회곽묘는 한 지역에서 다른 시기에 제작된 6기의 회곽묘가 발굴되었으며, 회곽묘 조성에 사용된 삼물회의 다양한 제작 기법이 확인되었다. 삼물회의 제작 기법을 규명하기 위하여 고문헌 기록을 바탕으로 석회 원료와 제작 기법 및 배합 방법을 고찰하였다. 조선시대 고문헌에는 석회의 원료 중 저품위 석회석을 사용한 기록과 배합 재료로 황토와 백토, 기와 가루 등과 같은 석회의 강도를 향상시킬 수 있는 포졸란 물질 사용에 대한 기록이 남아있다. 또한 삼물회의 다양한 배합 방법이 기록되어 있어 이에 대한 재현 실험을 바탕으로 석회 원료, 배합 재료, 배합 비율에 따른 삼물회 제작 기법 분석이 요구되었다. 조선시대 전기에는 석회를 다방면으로 사용하였으나 공급이 적고 기술적인 미숙함으로 지속적인 문제가 발생하였으며, 조선시대 후기에 이르러 대량 생산됨과 함께 석회 제작 기술이 발달하였다. 16세기와 18세기 회곽묘 삼물회의 제작 기법 분석을 바탕으로 고문헌에 기록된 배합비와 배합 방법들이 적용된 것을 알 수 있었으며, 회곽묘 삼물회는 시기에 따라 석회의 품질이 변화하였고 배합 재료 또한 변화됨에 따라 배합 비율이 다르게 나타나는 것으로 판단된다. 회곽묘 삼물회의 배합 비율은 시기에 따라서 변화하였으며, 주례와 가례를 기준으로 정해진 배합 방법으로 제작되었기 때문에 회곽묘 삼물회의 제작 기법에 대한 과학적 분석 자료가 지속적으로 구축된다면 회곽묘 편년 연구에 도움이 될 것으로 기대된다.

• 한국건축시공학회지
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• 제8권6호
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• pp.139-145
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• 2008

The objective of this paper is to analyze the construction management capacity of Choseon Dynasty and suggest a new interpretation on the construction capacity of the time management by reviewing the time management case during a representative construction project, HwaSungk construction project implemented in the latter period of Choseon Dynasty around 200 years ago. which was described in HwaSungSungYoukEuGye. The analysis results of the time management capacity during the latter period of Choseon Dynasty depicted in the HwaSungSungYoukEuGye is summarized as follows: (1) It took 2 years and 6 months to complete the Hwasung construction project. However, all of the single buildings were constructed within 6 months, a relatively short period of time. Judging from the fact, it can be assumed that the construction techniques using wood of the time were very sophisticated. (2) When the HwaSung was constructed, it took a relatively short period of time to complete works from placing the foundation to erecting columns and to placing a crossbeam on the columns. Based on the fact, it can be also inferred that assembly processing techniques of the time were also sophisticated and the level of member processing and assembling techniques of the time was considerably good as well. (3) The HwaSung construction was continued throughout the year without any influence by weather conditions, which tells us that division of labor by work was performed, and it was possible to mobilize labor force for the construction project even during the busy farming seasons.

• Journal of the Korean Wood Science and Technology
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• 제51권2호
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• pp.69-80
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• 2023

This study conducted scientific analyses on eight objects of wooden lacquerware to understand the manufacturing techniques of wooden lacquerware in the late Joseon Dynasty. The results of lacquer layer analysis with a microscope and scanning electron microscopy-energy dispersive X-ray spectrometry revealed that most samples were composed of 1-3 lacquer layers. Moreover, a red-colored layer was found to be red ocher and cinnabar, and Fourier-transform infrared spectroscopy analysis was carried out to determine the components of the lacquer layer. The detected components were mostly lacquer and partially cashew shell nut liquid.

• Journal of Construction Engineering and Project Management
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• 제7권1호
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• pp.37-49
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• 2017

The Jinshanling section of the Great Wall of China is a series of fortifications in northern China that was constructed for strategic military defenses. This section was first built in the beginning of the Ming Dynasty in AD 1368 and then underwent major construction, reconstruction and renovation during the late Ming Dynasty, approximately in AD 1569. The Jinshanling section is 10.5 km long, a very short section compared with the entire 21,200 km wall. The wall section is located in Luanping County, Hebei province, China. This research paper focuses on the construction methods and materials of the wall and the towers in the area. The research methodology includes site visits, knowledge acquisition of experts and 3D graphic modeling. This study reveals that the materials selected for the structure include rubbles and rammed earth, bricks, stones, timber, and mortar. The erection sequence of the wall and the towers was a bottom-up fashion using various ancient construction techniques, such as the fire-setting rock blasting techniques and the surveying techniques from the Sea Island Mathematical Manual.