권호 표지

복식 (Journal of the Korean Society of Costume) (Journal of the Korean Society of Costume)

한국복식학회 (The Korean Society of Costume)

  • 격월간
  • /
  • 1229-6880(pISSN)
  • /
  • 2287-7827(eISSN)

과학기술표준분류

  • 문화/예술/체육 ＞ 의상디자인
  • 생활 ＞ 의류

Aim & Scope

한국복식학회 학술지 ‘服飾’은 복식전공분야의 학문적 교류를 통한 복식학 분야의 발전에 이바지함을 그 목적으로 하고 있습니다. 즉 각 전공분야의 정보를 신속하게 공유하여 복식 산업발전에 기여하며 패션산업 현장에서의 디자인을 비롯한 여러 분야의 연구에 실질적인 도움을 주고자 합니다. ‘服飾’ 학술지에는 복식사, 복식미학 및 패션디자인, 패션마케팅, 및 심리, 의복구성 및 텍스타일, 복식일반을 비롯한 복식 전반에 걸친 학자들의 연구 성과를 싣고 있습니다. ‘服飾’은 2003년부터 한국연구재단 등재학술지로 지정되었으며, 지금까지 연 10회 발행되던 학술지를 게재논문의 질적 향상을 위하여 2020년부터는 연 6회 발행하고 있습니다. 또한 논문 Full-Text등을 전산화하여 인터넷에서도 검색이 가능한 정보화사업을 하고 있습니다. The purpose of the Journal of the Korean Society of Costume (JKSC), the academic journal of the Korean Society of Costume (KSC), is to contribute to the development and diversity of the study of costume by becoming a means to scholarly exchange. In other words, the goal is to contribute to the development of the fashion industry and to give practical assistance to various design-related research by prompt exchange of information from the various fields of costume studies. JKSC covers a broad spectrum of research outputs from the field of costume studies, such as the history of costume, dress aesthetics, fashion design, fashion marketing, psychology, clothing construction, and textiles. First published in 1977, JKSC has been listed on the Korean Citation Index (KCI) by the National Research Foundation of Korea (NRF) since 2003. Once published as frequently as 10 times per year, the JKSC has, since 2020, been published six times per year in order to better promote the qualitative improvement of its academic papers. KSC is now in the process of informatizing a system to provide a range of online services, while its full-text electronic resources are already available online.

