• 제목/요약/키워드: $21^{st}$century

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디지털 시대의 퓨전문화와 퓨전디자인에 관한 연구 (A Study on Fusion Culture and Fusion Design in the Digital Era)

  • 유수연
    • 한국실내디자인학회논문집
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    • 제25호
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    • pp.61-67
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    • 2000
  • The goals and meanings of this papers are set up to analyse the trend of Design immerged in 21st century with studying Fusion culture which is related with Digital concept that is the most spot-lighted in 21st century and summarizing the effects of this tendency given to Design. We are experiencing Digital Revolution which leads us from Analog Society to Digital society. Also, this means that New Millenium starts with characteristics of [End of Century]. I focus on the concept of Fusion-design, in the view of Art-Nouveau and Post-Modernism which came over the end of 19th century and the beginning of 20th century. Furthermore, I define the Fusion-design of Digital era and find the way that design of 21st century develops.

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21 세기 로맨티시즘, 걸리쉬 패션 (A Study on the Girlish Fashion as a Romanticism of the 21st Century)

  • 이효진
    • 복식
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    • 제53권7호
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    • pp.111-123
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    • 2003
  • The purpose of this study was to investigate girlish fashion as a contemporary as well as Romanticism of the 21st century. The background of girlish fashion is regarded as a hot blast of restoration and a appearance of kidults, such characteristics of these factors, that is, the moderns's longing for the memory of old days and kidult's concerns for the dream of their childhood, have a direct influence on the Romanticism. So the plasticity of girlish fashion was analyzed as a results: 1) This plasticity named Recurrent Romanticism as 21st New Look, especially the plasticity represented in a princess style fashion. The princess style fashion of girlish fashion means not only a expression of the moderns's self-confidence but also nostalgia toward old days. 2) Sweet Romanticism developed into angel style fashion, which the style expressed the moderate cuteness with clothing construction and detail etc and the innocence with white color. 3) The plasticity of girlish fashion called a feast of color named Fantastic Romanticism. Fantastic Romanticism of girlish fashion means not only a expression of a lovely girlie's image but also hope toward 21st century. Throughout the study, Romanticism as a cultural code of 21st century was considered to reflected in the whole livelihood as well as contemporary fashion, especially, girlish fashion.

Role of ChE and ChErs in the 21st century civilization: conceptual understanding of macroeconomic connections embedded in ChE discipline as related to the central theme (paradigm) of the 21st century civilization

  • Hyun, Jae-Chun
    • Korea-Australia Rheology Journal
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    • 제20권3호
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    • pp.175-184
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    • 2008
  • Chemical engineering (ChE) was conceived at the close of the 19th century as a new discipline which was designed to support then the newly-emerging industries, oil and petrochemical, by supplying the competent engineers equipped with the pertinent engineering fundamentals and skills. It helped the said industries meet the various demands and ramifications of the new pattern of the human civilization spurred by the advent of automobile transportation at the turn of the 20th century. Now ChE once again is ready to fulfill its societal responsibility as probably the most important discipline and profession in sustaining the $21^{st}$ century human civilization providing the needed engineers (ChErs) and technologies. In this study, it is attempted to analyze the role of ChE and ChErs in this context, focusing on the macroeconomic connections embedded in the discipline that allow us to envision the big pictures of the 21st century civilization where the wellbeing of the mankind invariably hinges on five essential industries, i.e., medical, pharmaceutical, energy, environment and materials. It can be argued that ChE is the only discipline that can encompass simultaneously all those five industries indispensable to sustain the 21 st century human civilization that can be termed the era of "enjoy-healthy-living-longer". It is also believed that the historical mission ChE and ChErs are supposed to fulfill now is even bigger than that they took on a hundred years ago and subsequently accomplished with remarkable success in food, clothing, shelter and entertainment industries introducing various technological innovations. The macroeconomic viewpoints are called upon in this study as were in the 2006 article (Hyun, 2006) but focusing on ChE and ChErs this time to view the connections embedded in ChE as the essential components in understanding the historical nature of the role and responsibility of ChE and ChErs. The new paradigm for ChE is also pondered over together with the frequently-cited technology concepts such as IT, BT, NT, ET and ST which are regarded intimately germane to the characteristics and perspectives of the $21^{st}$ century civilization.

