Journal of the Korean Institute of Traditional Landscape Architecture (한국전통조경학회지)

Korean Institute of Traditional Landscape Architecture (한국전통조경학회)
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Investigation on the Aesthetics and Meaning of the Garden Plant Peony in the Northern Song Dynasty - Centered on Su Shi's Poem 'Fengxiang Xieyu Xiaoyuan' -

북송시대 정원에 식재된 모란의 심미적 의미 고찰에 대한 연구 - 소식(蘇軾)의 시 『봉상해우소원 (鳳翔廨宇小園)』을 중심으로 -

  • Liu, Hui-Yuan (Interdisciplinary Program in Landscape Architecture, Graduate School of Environmental Studies, Seoul National University) ;
  • Sung, Jong-Sang (Dept. of Landscape Architecture, Graduate School of Environmental Studies, Seoul National University)
  • 유혜원 (서울대학교 환경대학원 협동과정 조경학) ;
  • 성종상 (서울대학교 환경대학원 환경설계학과 )
  • Received : 2023.11.01
  • Accepted : 2024.09.25
  • Published : 2024.09.30
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Abstract

The purpose of this study is to explore the aesthetic nature and significance of the use of plants in gardens during the Northern Song Dynasty. At that time, literati believed that nature contained truth, lived near gardens, and realized the truth of life in gardens. By analyzing the poet Su Shi's (Su Dongpo) aesthetic orientation towards peony flowers, we hope to elucidate his landscaping ideas. In terms of oriental aesthetics, the peony flower is a plant that is both unique and characterized by a myriad of ideas and emotions. Therefore, by examining the garden plant peony as a part of the landscape with infinite sensibilities and aesthetic interests, this study can understand Su Shi's literary characteristics and aesthetic vision, which grasp the aesthetic characteristics of the Confucian scholars of the Song Dynasty and the aesthetic connotations of garden plants. This study aims to categorize and explore Su Shi's peony culture, with a view to arousing a strong interest in the traditional Chinese garden floriculture embedded in Chinese gardens. The in-depth study of plant culture provides a strong theoretical support for the creation of garden landscapes that has reference value for the construction and design of garden plants. In addition, while discovering the historical and cultural connotations of other gardens, it is also of great significance in understanding the aesthetic and cultural landscapes of related plants.

본 연구는 북송시대의 정원식물 운용에 대한 심미성과 그 의의를 찾는 것을 목적으로 한다. 당시 문인들은 자연 속에 진리가 내포되어 있다고 생각하였으며 정원과 가까이 생활하며, 정원 속에서 인생의 진리를 깨달았다. 본 연구는 시인 소식(소동파)의 모란꽃에 대한 심미적 취향을 분석함으로써 그의 조경 사상을 밝혀내고자 한다. 동양의 미학적 측면에서 모란꽃은 독특하면서도 다양한 관념과 감정을 포함하고 있는 식물이다. 따라서 본 연구에서는 경관의 일부로 무한한 깨달음과 심미적 정취를 선사하는 정원식물인 모란에 대해 고찰함으로써 소식의 문학적 특성과 미학 관념을 이해할 수 있으며, 송나라 선비들의 미학적 특색과 정원식물의 심미적 의미를 파악할 수 있다. 본 연구는 소식의 모란 문화를 분류하고 탐구하고, 이를 통해 중국 전통 정원의 꽃과 나무 재배가 함축하고 있는 의미에 대중들의 관심을 불러일으키게 하는 데 목적이 있다. 식물문화에 대한 심층적인 연구는 정원 경관을 조성하기 위한 강력한 이론적 뒷받침을 제공하며, 정원 내 식물 배치 및 설계를 위한 유용함 참고를 제공할 수 있다. 나아가 서로 다른 정원의 역사적, 문화적 함의를 발견함과 동시에 관련 식물의 미적, 문화적 경관을 이해하는 데에도 중요한 의의를 가지고 있다.

Keywords

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