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http://dx.doi.org/10.5850/JKSCT.2011.35.8.959

A Development of Party-Wear Design with Dancheong's Lotus  

O, Ji-Hye (Dept. of Clothing & Textiles, Ewha Womans University)
Lee, In-Seong (Dept. of Clothing & Textiles, Ewha Womans University)
Publication Information
Journal of the Korean Society of Clothing and Textiles / v.35, no.8, 2011 , pp. 959-967 More about this Journal
Abstract
An importance of design that considers the characteristics of fashion that plays a role of a medium that communicates with customers (and is not simply clothes or products by adding the particular culture factors of a local country to the development of glocalism) is discussed. While the cultural consumption becomes a core key word, the survey of customers is conducted to develop a party-wear design that applies a Korean image suitable for the party culture industry magnified by the young generation's cultural trends. Based on it, we suggest a party-wear design that applies Dancheong's lotus and derive the followed results. The first, one-piece and accessory coordination was the highest by 49.3% for the party-wear coordination and design. In addition, Dancheong was the highest by 16.5% for the traditional pattern (thought to be representative for Korean image). Among the traditional patterns, for a pattern suitable for party-wear, the case applying flowers such as the Japanese apricot flower, lotus flower, and peony was the highest. The second, among the several patterns used Dancheong that was represented by a Korean image of a lotus flower pattern because of the characteristics of strong vitality and blooming in dirty mud was often used for the pattern of clothes. The third, under the motive of the results of the survey and Dancheong's lotus flower pattern, we developed 2 methods of one piece and accessory coordination, 2 methods of top and skirt coordination, and 1 method of jacket and one piece coordination as the party-wear.
Keywords
Dancheong; Lotus; Party wear; Design development;
Citations & Related Records
Times Cited By KSCI : 5  (Citation Analysis)
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