Journal of Daesoon Thought and the Religions of East Asia (대순사상과 동아시아종교)

DAOS(The Daesoon Academy of Sciences) (대진대학교 대순사상학술원)
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Otherness and Diversity in Vietnamese Confucianism: The Formation of the Symbol of the Ancestral King Lạc Long Quân Based on the Nguyễn Huy Thiệp Complex

  • Received : 2023.01.16
  • Accepted : 2023.03.20
  • Published : 2023.03.30
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Abstract

Quân sư phụ (君師父) is a concept of respectfulness derived from the Chinese Confucian concepts of sān gāng wǔ cháng (三綱五常, the Three Principles and Five Constant Virtues) and sān cóng sì dé (三從四德, the Four Virtues Applied to the Three Male Figures) that is applied to Vietnamese Confucianism in regards to not only kings but also Chinese Emperors, as well as Chinese culture generally. In his famous literary work Vàng lửa (Golden Fire), Nguyễn Huy Thiệp revealed the Vietnamese attitude to Chinese civilization: "Our country could be characterized as nhược tiểu (弱小, small and weak). Vietnam was like a maiden forcibly deflowered by Chinese civilization. 'She' enjoyed it, but also came to hate it and feel disgraced by it" (Nguyễn 1988). This is a special sentiment or psychological complex of the Vietnamese in relation to Chinese civilization. The research findings are that the Nguyễn Huy Thiệp complex is the rationale behind which the symbol of the ancestral King Lạc Long Quân (貉龍君) was altered via SinoVietnamese motifs in order to develop Vietnamese Confucian thought.

Keywords

Acknowledgement

My special thanks to Linda Mazur for all the advice and patience in guiding me through the English revision.

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