DOI QR코드

DOI QR Code

Exploring phoenix patterns - Dunhuang Mogao Grottoes and fashion design expressions -

봉황문양 탐구 - 둔황 막고굴과 패션디자인 표현기법 -

  • Jingyi Zhang (Dept. of Fashion Design, Pukyong National University) ;
  • Myung Hee Lee (Dept. of Fashion Design, Pukyong National University)
  • 장정이 (부경대학교 패션디자인학과) ;
  • 이명희 (부경대학교 패션디자인학과)
  • Received : 2023.06.27
  • Accepted : 2023.08.19
  • Published : 2023.08.31

Abstract

The objective of this study was to explore the symbolism associated with phoenix patterns in China and the temporal aesthetic characteristics of these patterns found in Dunhuang Mogao Grottoes. The study involved collecting examples of clothing designs featuring phoenix patterns from China Fashion Week and the Vogue website, spanning from spring and summer of 2016 to fall and winter of 2022. After collecting and organizing these examples, representative cases were selected for analysis. The objective was to identify effective techniques for incorporating phoenix patterns within the context of Dunhuang Mogao Grottoes and provided insights for future clothing design and textile pattern design research. Phoenix patterns boasted a lengthy history and were laden with symbolic meaning. Early renditions of phoenix patterns found at Mogao Grottoes in Dunhuang were relatively simplistic in design, mainly employing elements like rhythm, coordination, balance and symmetry to convey a sense of nature and gravity. Over time, these patterns evolved under the influence of the prevailing cultural backdrop, employing repeated emphasis to portray notions of abundance and tenacity. Furthermore, regarding the use of phoenix patterns in clothing, there were four prevalent expression techniques: embroidery, beading, printing, and knitting. Traditional techniques like embroidery and beadwork often prioritized aesthetic features like coordination, emphasis, and symmetry, thereby showcasing the opulent characteristics of phoenix patterns. On the other hand, printing and knitting techniques used a single phoenix pattern or a modified version to simplify designs by emphasizing or repeating aesthetic characteristics while adhering to a modern artistic approach.

