DOI QR코드

DOI QR Code

A study on the Assyrian men's costumes from the 10th to 7th centuries B.C.

기원전 10~7세기 아시리아 남자복식에 대한 연구

  • 조현진 (계명대학교 패션마케팅학과)
  • Received : 2024.08.14
  • Accepted : 2024.10.16
  • Published : 2024.10.31

Abstract

This study aims to gain insight into society and culture in the 10th to 7th centuries B.C. by exploring the clothing in Assyria, which was the most powerful force in Mesopotamian civilization at the time. As a research method, literature and empirical studies were conducted in parallel, focusing on a total of 127 Assyrian artifacts held in domestic and foreign museums. The results of this study are as follows. The basic forms of Assyrian clothing are tunics and shawls. The tunics have short sleeves and are knee or ankle length with a special type of tassel decoration. They have a wide belt at the waist, and a decorative panel is attached vertically below with a strap. In addition to the basic clothing, there are loincloths and overskirts, with some having open right sides and fringe decorations to denote a higher status. The overskirt has a third or fourth-tier skirt structure with an open front and fringe decorations on the edges. Most military members, except for archers, wore knee-length tunics as uniforms. As for armor, they wore short-chest or knee-length coat-type lamella armor. Headwear mainly consisted of cylindrical hats and headband-type decorations. In the case of bracelets, mainly rosette-shaped decorations and simple ring-shaped bracelets with three or one turn were worn. For shoes, sandals were mainly worn, and soldiers mainly wore boots. As a result, each costume element is expressed in various ways depending on the wearer's status, clearly showing Assyrian costume culture.