http://onkjournal.co.kr/sobis/ksc.jsp KSCI KCI

제27권

  1. 신혜영 5
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    In today's fashion Street is a birthplace of new generation fashion and Street Fashion have frequently influenced on high fashion. From this view point this study is a meaningful approach to forecast future fashion trend by examining the street style of youth who are regarded as Street Fashion leaders. The purpose of this study is to examine the Youth Fashion style in early 1990s and to pro-vide a reference to fashion designer and mer-chandiser in trend forecasting and product plan-ning. This study is focused on 1990s Youth Fashion style through the historical Street Fashion : 1950s Teddy boys & Mods 1960s Hippies & Skinhead and 1970s Punk. There were mainly two popular Street Fashion phenomena in early 1990s. There were mainly two popular Street Fashion phenomena in early 1990s. One is grunge fashion created by new gener-ation in opposition to existing generation society and impacting on hish fashion leaders. The other is Remix style that is mixed : sub culture fashion originated by young group in 1950-1970s with 1990s sensitivity. Both fashion styles origionated and led by youth of street have influenced on famous high fashion designeres as well as the general public. Street Fashion will continue to play an import-ant role in future fashion and more study and interest on Street Fashion should be taken by fashion forecaster and related.
  2. 김문자 17
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    This thesis is to study the original form of Buckles of our country in ancient times On the upper garment bound the leather belts that was hanged a hook that shaped of animal form at the end. The background of Buckles was originated from those northern mounted normadic groups which was Scythe style costume culture. In Korea through the antique records and tombs bequests the styles of Buckles was divided into three groups horse-shaped tiger-shaped bar-shaped Buckle. These styles were influened by scythe style and developed greatly and trasmitted to Japan.
  3. 조효춘 27
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    1.It was recorded at "Dong Gook Tong Gam" of King "Jang Soo" that "Sim-Eui" in Korea was first introduced from China at the reign of King, "Moon Ja"(491,A.D), Go Goo Ryo. 2."Sim-Eui" was worn as a mourning dress during the period of "Go Ryo" and as a concanical robe of Confucian, a ceremonial dress at home and for the rules of etiquettes during Cho Sun Dunasty. 3.Several theories about the construction and the using services of "Sim-Eui" are obseved and summerized. 4.Mr. Kyu-soo Park gives a definition to "Sim-Eui" as a Fortune of Heaven & Earth, the Constellation of the Cosmic Dual Forces, the Revolution of the Four Seasons, a dignified mien & the Way of a Man of Virtue and Virtue of the golden Mean. 5.I observed the concrete measurements of the each parts of "Sim-Eui" by the construction method of Kyu-Soo Park. 6.The Symbolic Meaning following the Idea of Mr. Chung, Hyun. describes well the line of thinking in our nation, and Idea of Loyalty & Filial Piety, a Man of Virtue and the Virtue of the Golden Mean. 7.As described above, I dare insist of the fact that the Construction Theory of "Sim-Eui" by Kyu-Soo Park during the letter period of Chosun Dynasty is full of our national manners and cus-toms with symbolizing meaning, construction's exquisiteness, clothes' materials and it's size most suitable to our people, to the exclusion of the defects in "Sim-Eui" of China and Japan.
  4. 임상임 41
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    This thesis is a rearch on ritual dresses and ideology of new Korean religions primarily cen-tering on the way how religions ideology has been expressed into them. THe results are as follows" 1. The representative ideology in new Korean religions is the beginning of the world after the end religional union anthropocentrism ethno-centrism and social reform. 2 The creator of Mirukbulgyo hinm-self made the ritual dress for Mirukbulgyo Therefore his thought and the thought new religions are expressed variously on literatiure and ritual dress Ritual dress which has been wearing to all the believers show the thought of social reform also it is not connected with the social position and sex distinction. That ritual dresses are used the part of boue color appears the thought of beginning of the world after the end and ethnocentrism The organization of all the dresses contains the ideol-ogy of religional joined-one. Each dress embodies the ideology of religional union and anthropocentrism in its Inhwagwan, Chungbok contains the ideology of religional union which Taosim prefominanates and ethnocentrism P'oui contains the ideology of beginning of the world after the end and the ideology of social reform.form.
  5. 유은희 53
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    The Doryon-Line is the lowest line of the Chechori and Dangeu and the length of the Chechori and the Dangeu have wide influence on the Doryon-Line. Also the change of the Doryon-Line is re-lated to the proportion the length the depth that is the curved proportion and the two curved proportion 0.04 and 0.13 are related to the roof style of the traditional architecture in Chosun Dynasty. The Chosun people have made a change the Doryon-Line monotonous in the 14C-15C but the Doryon-Line have been full of variety every fifty years in the 15C-18C. Especially Chosun people have been at war in the mountains and fields in the Doryon-Line are 0.06 and 0.07 in this period I think that the curved proportion 0.06 and 0.07 are symbolized the natural beauty in the mountains and trees of the Korea.
  6. 유경숙 75
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    The objectives of this study were to classify the T-shirts color preferences and to examine how T-shirts color preferences and appearances satisfaction vary according to sex school and extroversion. Questionnaire was comprised of four sections: 8 Likert type items of T-shirts color preference: 10 Likert type items of appearance satisfaction: 10 Likert type items of extroversion : and 2 demographic variables. Samples were 335 high school and college students in Kwangju Korea. The data were analyxed using factor analysis and three-way ANOVA. The results of the study were the followings 1. Three segments of T-shirts color preferences derived from factor analysis :F.1 'warm' F. 2 'dark' F.3 'commonplace' 2. Women in high extroversion group liked red color better than men and low extroversion group 3. There were not significant differences in blue and orange color preference according to sex school and extroversion. 4. Therer was interaction effect between sex and school on dark blue color preference. Women liked dark blue color better than did men. 5. Men liked green color better than did women. 6. Women and college students liked pink color better than did men and high school students. 7. College students liked yellow color better than high school students. 8. Men and middle level extroversion group liked purple color better than did women and high and low extroversion group. 9. Men and high level extroversion group had more appearance satisaction than women and low extroversion.