21세기 학습 능력 신장을 위한 융합교육 프로그램 설계 및 개발 (Design and Development of Convergence Education Programs for Expansion of Learning Ability in the 21st Century)

  • 정재훈;이태욱
    • 한국컴퓨터정보학회논문지
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    • 제18권8호
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    • pp.167-174
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    • 2013
  • 본 연구는 21세기에 필요한 핵심적인 학습 능력을 연구하고 미래 사회 국가 발전에 필요한 핵심 인력을 양성하는데 있다. '21세기 학습 능력 프로젝트'는 학습자의 학습 능력과 개인 회적으로 가치 있는 주제를 중심으로 기존 지식과 학문을 다학문적, 통합적으로 접근 하는 것이다. 국내에서도 학습 능력 배양을 위한 다양한 교과 간 통합 교육과정의 시도가 있었으나 각 교과의 내용과 특성의 차이를 충분히 이해하여 효과적으로 교수할 수 있는 교사가 부족하고 현장에서 쉽게 적용하는데 어려움이 있다. 이에 본 연구는 21세기에 필요한 학습 능력 신장을 위해 학문의 지식을 통합하는 다학문적 맞춤형 교육과정을 개발하고 이를 효율적으로 지원하기위해 교육과정 실태를 분석 연구하고 그 결과로 초 중등학교에 적용할 수 있는 다학문 맞춤형 학문 통합 모형을 제안한다.

20세기말과 21세기초에 나타난 여성 웨딩코디네이션 비교 (A Comparison of Woman's Wedding Coordination between the End of 20th and the Beginning of 21st Century)

  • 박현주;박숙현;이순덕
    • 한국의류학회지
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    • 제32권10호
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    • pp.1619-1628
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    • 2008
  • The aim of this study was to compare and contrast the changes in wedding coordination between the end of 20th and the beginning 21st centuries. one wedding magazine was selected and used to supply data. four hundred and thirty one wedding photos were examined from a popular wedding magazine called "My Wedding", issued between 1993 and 2007. the results are described below. First, changes in make-up and hair style: from the end of 20th to the beginning of 21 st centuries, the style of make-up changed from being exaggerated with strong colors which made the typical brides make-up to utilizing the minimal color selection which made natural-looking. the hair style has also changed from up style to natural hair style. Second, changes in wedding gowns: the style of wedding gowns changed from the shapes of X line which was to cover the body figure of bride to simple shapes such as an strapless and fish-tail style of gowns. Third, changes in wedding jewelry and accessories: hair pieces consisted of large flower crowns and hair bands with flowers in the end of 20th century. the various sizes and colors of tiaras and crowns were popular in the beginning of 21 st century. for wedding accessories, large shapes of earrings and necklaces were popular at the end of 20th century, whereas various size and styles were more fashionable later on. in conclusion, brides in the beginning of 21 st century prefer to wear sexy or alluring dresses with natural hair styles and make-up, in contrast to the classic or traditional wedding outfits that were more popular at the end of 20th century.

20세기 전반 모더니즘시대 Haute Couture 디자이너 작품에 나타난 순수 미학적 협업(collaboration)의 의미 분석 (An analysis on the aesthetic collaboration appeared in the artworks of Haute Couture designers in the first half Modernism age of 20th century)

  • 이효진
    • 한국생활과학회지
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    • 제22권2호
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    • pp.315-328
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    • 2013
  • The purpose of this study was to analyze on the aesthetic collaboration appeared on the modernism arts and Haute Couture designers in the 20th century as the necessity of analyzing on the pure meaning of collaboration which is a talking point associated with culture of the 21st century. The study was performed by means of documentary method. The results are as follows; First, it was analyzed that the collaboration in the pure meaning of the first half of the 20th century had partial common points which was stated as Art Inspiration in the arts collaboration out of the 21st century collaboration. Secondly, the Haute Couture designers(Paul Poiret, Gabriell Chanel, Madeleine Vionnet and Elsa Schiaparelli) have common point that they involved into the artworking through active exchange with many artists from diversified fields in the 20th century. Especially, the characteristics of the collaboration in the forms, materials and color of their works were appeared visually. When the collaboration in the first half of 20th century was regarded entirely as mental matter of manifestation of pure aesthetics, in can be said that the big difference was mostly the maximization of mutual interest between collaborator and collaboratee in the 21st century collaboration.

과학중심 STEAM 수업을 통한 학습자가 인식하는 21세기 학습자 역량 변화 (A Study on Changes in Learners' Recognition of 21st Century Learner Competencies through Science-centered STEAM Class)

  • 심수민;신영준
    • 한국초등과학교육학회지:초등과학교육
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    • 제36권2호
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    • pp.143-154
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    • 2017
  • The purpose of this study is to examine the educational effects of STEAM class by focusing on $21^{st}$ century learner competencies based on burning and extinguishing unit. Two 6th grade classes were divided into experimental group and comparison group to treat the experimental group with elementary science class using STEAM class. General class according to teacher manual was implemented for the comparison group. Elementary science class applying STEAM class was conducted for 9 lessons throughout the experimental period. The result of this study are as follows. Elementary science class with STEAM class had significant effect on 21st century learner competencies compared to traditional instructor-led classroom. Looking specifically, it was a significant difference in the three domains of the seven domains (problem solving, collaboration, flexibility). The study results indicated that STEAM class was effective in improving learners'recognition of 21st century learner competencies.