Keywords

References

  1. Assyria. (n.d.). In Wikipedia. Retrieved February 2, 2024, from https://en.wikipedia.org/wiki/Assyria
  2. Boucher, F. (1987). 20,000 Years of fashion. New York: Harry N. Abrams, Inc., Publishers.
  3. Chung, H. S. (2010). A history of fashion. Seoul: Gyomunsa.
  4. Coffin, J. G., & Stacey, R. C. (2014). Western civilizations: Their history & their culture (S. I. Park, Trans.). Goyang: Sonamu. (Original work published 2008)
  5. Curatola, G. (2006). The art and architecture of Mesopotamia. New York: Abbeville Press Publishers.
  6. Delaporte, L. (1996). Mesopotamia: The Babylonian and Assyrian civilization (V. Gordon Childe, Trans.). London: Routledge. (Original work published 1925)
  7. Kim, K. (2018). The hybridity of orientalism of the empire in the 19th century British excavation and acceptance of Assyrian civilization. The Korean Journal of British Studies, 40, 177-222. doi:10.22852/kjbs..40.201812.177
  8. Kim, M. (2001). A study on the art style of sacred tree: Focusing on the Assyrian style tree pattern. Journal of Fashion Business, 5(3), 63-71.
  9. Kim, T. (2011). A study on commercial relations between Assyria and Egypt of the 8-7th centuries BCE through opening of trading stations (the Assyrian Karum-Institution). Korea Journal of Christian Studies, 76, 7-33.
  10. Kim, Y.-J. (2003). Assyrian historiography. The Journal of Classical Studies, 12, 1-24.
  11. Kim, Y. N. (2022, July 21). National museum of Korea holds exhibition of 'Mesopotamia, land of records'. Yonhap News. Retrieved February 2, 2024, from https://v.daum.net/v/20220721100342285
  12. Louvre Museum. (n.d.a). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010122693
  13. Louvre Museum. (n.d.b). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010123106
  14. Louvre Museum. (n.d.c). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010122698
  15. Louvre Museum. (n.d.d). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010122687
  16. Louvre Museum. (n.d.e). Sceau cylindre. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010143719
  17. Louvre Museum. (n.d.f). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010122708
  18. Louvre Museum. (n.d.g). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010122689
  19. Louvre Museum. (n.d.h). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010122722
  20. Louvre Museum. (n.d.i). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010122553
  21. Louvre Museum. (n.d.j). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010122695
  22. Louvre Museum. (n.d.k). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010122703
  23. Louvre Museum. (n.d.l). Orthostate. Retrieved February 2, 2024, from https://collections.louvre.fr/en/ark:/53355/cl010122704
  24. National Museum of Korea. (2022). Mesopotamia: Great cultural innovations, selections from the metropolitan museum of art. Seoul: Author.
  25. Oppenheim, A. L. (1964). Ancient Mesopotamia: Portrait of a dead civilization. Chicago and London: University of Chicago Press.
  26. Park, S.-B. (2007). Judah invasion of Assyria king sennacherib study. Korea Journal of Theology, 6, 51-67.
  27. Patrick Goodman. (2021, March 5). Neo-Assyrian Empire c. 912-612 BCE. World History Encyclopedia. Retrieved February 2, 2024, from https://www.worldhistory.org/image/13557/neo-assyrianempire-c-912---612-bce/
  28. Rhie, S. (2009). The Assur cult of the Neo-Assyrian period: Assur as the symbol of society. Journal of Religious Studies, 28, 132-152.
  29. Shim, C. S. (2011). The god' plans for Assyria history and revelational undertones toward the present christianity. Logos Management Review, 9(1), 61-82.
  30. Shin, S. (2006). A history of costume in the west. Seoul: Suhaksa.
  31. Son, T. (2019). The relation between Assyria and Babylonia in the 7th century B.C.: A reconsideration of policy of Sennacherib and Esarhaddon to Babylonia. Journal of Historycal Review, 92, 387-420.
  32. The British Museum. (n.d.a). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1849-0502-15
  33. The British Museum. (n.d.b). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1847-0623-13
  34. The British Museum. (n.d.c). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1847-0623-10
  35. The British Museum. (n.d.d). Statue. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1851-0902-507
  36. The British Museum. (n.d.e). Box-fitting. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1960-1010-1
  37. The British Museum. (n.d.f). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1856-0909-28
  38. The British Museum. (n.d.g). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1856-0909-16_7
  39. The British Museum. (n.d.h). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_-123339
  40. The British Museum. (n.d.i). Figure. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1880-1216-42
  41. The British Museum. (n.d.j). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1880-0130-7
  42. The British Museum. (n.d.k). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1851-0902-7-b
  43. The British Museum. (n.d.l). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1856-0909-9
  44. The British Museum. (n.d.m). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1856-0909-41
  45. The British Museum. (n.d.n). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1847-0623-13
  46. The British Museum. (n.d.o). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1848-1104-17
  47. The British Museum. (n.d.p). Wall panel; relief. Retrieved February 2, 2024, from https://www.britishmuseum.org/collection/object/W_1856-0909-22
  48. The Metropolitan Museum of Art. (n.d.a). Panel. Retrieved February 2, 2024, from https://www.metmuseum.org/art/collection/search/324924
  49. The Metropolitan Museum of Art. (n.d.b). Plaque fragment. Retrieved February 2, 2024, from https://www.metmuseum.org/art/collection/search/324208
  50. The Metropolitan Museum of Art. (n.d.c). Stamp seal (oval conoid) with cultic scene. Retrieved February 2, 2024, from https://www.metmuseum.org/art/collection/search/323863
  51. The Metropolitan Museum of Art. (n.d.d). Furniture plaque carved in relief with warrior holding lotuses. Retrieved February 2, 2024, from https://www.metmuseum.org/art/collection/search/324927
  52. The Metropolitan Museum of Art. (n.d.e). Head of a male figure. Retrieved February 2, 2024, from https://www.metmuseum.org/art/collection/search/324201
  53. The Metropolitan Museum of Art. (n.d.f). Relief panel. Retrieved February 2, 2024, from https://www.metmuseum.org/art/collection/search/322611
  54. The Metropolitan Museum of Art. (n.d.g). Relief panel. Retrieved February 2, 2024, from https://www.metmuseum.org/art/collection/search/322614
  55. The Metropolitan Museum of Art. (n.d.h). Relief fragment: cavalryman leading his horse beside a stream. Retrieved February 2, 2024, from https://www.metmuseum.org/art/collection/search/322625
  56. Van de Mieroop, M. (2010). A history of the ancient near east: ca. 3000-323 B.C. (K. W. Kim, & H. K. Kang, Trans.). Seoul: CLC. (Original work published 2004)