대한건축학회논문집 (Journal of the Architectural Institute of Korea)

  • 제40권3호
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  • Pages.145-156
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  • 2024
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  • 2733-6239(pISSN)
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  • 2733-6247(eISSN)
대한건축학회 (Architectural Institute of Korea)
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관폐대사 부여신궁의 건축적 특징에 대한 연구 - 건축 배치와 구성을 중심으로 -

Exploring the Architectural Design and Spatial Organization of the Buyeo Grand Shrine - Focusing on the layout and style of buildings -

  • 권오영 (한국전통문화대학교 문화재수리기술학과) ;
  • 김영재 (한국전통문화대학교 문화재수리기술학과)
  • Kwon, Oh-Young (Dept. of Heritage Conservation and Restoration, Korea National University of Cultural Heritage) ;
  • Kim, Young-Jae (Dept. of Heritage Conservation and Restoration, Korea National University of Cultural Heritage)
  • 투고 : 2023.12.04
  • 심사 : 2024.02.16
  • 발행 : 2024.03.30
⟨ 이전 논문 다음 논문 ⟩

초록

This study explores the background behind the architectural features, especially the layout and composition, of the Buyeo Grand Shrine, renowned for its exceptional design among Japanese shrines. In the late 1930s, Japan promoted the construction of the Buyeo Grand Shrine on Busosan Mount as a commemorative project 2,600 years ago. Originally slated for completion in 1943, Japan invested significant resources in materials and labor. However, due to challenges in fundraising amid World War Two, the Shrine remained unfinished until Japan's defeat in 1945. The findings indicated that the architectural design of the Buyeo Grand Shrine was influenced by Japanese shrine styles from the mid-1930s. Bureaucratic engineers like Takashi Sunami actively introduced the Showa-jo style, prioritizing functionality to accommodate daily services, ancestral rites, and public worship. This approach involved connecting corridor transepts on the left and right sides to prayer recital and worship halls in the middle, inspired by the shinden style that arranged a group of buildings symmetrically, which was popular in Buddhist temples during the Momoyama and Kamakura periods. The layout and style of the Buyeo Grand Shrine resembled those of the Taiwan Grand Shrine, which held similar prominence among Japanese shrines during that era. This suggests a standardized architectural approach adopted by Japan for grand shrines during the era, reflecting the nation's architectural innovations and its religious and cultural aspirations.

키워드

참고문헌

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