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현대미술에서의 아카이브 담론과 '아카이브 아트'의 재고찰

Archival Discourse in Contemporary Art and the Rethinking of "Archival Art"

  • 이혜린 (명지대학교 기록정보과학전문대학원)
  • 투고 : 2024.01.15
  • 심사 : 2024.01.24
  • 발행 : 2024.02.28

초록

본 연구는 현대미술의 아카이브 담론으로서 '아트 아카이브'와 '아카이브 아트'의 기초 개념을 정리하고, 아카이브적 특성에도 불구하고 미술작품이라는 매체적 특수성으로 인해 기록학에서는 크게 주목하지 않았던 아카이브 아트를 새롭게 고찰한다. 동시대 미술의 새로운 경향으로 받아들여지고 있는 아카이브 아트는 '아카이브 구조나 방법론을 활용하는 미술작품이나 미술실천'을 의미한다. 지금까지 아카이브 아트 관련 연구의 주된 특징은 권력자에 의해 평가 및 선별되었기에 아카이브를 신뢰할 수 없는 대상으로 평가하고, 미술가가 공적 영역에서 소외되고 결락된 역사를 새롭게 구축한다는 점에서 대항서사로 평가하는 것이다. 이러한 접근은 반아카이브적 관점으로 현대 아카이브를 비판하면서도 아카이브를 작품의 핵심적인 정체성으로 내세우는 모순적 특성을 드러낸다. 따라서 지금까지 전개된 주요 논의들은 기록의 진본성을 존중하고 기록 정보를 활용해 자신의 논리를 강화하는 사례를 포괄하지 못하고, 심지어 이들과 대치된다는 점에서 한계를 드러낸다. 본 연구에서는 기록학의 측면으로 아카이브 아트를 재정리해 유형을 분류하고, 각각의 특성을 분석할 것이다. 미술가가 활용한 아카이브 개념을 전통적인 기록학의 측면에서 접근하려는 시도는 미술작품이 지닌 본래의 미적 가치를 인정하면서도 이를 기록학의 연구 대상으로서 확대한다는 점에서 의의가 있다.

This study provides a synthesis of the fundamental concepts of "art archives" and "archival art" while undertaking a reconsideration of the latter. Archival art refers to "artworks or art practices that utilize archival structures or methodologies." Accepted as a new trend in contemporary art, archival art is evaluated as a counternarrative and reconstructs histories that are marginalized and omitted from the public sphere. This approach reveals the contradictory nature of criticizing the contemporary archive from an anti-archival perspective while simultaneously presenting the archive as a core identity of the work. Given the limited research on archival art, often with potential contradictions regarding record authenticity, this study expands the concept of archival art, includes archaeological aspects, classifies types, and analyzes their characteristics. By approaching artists' use of archives from a traditional archaeological lens, this study broadens the scope of the examination.

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