  7. 정옥임 87
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    The purpose of this study is to grasp the re-lationship between Sasang constitution of the disposition side and clothing value in grown-up women in order to apply Sasang consti-tution theory to the marketing strategy in clothing industry. The study is based on a questionnaie about Sasang constitution and clothing value. The questionnarie was answered by 519 women. The data ere collected from September 12 to September 30, 1994 and analyzed by cluster analysis correlation analysis ANOVA and fac-tor analysis using SAS. The Findings of this study are as follows: 1. The women were classfied in to 3 clusters by cluster analysis :Sp-Yaung-In type (30.8%) Tae-Em-In type (40.7%) So-em-in(28.5%). 2. Correlations between SO-Yaug In type and each of clothing values showed all signifi-cant and specially social value showed high corelation(0.57163) 3. In Tae-Em-In type all correlations showed significant and esocial value showed the highest correlation of all correlations. 4. In So-Em-In type there was no corre-lation inpolitical value and the order of cloth-ing values showing high correlation was theor-etical social economic and religious value. 5. The aesthetic valu among and consti-tution types showed the lowest correlation of all correlation. By means of the about study results we may know that all women belong to three types think social value of the more important value than any other in clothing value. This is because grown-up women in korea prefer yet clothing of the harmonic and similar type to this of individual type.
  8. 김회정 103
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    From Yan Chikgong-do the first picture of the envoy to the pictures of the age of Unified Shilla the traces of Korean envoys were found and they habe been continually found in the pictures of China Japan and Central Asia. The traditional Korean basic clothing which the envoys were in yang Chikgong-do has changed with the age. Korean envoys wore their thraditional cloth-ing to show their dignity whenever they went abroad. They have adapted themselves to the change of history and diplomatic policies However they could express their indentities as Korean people in Hanba-do by enshrining national features that is wearing the tra-ditional Korean clothing. From this study is can be concluded that traditional style of Korean clothing has continued in spite of be-ing under the influence of the foreign style of clothing.
  9. 소황옥 121
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    This study showed the proper pigment extract in the Phe. Dyeing which is the basic dye of the natural plants dyeing,. Also it compared and examined the K/S the promotion of the color fastness and the effect of color difference change were attended by mordants and method of mordanting. 1. The most absorbance of Phellodendron. sol-ution is 330nm berberine is 430nm. 2. The best and proper temperature to extrat Phe,. was 80 and dyeing solution for 24 hours. 3. The pH effect was stable in the absorbances and color differences change. 4. Mordanted group increased the absorbances compared to non-mordanted sample. In case depth the most absorbance of Al. Sn. K. Cu and C. A solution were in 3% Fe and Cr were in 5%. In the color difference change they became dark reduced greenish and increased yellowish when their absorbances were in 3% 5. K./S was recoginzed by tainnin and fe, K/S was more increased pre-mordants than post-mordants. 6. Fe is the unchangable mordant in the color difference change and pre-mordants is more stable than post-mordants in the difference color. 7. Generally light C. F indicated more than grade 2 and light C. F, was much improved in post-mordanted by alumium potassium potass-ium dichromate. Washing C.F was improved in mordanted by tainnin and ferrous suulfate mordanted group was better than non-mordanted sample. Perspir-ation C,F was more stable in acid than alkali. Dry cleaning C.F indicated more than grade. 4.
  10. 박은주 133
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    Gift-giving is a universal behavior that still awaits satisfactory interpretation by social scientists. Gift are generally given to others in order to symbolize and celebrate important life events and family relationships. I also paper that by means of the selection and tranceference of gifts on these occasions im-portant symbolic messages are ocnveyed be-tween the giver and the recipient. Especially it suggested that gift-giving in the family can be interpreted as a means for socialization of its members Although clothing has been reported to be a frequently-given gift in sev-eral countries little is known about clothing gifts. This paper presents a paradigm for the clothing gift-giving process. Components of the clothing gift-giving process. Components of the clothing gift-giving are givers gifts recipients and situations involved. The para-digm consists of four stages : prepurchase purchase presentation and postpresentation. Theoretical and methodological issues in cloth-ing gift-giving research will be suggested and should be tested empirically.
  11. 김소현 147
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    This is a report on the fashion education in Itatly. The author looked into the character of education system and the curriculum of the fashion institutes in Italy. This report will be the guideline in the fashion education in Korea. The results of this study are as follows. 1. The curriculum of fashion education should be adjusted to be realistic and to keep the proper balance between theories and skills. 2. The Train for construct tchniques should be given much more weight in the total skill educations. 3. It is demanded that fashion institutes should take efforts to fill the gap between institutes and fashion industries for example field training. 4 It is better to change the sys-tem of fashion education as cultivating the various fashion specialists For this it is necessary to make various cources in the de-partment of clothings.