Keywords

References

  1. Beads. (n.d.). In Doopedia. Retrieved May 2, 2023, from https://www.doopedia.co.kr/doopedia/master/master.do?_method=view&MAS_IDX=101013000750644
  2. China Fashion Net. (2022, July 29). 承东方之韵, 创国风新潮 [Inheriting the oriental rhyme, creating a new trend of national style]. Retrieved January 20, 2023, from https://news.mshishang.net/a/20220729/311706.html
  3. China Fashion Week. (2018, October 31). Rong Chang Xia Bu Zhang Yichao. Retrieved January 20, 2023, from http://www.chinafashionweek.org.cn/wjhg/wjtp/2019cx/zcfu/pic/201811/t20181101_3803012.html
  4. China Fashion Week. (2019, March 31). Heaven Gaia. Retrieved January 20, 2023, from http://www.chinafashionweek.org.cn/wjhg/wjtp/20192020/zcfb/pic/201903/t20190331_3858784.html
  5. China Fashion Week. (2021, September 9). De Jing Zhou Li. Retrieved January 20, 2023, from http://www.chinafashionweek.org.cn/wjhg/wjtp/2022cx/zcfb/pics/202109/t20210903_4183707.html
  6. Choi, J. Y. (2001). A digital textile printing design by abstract expression: Focused on motive by textile transformation. Unpublished master's thesis, Ewha Womans University, Seoul, Korea.
  7. Elle. (2019, April 4). "凤凰涅槃,浴火重生" 东方女性华丽蜕变-嫵WOO 2019秋冬新品 亮相上海时装周 ["Phoenix nirvana, rebirth from the ashes" oriental women's gorgeous transformation-WOO's 2019 fall and winter new products appeared in Shanghai Fashion Week]. Retrieved January 20, 2023, from https://www.ellechina.com/fashion/fashionweek/a296204/20190404-shizhuangzhou/
  8. Fang, W. (2009). A study of knit design by a fabu-lous bird pattern. Unpublished master's thesis, Hanseo University, Seosan, Korea.
  9. Feng, Y., Liu, H., & Lee, Y. (2022). Development of fashion design applying traditional fretwork patterns and faux chenille textiles. The Research Journal of the Costume Culture, 30(6), 880-897. doi:10.29049/rjcc.2022.30.6.880
  10. Hu, Q. P. (2010). 服飾鳳紋研究及其在現代禮服設計中的應用 [Research on phoenix pattern of clothing and its modern application in formalwear de- sign]. Unpublished master's thesis, Jiangnan University, Wuxi,
  11. Hu, T. Q., & Wang, Y. Z. (2018). 華麗敦煌-敦煌龍鳳紋飾圖錄 [The Ornate Dunhuang-Decorative illustration of Dunhuang dragon and phoenix patterns]. Lanzhou: DUZHE Publishing House.
  12. Huang, B., & Kim, H. K. (2021). A study on the production of art make-up design works using the mural painting in Mogao Grottoes of Dunhuang in China. A Journal of Brand Design Association of Korea, 19(2), 95-108. doi:10.18852/bdak.2021.19.2.95
  13. Jeong, J. (2010). A study on fashion decoration using beads craft technique. Unpublished master's thesis, Gangneung-Wonju National University, Gangneung, Korea.
  14. Kim, S.-H. (2002). A study on expressing handcraft techniques of materials in modern fashion: Centering around forming work technique. The Korea Society of Craft, 5(2), 43-58.
  15. Lee, H. L. (2006). Study on polychrome Buddhist sculptures of Dunhuang Mogao caves. Unpublished master's thesis, Dongbang Culture University, Seoul, Korea.
  16. Lee, S.-A. (2004). Study of beads decoration design expressed with modern fashion: Centering around Paris, Milan, New York, London collection from 2000 to 2004. Unpublished master's thesis, Hongik University, Seoul, Korea.
  17. Li, F. W., Wang, L., & Lee, Y. (2020). Characteristics of the traditional Atlas fabrics of the Xinjiang Uygur Minority Ethnic Group, China. The Research Journal of the Costume Culture, 28(2), 199-214. doi:10.29049/rjcc.2020.28.2.199
  18. Li, H., Pang, S., & Tian, J. (2022). Application of Dunhuang pattern elements in modern women's bag design. China Leather, 51(6), 111-117+123. doi:10.13536/j.cnki.issn1001-6813.2022-006-024
  19. Liu, H., & Lee, Y. (2022). 3D digital fashion design utilizing the characteristics of the mask of Nuo, Jiangxi province, China. The Research Journal of the Costume Culture, 30(3), 455-476. doi:10.29049/rjcc.2022.30.3.455
  20. Long, L., & Lee, Y. (2021). Development of fashion design applying to costume and Huangping batik of the Chinese minority Miao. The Research Journal of the Costume Culture, 29(4), 585-602. doi:10.29049/rjcc.2021.29.4.585
  21. Ma, Z. H., & Choi, S. (2020). A study on the characteristics of Chinese traditional court dress motives represented in modern fashion: Focused on 2015 S/S-2020 S/S collections. Journal of Fashion Design, 20(2), 157-170. doi:10.18652/2020.20.2.10
  22. Piao, S. (2019). Research on the development plan of mural resources in Dunhuang Mogao Grottoes in China: Focused on tourism and choreography. Unpublished master's thesis, Chung-Ang University, Seoul, Korea.
  23. Pu, A. G. (2000). 中國傳統藝術(續)-鳳紋裝飾 [Chinese traditional art (renewal) -The phoenix decorations]. Beijing: China Light Industry Press.
  24. Shi, J., & Kim, H.-J. (2022). Traditional Chinese ink-and-wash painting in contemporary fashion design: Focused on 2015 S/S~2021 S/S collection. Journal of Communication Design, 80, 81-100. doi:10.25111/jcd.2022.80.06
  25. Vogue. (2016, January 27). Valentino Spring 2016 couture. Retrieved January 24, 2023, from https://www.vogue.com/fashion-shows/spring-2016-couture/valentino/slideshow/collection#62
  26. Vogue. (2018a, June 24). Kenzo Spring 2019 ready-to-wear. Retrieved January 24, 2023, from https://www.vogue.com/fashion-shows/spring-2019-ready-to-wear/kenzo/slideshow/collection#30
  27. Vogue. (2018b, June 24). Kenzo Spring 2019 ready-to-wear. Retrieved January 24, 2023, from https://www.vogue.com/fashion-shows/spring-2019-ready-to-wear/kenzo/slideshow/collection#18
  28. Vogue. (2019a, January 23). Guo Pei Spring 2019 couture. Retrieved January 24, 2023, from https://www.vogue.com/fashion-shows/spring-2019-couture/guo-pei/slideshow/collection#23
  29. Vogue. (2019b, July 3). Elie Saab Fall 2019 couture. Retrieved January 24, 2023, from https://www.vogue.com/fashion-shows/fall-2019-couture/elie-saab/slideshow/collection#31
  30. Vogue. (2021, April 13). Feng Chen Wang fall 2021 ready-to-wear. Retrieved January 24, 2023, from https://www.vogue.com/fashion-shows/fall-2021-ready-to-wear/feng-chen-wang/slideshow/collection#10
  31. Vogue. (2022, February 23). Feng Chen Wang Fall 2022 ready-to-wear. Retrieved January 24, 2023, from https://www.vogue.com/fashion-shows/fall2022-ready-to-wear/feng-chen-wang/slideshow/col lection#21
  32. Wang, S., Liu, H., & Lee, Y. (2022). Fashion design applying to features of the Chinese minorities Naxi costume and seven star sheepskin cape. The Research Journal of the Costume Culture, 30(3), 331-347. doi:10.29049/rjcc.2022.30.3.331
  33. Wu, Y., Park, Y. J., & Park, J. S. (2017). A study on the formative images of Chinese traditional phoenix pattern: Focused on the Chinese Airlines logo design. Journal of Basic Design & Art, 18(4), 189-206.
  34. Wu, Y. X. (2017). Research on color performance of Dunhuang Mogao Grottoes Murals in the Tang Dynasty. Unpublished master's thesis, Northwest Normal University, Lanzhou, China.
  35. Yang, Y., & Zhang, Y. (2021). 石窟紋樣在現代服裝設計中的應用研究 [Application of Grotto pattern in modern clothing design]. Chemical Fiber & Textile Technology, 2021(12), 133-135.
  36. Zhang, J. Y. (2019). Research on artistic characteristics of phoenix and bird pattern in Mogao Grottoes in Dunhuang and its application in modern fashion design. Unpublished master's thesis, Guangxi Normal University, Guangxi, China.
  37. 자수 [Embroidery]. (n.d.). In Encyclopedia of Korean Culture. Retrieved May 1, 2023, from https://encykorea.aks.ac.kr/Article/E0047963