地球 溫暖化에 따른 韓半島의 純一次生産力과 潛在自然植生의 變化 推定 (Estimation for Changes of Net Primary Productivity and Potential Natural Vegetation in the Korean Peninsula by the Global Warming)

  • Kim, Jeong-Un;Kil, Bong-Seop
    • The Korean Journal of Ecology
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    • 제19권1호
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    • pp.1-7
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    • 1996
  • The net primary productivity and potential natural vegetation in the Korean peninsula in the 21st century were estimated by the Miami model and thermal climate, respectively, based on 148 meteorological data sets. In the 21st century, the distribution range of the net primary produtivity in the Korean peninsula was estimated as 1,050 g $DM{\cdot}m^{-2}{\cdot}yr^{-1}~2,050g\;DM\cdot m^-2\cdot yr^{-1}.\; These\; values\; increased\; by\; 200g\; DM\cdot m^{-2}\cdot yr^{-1}\;on\;northern\;part\;and\;400g\; DM\cdot m^{-2}\cdot yr^{-1}$ on southern part compared with that of the present century. The potential natural vegetation in the Korean peninsula in the 21st century will change into the followings:coniferous forest on Mt. Paektu area, deciduous broadleaf forest on northern part, and evergreen broadleaf forset on southern part.

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다문화주의를 수용한 21세기 패션의 탈 민족적 경향 (Post-national Trends in 21st Century Fashion Based on Multiculturalism)

  • 김선영
    • 한국의류학회지
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    • 제34권9호
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    • pp.1429-1441
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    • 2010
  • This study examines the post-national trends of the $21^{st}$ century fashion that has embraced multiculturalism. This study conducted a literature view to explore the concept of multiculturalism and the background of post-national phenomena appearing in contemporary fashion. In addition, as a case study, the author used local and foreign fashion magazines and collections published between 2000 and 2009, in addition to other related materials available on the Internet. The objective was to analyze photographic materials in which post-national features are reflected. From this study, the post-national trends in $21^{st}$ century fashion that adopted multiculturalism are as follows: The first is that oriental culture is more actively embraced. In the past, the tendency of embracing the oriental culture was mainly developed with a focus on China and Japan, but recently the tendency has spread to Southeast Asian countries and national/ethnic minorities that include Mongolians and Tibetans that is present in more active ways that reflect oriental sentiment and philosophy as well as adopts simple images. Second, $21^{st}$ century fashion based on multiculturalism broadens the interest in the understanding of nations in the regions of Africa, Middle East, and South America and uses regional folk costumes or indigenous characteristics to create new things instead of staying within a fixed paradigm. Third, as horizontal transfer is involved in ways of looking at culture, $21^{st}$ century fashion shows a post-national tendency to use regional cultures and folk costumes of the occidental world that includes North and West Europe in addition to non-mainstream regions (as considered so far). Fourth, dress elements of many heterogeneous national cultures are combined to create multinational images difficult to define in terms of a specific national culture or clothing style.

RegCM4.0을 활용한 CORDEX II 동아시아 지역의 21C 중·후반 기후 변화 전망 (Prospect of Climate Changes for the Mid and Late 21st Century Using RegCM4.0 over CORDEX II East Asian Region)

  • 김태준;서명석;장은철
    • 대기
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    • 제29권2호
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    • pp.165-181
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    • 2019
  • In this study, the regional climate model, RegCM4.0 (25 km), with the HadGEM2-AO data as boundary conditions, was used to simulate the mean climate changes in the mid and late 21st century for CORDEX Phase 2 East Asian region. 122 years (1979~2100) of simulation were performed, and RCP 4.5 and RCP 8.5 were used for the simulation of future climate. In the mid-21st century, the temperature is expected to increase by about 0.5 to $3.0^{\circ}C$ in all regions of East Asia, regardless of season and scenario. The increase in temperature is greater in summer and winter, especially in the northern part of simulation domain. Interannual variability (IAV) is expected to decrease by 25% in summer for RCP 8.5, while it is expected to increase by more than 30% in autumn for both scenarios. Regardless of the scenario, the precipitation in South Korea is expected to increase in late June but decrease in mid-July, with an increase in precipitation greater than $100mm\;day^{-1}$. In RCP 4.5 of the late 21st century, relatively uniform temperature increase ($1.0{\sim}2.5^{\circ}C$) is expected throughout the continent, while RCP 8.5 shows a very diverse increase ($3.0{\sim}6.0^{\circ}C$) depending on season and geographical location. In addition, the IAV of temperature is expected to decrease by more than 35% in both scenarios in the summer. In most of the Northwest Pacific region, precipitation is expected to decrease in all seasons except for the summer, but in South Korea, it is projected to increase by about 10% in all seasons except autumn.