  12. 김문숙 163
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    As the current stage of the fashion begins to follow the styles of the past the study on he past costume is getting more importance and as the methodology of the study the accurately ap-proached study through the rehabilitation of the past costume is more needed than the simple re-arrangement of the historical documents. By this methodology this study can be positioned as a re-creation activity. The results of the study are as follows. 1) Style: The S-line silhouette remains be-cause of the straight silhouette or the blossom style bodice. This dress has various types of sil-houette but generally it forms one silhouette and is one-piece. 2) color and Material: The material varies hile the color is divided as the main color of ivory and the stress color of brown. This shows not only that the material has been varied but also that they tried to reduce the monotony. 3) Pattern and Sewing: The simple external figure and the previous stage typically shows the movement to the simplicity of the contemporary and the num-ber of patterens is plenty and the sewing method is also complex. 4) Detail. To overcome the simplicity of the style and to show the characteristics of the afternoon dress the skunk fur the net the sash, and the bow are used. 5) Structural Characteristics: The front open-ing the back opening and the side opening coexists in one-pieced dress and this forms unique structure and complex fastening device. The ribbon tape and casing not only finish the seam but also fix the shape of the dress. Synthetically the 1913-14 afternoon dress has the characteristics of transitional stage in which the characteristics of the costume of 1910s and the remnants of the characteristics of the pre-vious costume style and shows the character-istics of afternoon dress well in terms of the ma-terial the structure and the detail.
  13. 강병석 173
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    The purpose of this study is to present the form of Korean policeman's headgear which is endowed with traditional Korean characters and a creative property that has distinctive from other headgears. The investigation was carried out through the researh of policeman's headgears in foreign countries such as United Kingdom France Belgium Italy germany and Japan. The dom-estic investigation was carried out through the Focused Group Interview and analysis on the domestic policeman's service and headgear. Lastly the research into the characteristic of Korean traditional headgear's from was carried out. Consequently two types of policeman's head-gear hat and cap were newly developed and the system of practical use was suggested. The results of this study were as follows: 1. Through the use of traditional and formal elements of Korean ancient headgears korean policeman's headgears were improved in distinc-tion and dignity. 2. Through the use of unisexual form police-man's headgears were improved in uniformity. 3. Through the use of transformal accessories policeman's headgear were improved in simplified system. 4. Through the use of newly formed and lighten weighted materials policeman's head-gears were improved in functionability.
  14. 김정선 189
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    This Study aims to show that hats are a form of plastic arts the ideal means which provides characteristics aura for the appearance of a per-son and expresses his personality. And analyizing the characteristics and function of the hat designs this study examines the formative aes-thetic of hats and tries to show the possibility of developing the modern hat design. For the purpose this study needs to consider these points: First on the basis of the study of the culture of clothes from the ancient to the modern the origin of hats and the process of changes in hats are examined. Secondly after analyizing of the formative aestheic of hats focussed on the form and tex-ture this study tries to explore. Thirdly the symbolic meaning of hats is stud-ied and then how it was applied to the modern hat design is considered. On the basis of these considerations the conclusions of this study are as follows: First we can see that all the basic shapes of hats were formed very early in the history and hats' shapes were transformed rather by the changer of the size decoration and proportion of hats than by that of hat's form itself. Secondly analyizing various works of hat designers by focussing on the aspects of the for-mative aesthetic this study can find that the formative aesthetic of hat design is very import-ant in changing silhouette of clothes and it has may possibilities of development to meet the modern sense. And lastly this study suggests that in apply-ing hats which had been symbolically used to the modern sense we should pay attention not to simply imitate them but to recreate the aes-thetic characteristics of hat designs so that we can develop the style of hats including both practical function and aesthetic element.
  15. 황선진 207
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    The purpose of this study were to find ethnic fashion's background in the late period of 20th century to compare the World ethnic with the Korean ethnic through content analysis and to identify Korean ethnic of the world fashion Eth-nic fashion started at orientalism by Poiret in the 1910s advancing to African ethnic & Hippy fe-ver in 1960s-70-s have emerged variously with ecology in 1980s-90s' fashion trend. The next the present research analyzed the world ethnic and the Korean ethnnic. The identified 517 fashion photograph from fashion magazines were categorized into two areas: the trend of ex-ternal growth and ethnic fashion's origins/designers wearable situation colors fabrics/pattern. The result were as follows :First eth-nic fashion's external growth of both the World ethnic and the Korean ethnic were incresed. Sec-ond in the ethnic fasions' origins/designers while the World ethnic were almost the same rate between Asian and European ethnic by many designers the Korean ethnic were limited to Asian ethnic Third in the ethnic fashion's wearable situation while the World ethnic were variously wearing the Korean ethnic were lim-ited to work of collection. Forth in the ethnic fashion's colors the Korean ethnic were limited to white color. Last in the ethnic fashions' fabrics/patterns If the Korean ethnic would become a world of ethnic would become a world of ethnic fashion it should be deviced practival abrics and modernized patterns.